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Hexagonal Tabouret with Inlaid Bands

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Bookmark: http://triarte.brynmawr.edu/objects-1/info/189754



Unknown Artist
Primary



Hexagonal Tabouret with Inlaid Bands

pre-1917
Wood

19 3/4 in. x 20 1/2 in. (50.17 cm x 52.07 cm)
Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894-1922

Bryn Mawr College
Accession Number: Deanery.466
W.173 (Wyndham No.)
Geography: Classification:
Furnishings and Furniture; Furniture; Table
Collection: Deanery Collection

Small hexagonal table (tabouret) with inlaid wavy-band design on legs with curvilinear arches in between.

The curved arches and inlaid design can be attributed to the increasing influence of Indian aesthetics. American art inspired by Indian designs increased over the course of the late-18th and early 19th centuries. Since the early 1600s, one can trace the history of British trade with India. In 1757, however, the British East India Company effectively controlled India after the Battle of Plassey; after the Indian Rebellion in 1857, the British government began direct rule over India in 1858. The visibility of Indian art and design to American audiences increased alongside British control over the peninsula through the display and distribution of Indian works, such as in the Great Exhibition of 1851 in London. The Deanery at Bryn Mawr College prominently featured Indian art as it was largely decorated by the American artist, Lockwood de Forest (1850-1932), who is best known for his role in the introduction of Indian art to America and Britain.


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<ref name=BMC>cite web |url=http://triarte.brynmawr.edu/objects-1/info/189754 |title=Hexagonal Tabouret with Inlaid Bands |author=Bryn Mawr College Library Special Collections |accessdate=8/15/2020 |publisher=Bryn Mawr College</ref>

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