TriArte - The "Adam and Eve," Old Chelsea

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Image of The "Adam and Eve," Old Chelsea

Bookmark: http://triarte.brynmawr.edu/objects-1/info/179426

James McNeill Whistler
American (1834 - 1903)

The "Adam and Eve," Old Chelsea

Late 19th century

State: Second state of two states

Plate
6 13/16 in. x 11 13/16 in. (17.3 cm x 30 cm)

Bryn Mawr College

Accession Number: Deanery.222

K.175 (Previous No.)

Geography:

North and Central America, United States

Classification:

Fine and Visual Arts; Prints; Etchings

Culture/Nationality: American

Collection: Deanery Collection

James Whistler (1834-1903) was born in Lowell, Massachusetts; in his youth he studied art in St. Petersburg, London, and Paris, settling in France after a short career as a draftsman for the U.S. Coast Survey. Although he is known primarily for his paintings, Whistler also produced numerous etchings, lithographs, and drypoints.

In 1879, Whistler was commissioned to do a series of etchings in Venice, and following his relocation to London at the outbreak of the Franco-Prussian War (1870), he also produced etchings and lithographs depicting English landscapes and architecture.

This etching was produced and first published in 1878. It depicts a row of buildings, including a tavern, the “Adam and Eve,” on the Chelsea riverbank of the Thames in London, where several boats and barges are shown beached or sailing on the river. Whistler’s characteristic signature – a monogram of his initials within an abstract butterfly – appears at the upper left. The print hung in the Blue Room of the Deanery along with other etchings by Whistler and several works of the French master, Charles Meryon.

Keywords Click a term to view the records with the same keyword

This object has the following keywords:

cityscapes, townscapes, and village scenes, etchings*

cityscapes, townscapes, and village scenes
etchings - Prints made from an etched printing plate, which is a metal plate on which a design is made by coating the plate with an acid-resistant substance, creating a design in the coating, and then exposing the plate to acid, which etches the plate where the metal is exposed. For designs incised directly into a copper plate using a burin or graver, use "engravings (prints)."

Exhibition List

This object was included in the following exhibitions:

Prints of Whistler and Haden from the Bryn Mawr College Collections Bryn Mawr College , 3/14/1988 - 3/30/1988

Bibliography List

The following Bibliography exist for this object:

Manufacturers' Appraisal Company, 1949 Manufacturers' Appraisal. 1949
Page Number: 67
Manufacturers' Appraisal Company, 1954 Manufacturers' Appraisal. 1954
Page Number: 91

Related Object(s) Click a record to view

Fishing Boat
Deanery.217

Little Court
Deanery.218

Temple
Deanery.219

Lagoon: Noon
Deanery.220

La Salute: Dawn
Deanery.221

Portfolio List Click a portfolio name to view all the objects in that portfolio

This object is a member of the following portfolios:

Deanery Collection

If you would like to cite this object in a Wikipedia article please use the following template:

<ref name=BMC>cite web |url=http://triarte.brynmawr.edu/objects-1/info/179426 |title=The "Adam and Eve," Old Chelsea |author=Bryn Mawr College Library Special Collections |accessdate=1/26/2021 |publisher=Bryn Mawr College</ref>

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