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Jane Martin Collection of African Art & Cultural Objects

Dr. Jane Martin (Class of 1953, MA 1958) is the generous donor of a significant collection of African Art and related papers from her professional work in Liberia. After graduating from Bryn Mawr with two degrees, Martin went on to earn her PhD in African History from Boston University in 1968. Her research focused on the Glebo of Eastern Liberia, and many of her interests there are reflected in the archives she donated to the College, including material on specific individuals in the Kru tribe, African women and their roles in education and society, and governmental and non-profit organizations in Africa. Martin lived and worked in West Africa for several years, teaching African History at the University of Calabar in Nigeria and the University of Liberia in the 1970s. Her papers demonstrate her careful thinking about how to teach history and what to teach, as well as research interviews she conducted during this time. From 1984 to 1989, she was Executive Director of the United States Educational and Cultural Foundation in Liberia, administering the Fulbright Program and other cultural exchange programs. She was a strong advocate for binationalism between the US and Liberia for all of her life, continuing this work at the African-American Institute in New York, when civil war forced Martin to leave Liberia in 1989. Throughout her travels in Africa, Martin collected a wide variety of art and cultural objects, some 150 of which she donated to the Art & Artifacts Collection at Bryn Mawr. These include masks danced by women of Liberia’s Sande society, Ashanti gold weights, baby carriers, toys made by the artist Saarenald T. S. Yaawaisan from recycled flip-flop sandals, and a Baule Chief’s chair. She documented her collecting with various field notes, photographs, and correspondences, all of which serve to enrich the gift of objects immeasurably. Works from Martin’s Collection have been featured in exhibitions organized by students since their arrival at the College in 2016, including On Selecting: Profiles of Alumnae Donors to the African Art & Artifacts Collection (Spring 2017) and Mirrors & Masks: Reflections and Constructions of the Self (Spring 2017). These materials are regularly used in courses across a variety of fields at the College.

Showing 145 to 150 of 150 Records


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Wakemia or Wunkirmian (Ceremonial Ladle)

unknown Dan
Wood

Accession Number: 2016.14.145
19th century, 20th century Côte d'Ivoire or Liberia West Africa Dan, Ivorian or Liberian, West African, African

Wakemia or Wunkirmian (Ceremonial Ladle)

unknown Dan
Wood

Accession Number: 2016.14.146
19th century, 20th century Côte d'Ivoire or Liberia West Africa Dan, Ivorian or Liberian, West African, African

Awale (Sowing Game)

unknown Liberian
Wood

Accession Number: 2016.14.147-2016.14.148
19th century, 20th century Liberia West Africa Liberian, West African, African

Kpokpogi (Circular Stool)

unknown Loma
Wood

Accession Number: 2016.14.149
19th century, 20th century Republic of Guinea West Africa Toma, Loma, Guinean, West African, African

Amulet Vessel

unknown Mende
Horn, Metal

Accession Number: 2016.14.150
19th century, 20th century West Africa Mende, West Africa, African

Amulet Vessel

unknown Mende
Horn, Metal

Accession Number: 2016.14.151
19th century, 20th century West Africa Mende, West Africa, African

Showing 145 to 150 of 150 Records


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