1 3/4 in. x 6 1/2 in. (diameter) (4.45 cm x 16.51 cm)
Bryn Mawr College
Containers and Vessels; Vessels; Bowls
Helen B. Chapin '15 Collection?
This bowl is a beautiful example of the qingbai (bluish-white) style of porcelain, with translucent glaze and elegant calligraphic decoration. Qingbai pottery commonly took the form of bowls, and the gently scalloped edges in this bowl mimic the petals of a flower.
This type of porcelain developed during the tenth century in the city of Jingdezhen. While Jindezhen was a center of ceramic production from the Tang period, the quality and beauty of qingbai pieces made Jingdezhen famous.
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- Refers to the cultures of the continent of Asia, which is in the eastern hemisphere, and is bounded by the Pacific Ocean, the Indian Ocean, the Arctic Ocean, and is generally considered to be delimited on the west by the Ural Mountains. It also refers to the numerous islands off the coast of Asia.
- Rounded, cuplike, hollow parts of objects, such as the body of a stemmed vessel or the part of a pipe in which tobacco is burned.
- The cultures, styles, and periods characteristic of China. To specifically refer to the cultures of ancient Chine, use "Ancient Chinese."
- The process and technique of producing, forming, or tracing a pattern, text, or other usually linear motif by cutting, carving, or engraving.
- Giving form to something by use of a mold; usually refers to pressing a material into the mold, as distinct from pouring liquid material into the mold, for which prefer "casting."
- A material comprising white clay, or "kaolin," and a feldspathic rock, that react when fired so the clay serves to hold the shape of the object and the rock fuses into a natural glass. In China, it includes any such ware that is highly fired enough to produce a ringing sound when struck. In Europe, it is limited to hard-fired ceramic that is translucent.
- Refers to the style of porcelain made in the Kiangsi province of China during the Yuan dynasty characterized by a pale or sky blue color.
- Refers to a Chinese dynastic culture, style, and period dating to 960 to 1279 CE. It was a time of social, economic, and artistic invention and transition; in particular, an unsurpassed refinement was achieved in many of the arts. As society shifted away from being one of aristocrats towards one of meritorious commoners, the ruling class sought to shore up their power. For instance, emperors promoted the painting of themes associated with dynastic legitimacy and stability. The Song emperors were among China's most culturally enlightened rulers and many were even accomplished artists in their own right. Since the Song emperors were less powerful than their Han and Tang predecessors and because they maintained a tenuous peace with their hostile neighbors, the art of this period is introspective. The Song period is best known for landscape painting, although ceramics, sculpture, and architecture also flourished. Clay and wood often replaced stone for sculpture, allowing for softer, more lifelike figures. Song architecture is notably elongated and thin with curved roofs and a distinctive Song spire. Pagodas were first constructed of masonry during this period. There are two divisions within this style and period: Northern Song, dating to 960 to 1127, and Southern Song, dating to 1127 to 1279.
- Containers designed to serve as receptacles for a liquid or other substance, usually those of circular section and made of some durable material; especially containers of this nature in domestic use, employed in connection with the preparation or serving of food or drink, and usually of a size suitable for carrying by hand.
This object was included in the following exhibitions:
An Appreciation of Chinese Arts in Bryn Mawr College's Collections
Bryn Mawr College
, 4/23/2002 - 5/20/2002
Worlds to Discover: 125 Years of Collections at Bryn Mawr College
Bryn Mawr College
, 9/24/2010 - 5/28/2011