Attic Black-Figure Neck-Amphora (Storage Vessel)
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Attic Black-Figure Neck-Amphora (Storage Vessel)Archaic
ca. 500 BCE-490 BCE
11 5/16 in. x 6 15/16 in. (diameter) (28.7 cm x 17.7 cm)
Bryn Mawr College
Accession Number: P.90
Geography: Europe, Greece
Classification: Containers and Vessels; Vessels; Amphorae
This object has the following keywords:
amphorae*, Archaic*, armor*, Attic*, Black-figure*, Dionysos, Herakles, neck amphorae*, palmette*, Satyrs and Maenads*, vase paintings*, Warriors
- amphorae - Ancient Greek and Roman storage vessels of many variations usually having a large oval body with a narrow neck and two or more handles extending from the mouth or neck to the shoulders on the body.
- Archaic - Refers to the pottery style found in Persia around 6000 BCE. The style is characterized by fine, plain buff pottery tempered with straw that is sometimes decorated with simple red or orange painted designs.
- Refers generally to that category of costume designed to be worn or carried to protect the body in combat. Armor pieces which are always physical parts of or are affixed to other pieces and cannot function alone are collocated under the guide term "
." For specifically groups of armor pieces designed as a whole to possess particular physical characteristics in order to suit a particular purpose or occasion, see "armors."
- Attic - Style and culture of the region of Attica. For culture particular to the capital of Attica, Athens, use "Athenian."
- Black-figure - Refers to a style of Greek vase painting that developed from the Geometric and Orientalizing styles. It appeared in Corinth around 720 BCE, flourished in Attica by 600 BCE, and was found in Sparta, eastern Greece, and elsewhere, until the Red-figure style gradually replaced it in the late sixth century BCE. The style is characterized by a particular technique, which is characterized by the use of a refined slip, a two-stage firing process, and sintering to create black figures in silhouette on a red ground. Details were incised into the black figures or applied in purple or white pigment.
- neck amphorae - Term applied to amphorae in which the neck is offset from the body.
- palmette - Motif resembling a stylized erect leaf divided into lobes, in the form of a fan or palm leaf, often supported by spirals. Its origins are obscure, but similar motifs are first recorded in Syria and Mesopotamia and in the islands of the eastern Mediterranean by the 2nd millennium BCE. As the name suggests, it may have been derived from representations of palm-trees, especially in view of the belief that a tree cult may have existed in western Asia in association with the introduction of the cultivated date-palm; however, it has much in common with other early floral and spiral motifs. The motif is common in classical and classicizing styles, used either individually or along with other conventionalized flower or foliage forms, for example, in an anthemion.
- Satyrs and Maenads - Maenads are human female followers of Dionysus (sometimes called Nymphai) - Note added June 2010 by M. Weldon.
- vase paintings - Refers to two-dimensional decoration applied to pottery by using paint made of metallic oxides or other pigments held in suspension in slip or another medium. The term is particularly used to refer to Ancient Greek red- and black-figure works. See also "porcelain paintings (visual works)."
This object was included in the following exhibitions:
- Conservation: A Permanent Part of a Permanent Collection Bryn Mawr College , Sep 1, 2012 – Dec 1, 2012
This object is a member of the following portfolios:
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