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Ere Ibeji (Twin Figure)

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Image of Ere Ibeji (Twin Figure)

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Bookmark: http://triarte.brynmawr.edu/objects-1/info/145809



unknown Igbomina
Yoruba Primary



Ere Ibeji (Twin Figure)

Early 20th century to Mid 20th century
Carved and incised wood with pigment and glass

12 3/8 in. x 3 9/16 in. x 3 1/8 in. (31.5 cm x 9 cm x 8 cm)

Bryn Mawr College
Accession Number: 99.3.21
Other Number(s): 158 (D) (Neufeld Collection Number)
Acquisition Date: 12/20/1996
Geography: Africa, Nigeria, Ajassi
Classification: Ceremonial and Performance Artifacts; Ritual Objects
Culture/Nationality: Igbomina, Yoruba, Ajassi, Nigerian, West African, African
Collection: Neufeld Collection
Description: Nigeria has the highest incidence of twin births of any country in the world. Among the Yoruba, twins are regarded as blessed spiritual beings who bring wealth to their families. When a twin passes away, the parents consult a babalawo (priest or diviner), who will advise the family to have an ere ibeji, or twin figure, carved to represent the gender of the deceased twin and become the residence of the twin’s spirit.

The mother of the deceased child will care for the ere ibeji just as she cares for the living twin. It will be washed, moisturized, clothed, and fed. It is believed that proper care of the ere ibeji ensures that the deceased twin will not lure the living twin to join it. When a parent can no longer care for the figure, it becomes the responsibility of the living twin. If an ere ibeji is left without a keeper, it is given to an iya’beji, a woman who cares for all abandoned twin figures.

Presently, it is growing less and less common to have an ere ibeji made. Instead, photos are sometimes used to represent a deceased twin.

Keywords Click a term to view the records with the same keyword
This object has the following keywords:
  • African - Refers to the cultures of the continent of Africa, which is bounded by the Atlantic Ocean, the Indian Ocean, and the Mediterranean Sea.
  • carving - The act of shaping, marking, or decorating wood, stone, or another material by cutting or incising, typically using tools such as chisels and other blades. It refers to this process as it is applied to small-scale objects or to objects that are not considered art. "Carving" may also be considered a sculpture technique that is employed in the creation of art.
  • ere ibeji - Anthropomorphic figures carved by the Yoruba people of Africa in memory of a deceased twin or twins.
  • Igbomina
  • indigo - A natural dark blue colorant obtained from the tropical Indigofera tinctoria plants. The use of indigo was first mentioned in Indian manuscripts in the 4th century BCE; it was first exported to Europe in Roman times. The natural material is collected as a precipitate from a fermented solution of the plant, where the coloring component, indigotin, is extracted as a colorless glycoside that turns blue with oxidation. Indigo is a fine, intense powder which may be used directly as a pigment in oil, tempera, or watercolor media. Since the exposed pigment can fade rapidly in strong sunlight, it is rarely used in art or fine textiles today. However, it is still used to dye jeans, where its fading and uneven coloring have become favorable characteristics.
  • male - Referring to the sex that in reproduction normally produces sperm cells or male gametes.
  • Nigerian
  • ritual objects - Objects used for a particular ritual activity, often as part of a ceremony.
  • twins - Two siblings conceived, carried in the womb, and usually born at the same time. They may be identical, as when one fertilized egg splits, or fraternal, as when two eggs are individually fertilized.
  • West African - Styles and cultures from the region comprising the westernmost area of the African continent, defined by the United Nations as including the modern nations of Benin, Burkina Faso, Côte d'Ivoire, Cape Verde, Gambia, Ghana, Guinea, Guinea-Bissau, Liberia, Mali, Mauritania, Niger, Nigeria, Senegal, Sierra Leone, and Togo.
  • wood - The principal tissue of trees and other plants that provides both strength and a means of conducting nutrients. Wood is one of the most versatile materials known.
  • Yoruba

Additional Images Click an image to view a larger version
Additional Image 99.3.21_BMC_a_2.jpg
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Additional Image 99.3.21_BMC_a_3.jpg
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Additional Image 99.3.21_BMC_a_4.jpg
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Additional Image 99.3.21_BMC_a_5.jpg
99.3.21_BMC_a_5.jpg

Exhibition List
This object was included in the following exhibitions:

  • Owner Name: Mace Neufeld and Helen Katz Neufeld, Class of 1953
    Role: Donor
    Place: Bryn Mawr, Pennsylvania, US
    Ownership End Date: 12/20/1996


Bibliography List
The following Bibliography exist for this object:
  • David Bindman and Suzanne Preston Blier. The Image of the Black in African and Asian Art Belknap Press: An Imprint of Harvard University Press. Cambridge, MA, 2017
    Figure Number: 26
  • "African Heritage Document and Research Center." (Accessed June 11, 2020): AHDRC.eu. Record No.: 0176103.

Comparanda List
The following Comparanda exist for this object:
  • "African Heritage Document and Research Center." (Accessed June 11, 2020): AHDRC.eu. Record No.: 0150243.
  • "African Heritage Document and Research Center." (Accessed June 11, 2020): AHDRC.eu. Record No.: 0107808.
  • Fausto Polo, "Ibeji Archive." (Accessed July 23, 2020): http://ibejiarchive.com/. Record No.: 67V21.
  • "African Heritage Document and Research Center." (Accessed June 11, 2020): AHDRC.eu. Record No.: 0107768.

Related Bibliography List
The following Related Bibliography exist for this object:
  • Ugochukwu-Smooth Nzewi and Carol Thompson. "Embodying the Sacred in Yoruba Art: Featuring the Bernard and Patricia WagnerCollection: A Case Study in Museum Practice." African Arts 42, no. 2 (Summer 2009): 42, Figure Number: 17.
  • Eva L. R. Meyerowitz, "Ibeji Statuettes from Yoruba, Nigeria." Man 44 (Sept. 1944 - Oct. 1944): 105-106.
  • Elisha P. Renne, "Twinship in an Ekiti Yoruba Town." Ethnology 40, no. 1 (2001): 63-78.
  • Ugochukwu-Smooth Nzewi and Carol Thompson. "Embodying the Sacred in Yoruba Art: Featuring the Bernard and Patricia WagnerCollection: A Case Study in Museum Practice." African Arts 42, no. 2 (Summer 2009): 32-43.
  • "National Museums of Scotland: Online Collections Database." (Accessed April 5, 2020): National Museums of Scotland, https://www.nms.ac.uk/explore-our-collections/search-our-collections/. https://www.nms.ac.uk/explore-our-collections/stories/world-cultures/ere-ibeji-figures/.
  • Gert Stoll and Mareidi Stoll. Ibeji: Zwillingsfiguren der Yoruba (Munich, Germany: Authors, January 1, 1980), 288-289.
  • George Chemeche, Ibeji: The Cult of Yoruba Twins (Milan, Italy: 5 Continents Editions srl, 2003), 27-29.
  • Stefan Eisenhofer, ed. Kulte, Künstler, Könige in Afrika: Tradition und Moderne in Südnigeria (Linz, Austria: des Oberösterreichisches Landesmuseums, 1977), 232-241.

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<ref name=BMC>cite web |url=http://triarte.brynmawr.edu/objects-1/info/145809 |title=Ere Ibeji (Twin Figure) |author=Bryn Mawr College Library Special Collections |accessdate=4/18/2024 |publisher=Bryn Mawr College</ref>

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