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Virgin and Children

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Bookmark: http://triarte.brynmawr.edu/objects-1/info/179440



After
Andrea della Robbia
Italian (Florence, 1435 - 1525 or 1528, Florence) Primary



Virgin and Children

Before 1896, after original of second half of the 15th century - first half of the 16th century
Ceramic
State: Reproduction

28 in. x 28 in. (71.12 cm x 71.12 cm)

Bryn Mawr College
Accession Number: Deanery.45
W.690 (Wyndham No.)
Geography:
Classification: Fine and Visual Arts; Sculptures; Terracottas
Collection: Deanery Collection
M. Carey Thomas, the first Dean and second President of Bryn Mawr College, lived in the Deanery from 1885 to 1933. She and her partner, Mary Elizabeth Garrett, who lived with her in the Deanery from 1904-1915, traveled extensively and collected art and furniture from around the world, particularly from Mediterranean, Middle Eastern, and Asian countries.

This plaque, which depicts the Virgin Mary and Christ Child, is one of the many works of religious art that were purchased to decorate the Deanery, which together represent many of the major world religions (including Buddhism, Christianity, and Islam). The ceramic plaque is a reproduction of a work by the Italian Renaissance artist Andrea della Robbia (1435-1525). It can be seen in early (ca. 1896) photographs of the Deanery, when it hung in a hallway on the first floor.

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This object has the following keywords:
  • ceramic - Refers to any of various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing a nonmetallic mineral, such as clay, at a high temperature.
  • plaques - Flat, thin, usually small objects, made of metal, clay, ivory, glass, or basketry, sometimes set into a surface for decoration or to bear an inscription.
  • Renaissance - Refers to the intellectual movement, style, and culture that originated in Italy in the late 14th century, spread throughout Europe, and culminated in the 16th century. Style is characterized by a deliberate reference to the art, architecture, literature, and ideals of Classical Rome and Greece.
  • reproductions - Copies of art images, art objects, decorative arts, or other valued images or objects, made without intent to deceive; with regard to art images, it includes photographic reproductions. The term implies more precise and faithful imitation than does the term "copies (derivative objects)." Where the intent is to deceive, see "forgeries" or "counterfeits." For prints copying other two-dimensional works, typically dating from before the widespread use of photography, use "reproductive prints."
  • sculpture - Three-dimensional works of art in which images and forms are produced in relief, in intaglio, or in the round. The term refers particularly to art works created by carving or engraving a hard material, by molding or casting a malleable material (which usually then hardens), or by assembling parts to create a three-dimensional object. It is typically used to refer to large or medium-sized objects made of stone, wood, bronze, or another metal. Small objects are typically referred to as "carvings" or another appropriate term. "Sculpture" refers to works that represent tangible beings, objects, or groups of objects, or are abstract works that have defined edges and boundaries and can be measured. As three-dimensional works become more diffused in space or time, or less tangible, use appropriate specific terms, such as "mail art" or "environmental art."

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<ref name=BMC>cite web |url=http://triarte.brynmawr.edu/objects-1/info/179440 |title=Virgin and Children |author=Bryn Mawr College Library Special Collections |accessdate=4/10/2021 |publisher=Bryn Mawr College</ref>

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