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Italo-Corinthian Alabastron (Oil Flask) with Painted Horizontal Bands

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Image of Italo-Corinthian Alabastron (Oil Flask) with Painted Horizontal Bands

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Bookmark: http://triarte.brynmawr.edu/objects-1/info/157484





Italo-Corinthian Alabastron (Oil Flask) with Painted Horizontal Bands

Archaic
600 BCE - 550 BCE
Clay

3 1/8 x 1 15/16 x 1 15/16 in. (8 x 5 x 4.9 cm)

Bryn Mawr College
Accession Number: P.48
Geography: Europe, Greece
Classification: Containers and Vessels; Vessels; Alabastra
Culture/Nationality: Etruscan

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This object has the following keywords:
  • alabastra - Small ancient Greek or Roman vessels for holding oils, ointments, or perfumes; usually elongated in form, almost cylindrical, and rounded at the bottom. Some footed examples also exist. They either have no handles or one small handle at the side. Alabastra are small enough to be held in one hand or it could be carried by a string looped around its narrow neck or passed through smal lugs on the shoulder. The shape originated in Egypt, where it was made in glass, faience, or alabaster (it takes its name from this stone).
  • Corinthian - Refers to a pottery style created in the city and region of Corinth in the Peloponnese in south-central Greece, and exported extensively in other parts of Greece, Italy, and Egypt, particularly in the second half of the seventh century BCE and the first half of the sixth century BCE. It is characterized by large vessels and bold decoration arranged in friezes covering most of the surface. Designs are in black-figure on a light terra-cotta background, with red, white, and incised additions. Motifs may have been inspired by Eastern textiles and typically include animals, monsters, or human figures, with ornaments such as dots, leaves, or rosettes scattered over the background.
  • vase paintings - Refers to two-dimensional decoration applied to pottery by using paint made of metallic oxides or other pigments held in suspension in slip or another medium. The term is particularly used to refer to Ancient Greek red- and black-figure works. See also "porcelain paintings (visual works)."

Additional Images Click an image to view a larger version
Additional Image P.48_BMC_b.jpg
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Additional Image P.48_BMC_pl.jpg
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Additional Image P.48_BMC_pl_3.jpg
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Additional Image P.48_BMC_r.jpg
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Additional Image P.48_BMC_t.jpg
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Additional Image P.48_BMC_pl_2.jpg
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Additional Image P.48_BMC_cc.jpg
P.48_BMC_cc.jpg

  • Owner Name: Clarissa Compton Dryden, Class of 1932, MA 1935
    Role: Donor
    Place: Bryn Mawr, Pennsylvania, USA
    Acquisition Method: Inheritance
    Disposal Method: Donation
    Ownership Start Date: 1925
    Ownership End Date: 1950's to 1980's
    Remarks: A relative of archaeologist, Charles Densmore Curtis (1875-1925), Dryden presented the Ella Riegel Museum with items she inherited from his collection of Greek, Roman, and Etruscan artifacts throughout the 1950s-1980s


  • Owner Name: Charles Densmore Curtis (1875-1925)
    Role: Collector
    Disposal Method: Bequest
    Ownership Start Date: Likely ca. 1900
    Ownership End Date: 1925


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<ref name=BMC>cite web |url=http://triarte.brynmawr.edu/objects-1/info/157484 |title=Italo-Corinthian Alabastron (Oil Flask) with Painted Horizontal Bands |author=Bryn Mawr College Library Special Collections |accessdate=3/28/2023 |publisher=Bryn Mawr College</ref>

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