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Cup Stand

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Bookmark: http://triarte.brynmawr.edu/objects-1/info/153058





Cup Stand

Song
960 - 1279
Porcelain

2 3/4 in. x 4 3/4 in. (diameter) (6.99 cm x 12.07 cm)

Bryn Mawr College
Accession Number: TN.114
Geography: Asia, China
Classification: Containers and Vessels; Vessels; Cups
Culture/Nationality: Chinese
Collection: Helen B. Chapin '15 Collection

Keywords Click a term to view the records with the same keyword
This object has the following keywords:
  • Asian - Refers to the cultures of the continent of Asia, which is in the eastern hemisphere, and is bounded by the Pacific Ocean, the Indian Ocean, the Arctic Ocean, and is generally considered to be delimited on the west by the Ural Mountains. It also refers to the numerous islands off the coast of Asia.
  • Chinese - The cultures, styles, and periods characteristic of China. To specifically refer to the cultures of ancient Chine, use "Ancient Chinese."
  • cups - Open bowl-shaped vessels, used chiefly for drinking, often having one handle, but sometimes two handles or none, generally on a low foot-ring; also includes similar bowl-shaped vessels, generally without handles, resting on a stem and supported by a spreading foot. Occasionally made with a lid.
  • porcelain - A material comprising white clay, or "kaolin," and a feldspathic rock, that react when fired so the clay serves to hold the shape of the object and the rock fuses into a natural glass. In China, it includes any such ware that is highly fired enough to produce a ringing sound when struck. In Europe, it is limited to hard-fired ceramic that is translucent.
  • Song - Refers to a Chinese dynastic culture, style, and period dating to 960 to 1279 CE. It was a time of social, economic, and artistic invention and transition; in particular, an unsurpassed refinement was achieved in many of the arts. As society shifted away from being one of aristocrats towards one of meritorious commoners, the ruling class sought to shore up their power. For instance, emperors promoted the painting of themes associated with dynastic legitimacy and stability. The Song emperors were among China's most culturally enlightened rulers and many were even accomplished artists in their own right. Since the Song emperors were less powerful than their Han and Tang predecessors and because they maintained a tenuous peace with their hostile neighbors, the art of this period is introspective. The Song period is best known for landscape painting, although ceramics, sculpture, and architecture also flourished. Clay and wood often replaced stone for sculpture, allowing for softer, more lifelike figures. Song architecture is notably elongated and thin with curved roofs and a distinctive Song spire. Pagodas were first constructed of masonry during this period. There are two divisions within this style and period: Northern Song, dating to 960 to 1127, and Southern Song, dating to 1127 to 1279.

Additional Images Click an image to view a larger version
Additional Image TN.114_BMC_ed.jpg
TN.114_BMC_ed.jpg

Exhibition List
This object was included in the following exhibitions:
  • An Appreciation of Chinese Arts in Bryn Mawr College's Collections Bryn Mawr College , Apr 23, 2002 – May 20, 2002

Portfolio List Click a portfolio name to view all the objects in that portfolio
This object is a member of the following portfolios:

If you would like to cite this object in a Wikipedia article please use the following template:

<ref name=BMC>cite web |url=http://triarte.brynmawr.edu/objects-1/info/153058 |title=Cup Stand |author=Bryn Mawr College Library Special Collections |accessdate=9/27/2022 |publisher=Bryn Mawr College</ref>

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