Yoruba (1890 – 1965) Primary
Ere Ibeji (Twin Figure)1920 - 1965
11 1/4 in. x 4 in. x 3 1/2 in. (28.58 cm x 10.16 cm x 8.89 cm)
Bryn Mawr College
The mother of the deceased child will care for the ere ibeji just as she cares for the living twin. It will be washed, moisturized, clothed, and fed. It is believed that proper care of the ere ibeji ensures that the deceased twin will not lure the living twin to join it. When a parent can no longer care for the figure, it becomes the responsibility of the living twin. If an ere ibeji is left without a keeper, it is given to an iya’beji, a woman who cares for all abandoned twin figures.
Presently, it is growing less and less common to have an ere ibeji made. Instead, photos are sometimes used to represent a deceased twin.
This object has the following keywords:
- African - Refers to the cultures of the continent of Africa, which is bounded by the Atlantic Ocean, the Indian Ocean, and the Mediterranean Sea.
- beading - Trimming, furnishing, adorning, or covering textiles or objects with beads, or creating jewelry by stringing beads.
- carving - The act of shaping, marking, or decorating wood, stone, or another material by cutting or incising, typically using tools such as chisels and other blades. It refers to this process as it is applied to small-scale objects or to objects that are not considered art. "Carving" may also be considered a sculpture technique that is employed in the creation of art.
- ere ibeji - Anthropomorphic figures carved by the Yoruba people of Africa in memory of a deceased twin or twins.
- female - Referring to the sex that normally produces eggs or female germ cells.
- indigo - A natural dark blue colorant obtained from the tropical Indigofera tinctoria plants. The use of indigo was first mentioned in Indian manuscripts in the 4th century BCE; it was first exported to Europe in Roman times. The natural material is collected as a precipitate from a fermented solution of the plant, where the coloring component, indigotin, is extracted as a colorless glycoside that turns blue with oxidation. Indigo is a fine, intense powder which may be used directly as a pigment in oil, tempera, or watercolor media. Since the exposed pigment can fade rapidly in strong sunlight, it is rarely used in art or fine textiles today. However, it is still used to dye jeans, where its fading and uneven coloring have become favorable characteristics.
- ritual objects - Objects used for a particular ritual activity, often as part of a ceremony.
- twins - Two siblings conceived, carried in the womb, and usually born at the same time. They may be identical, as when one fertilized egg splits, or fraternal, as when two eggs are individually fertilized.
- West African - Styles and cultures from the region comprising the westernmost area of the African continent, defined by the United Nations as including the modern nations of Benin, Burkina Faso, Côte d'Ivoire, Cape Verde, Gambia, Ghana, Guinea, Guinea-Bissau, Liberia, Mali, Mauritania, Niger, Nigeria, Senegal, Sierra Leone, and Togo.
- wood - The principal tissue of trees and other plants that provides both strength and a means of conducting nutrients. Wood is one of the most versatile materials known.
This object was included in the following exhibitions:
- Exhibiting Africa: Ways of Seeing, Knowing, and Showing Bryn Mawr College , Jan 25, 2017 – Mar 5, 2017
- A Curious Group; a cabinet of curiosities Bryn Mawr College , Apr 4, 2014 – Jun 30, 2014
- Ere Ibejis: Yoruba Twin Figures from the Bryn Mawr College Collection Bryn Mawr College , Aug 1, 2000 – Dec 30, 2003
Owner Name: Mace Neufeld and Helen Katz Neufeld, Class of 1953
Place: Bryn Mawr, Pennsylvania, US
Ownership End Date: 12/20/1996
The following Bibliography exist for this object:
and Nathanael Roesch.
A Curious Group.
Bryn Mawr College.
Bryn Mawr, PA, April 4–June 1, 2014
Figure Number: Wood 14
The following Comparanda exist for this object:
- Fausto Polo, "Ibeji Archive." (Accessed July 23, 2020): http://ibejiarchive.com/. Record No.: 59V09.
- Fausto Polo, "Ibeji Archive." (Accessed July 23, 2020): http://ibejiarchive.com/. Record No.: 59V51.
- Fausto Polo, "Ibeji Archive." (Accessed July 23, 2020): http://ibejiarchive.com/. Record No.: 59V32.
- Fausto Polo, "Ibeji Archive." (Accessed July 23, 2020): http://ibejiarchive.com/. Record No.: 59V45.
- "African Heritage Document and Research Center." (Accessed June 11, 2020): AHDRC.eu. Record No.: 0107933.
- Stefan Eisenhofer, ed. Kulte, Künstler, Könige in Afrika: Tradition und Moderne in Südnigeria (Linz, Austria: des Oberösterreichisches Landesmuseums, 1977), 232. Figure Number: Bottom
The following Related Bibliography exist for this object:
- Ugochukwu-Smooth Nzewi and Carol Thompson. "Embodying the Sacred in Yoruba Art: Featuring the Bernard and Patricia WagnerCollection: A Case Study in Museum Practice." African Arts 42, no. 2 (Summer 2009): 32-43.
- Eva L. R. Meyerowitz, "Ibeji Statuettes from Yoruba, Nigeria." Man 44 (Sept. 1944 - Oct. 1944): 105-106.
- Elisha P. Renne, "Twinship in an Ekiti Yoruba Town." Ethnology 40, no. 1 (2001): 63-78.
- "National Museums of Scotland: Online Collections Database." (Accessed April 5, 2020): National Museums of Scotland, https://www.nms.ac.uk/explore-our-collections/search-our-collections/. https://www.nms.ac.uk/explore-our-collections/stories/world-cultures/ere-ibeji-figures/.
- George Chemeche, Ibeji: The Cult of Yoruba Twins (Milan, Italy: 5 Continents Editions srl, 2003), 27-29.
- Gert Stoll and Mareidi Stoll. Ibeji: Zwillingsfiguren der Yoruba (Munich, Germany: Authors, January 1, 1980), 288-289.
- "The Fakeye Dynasty: the Art of the Master Craftsmen." Art in Africa (Accessed July 31, 2020): Artwa.Africa, https://artwa.africa/fakeye-dynasty-art-master-craftsmen/. https://artwa.africa/fakeye-dynasty-art-master-craftsmen/.
- Stefan Eisenhofer, ed. Kulte, Künstler, Könige in Afrika: Tradition und Moderne in Südnigeria (Linz, Austria: des Oberösterreichisches Landesmuseums, 1977), 232-241.
Ere Ibeji (Twin Figure)
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