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After the Event I

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Bookmark: http://triarte.brynmawr.edu/objects-1/info/187162



Bill Jacklin
British (London, United Kingdom, 1943 - ) Primary



After the Event I

2000
Etching, aquatint and engraving
State: 43/200

Plate
12 1/4 in. x 10 3/4 in. (31.12 cm x 27.31 cm)

Bryn Mawr College
Accession Number: 2012.27.404
Other Number(s): 100 (Donor Number)
Acquisition Date: 06/25/2012
Geography: Europe, Great Britain
Classification: Fine and Visual Arts; Prints; Etchings
Culture/Nationality: British
Collection: Levine Collection

Keywords Click a term to view the records with the same keyword
This object has the following keywords:
  • aquatint - An intaglio etching technique in which a metal plate is sprinkled with a finely-powdered resin (asphaltum, rosin, etc.); the plate is heated to melt the resin, then cooled, and placed in an acid bath. The acid lightly etches areas not covered with the resin. The results in a plate with fine pockmarks. The process was invented in the 1760s by J.B. LePrince. Aquatints were popular until the late 1830s.
  • aquatints - Prints produced from designs created by the aquatint process, by which a printing plate is covered with a coating and etched with acid so as to create a range of tonal values, often combined with line work. The resulting print resembling a watercolor.
  • engraving - The intaglio process in which the design is incised into a printing plate, usually a flat copper plate, with the aid of a graver or burin that is held in the palm of the hand and pushed against the copper to cut lines comprising V-shaped grooves. The plate is then inked up, wiped so that ink is retained in the grooves and then forced out under the pressure of the printing process to create lines on the paper. The technique was first developed in the early 15th century in Germany, probably by goldsmiths who wished to keep records of the designs they had engraved on their wares. The process is distinct from "wood engraving (process)," which is a process for relief printing; "wood cut (process)" refers to engraving wood blocks for printing. Historically, "engraving" has sometimes been used incorrectly to refer to all printmaking processes, particulalry any process employing printing plates. For the single step of incising an inscription or design into any surface, not only a printing plate, see "engraving (incising)."
  • engravings - Prints on paper incorporating impressions of a reverse design created on a printing plate, usually copper, into which the design has been incised (engraved) using burins or gravers. Historically, "engravings" has sometimes been incorrectly used to refer to all prints, regardless of the specific technique. For prints made from designs engraved on a flat wooden block, use "wood cuts"; for prints made from a plate that is etched rather than engraved, use "etchings."
  • Equus caballus - Hooved animal. Original populations of Equus caballus were once found in the steppe zone from Poland to Mongolia. Now domesticated, horses occur throughout the world and in feral populations in some areas. Three of the several early breeds of horse - Przewalski's horse from central Asia, the tarpan from eastern Europe and the Ukrainian steppes, and the forest horse of northern Europe - are generally thought to have been the ancestral stock of modern domestic horses. According to this line of thinking, Przewalski's horse and the tarpan formed the basic breeding stock from which the southerly 'warm-blooded' horses developed, while the forest horse gave rise to the heavy, 'cold-blooded' breeds. All modern breeds are divided as light, fast, spirited breeds typified by the modern Arabian, heavier, slower, and calmer working breeds typified by the Belgian, and intermediate breeds typified by the Thoroughbred. They are also classified according to where they originated (e.g., Percheron, Clydesdale, and Arabian), by the principal use of the horse (riding, draft, coach horse), and by their outward appearance and size (light, heavy, pony).
  • etchings - Prints made from an etched printing plate, which is a metal plate on which a design is made by coating the plate with an acid-resistant substance, creating a design in the coating, and then exposing the plate to acid, which etches the plate where the metal is exposed. For designs incised directly into a copper plate using a burin or graver, use "engravings (prints)."
  • people - Members of the species Homo sapiens and their close extinct relatives, as distinguished from other animals, spirits, or other entities.
  • skylines - Outlines, especially of a series of buildings, as seen against the sky.

Additional Images Click an image to view a larger version
Additional Image 2012.27.404_BMC_f_2.jpg
2012.27.404_BMC_f_2.jpg
Additional Image 2012.27.404_BMC_r_2.jpg
2012.27.404_BMC_r_2.jpg

Dimensions
  • Plate Dimensions: 12 1/4 x 10 3/4 in. (31.115 x 27.305 cm)

If you would like to cite this object in a Wikipedia article please use the following template:

<ref name=BMC>cite web |url=http://triarte.brynmawr.edu/objects-1/info/187162 |title=After the Event I |author=Bryn Mawr College Library Special Collections |accessdate=4/18/2024 |publisher=Bryn Mawr College</ref>

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