- Refers to the world religion and culture that developed in the first century CE, driven by the teachings of Jesus Christ of Nazareth. Its roots are in the Judaic tradition and the Old Testament. The tenets include a belief in the death and redemptive resurrection of Jesus. The religion incorporates a tradition of faith, ritual, and a form of church authority or leadership.
- Prints on paper incorporating impressions of a reverse design created on a printing plate, usually copper, into which the design has been incised (engraved) using burins or gravers. Historically, "engravings" has sometimes been incorrectly used to refer to all prints, regardless of the specific technique. For prints made from designs engraved on a flat wooden block, use "wood cuts"; for prints made from a plate that is etched rather than engraved, use "etchings."
- Refers to the culture of the modern nation of Italy, or in general to cultures that have occupied the boot-shaped Italian peninsula in the Mediterranean Sea.
- Creative works, usually two-dimensional, depicting an outdoor scene dominated by the land, hills, fields, sky, trees, fields, rivers or other bodies of water, and other natural elements. Landscapes may include a near point of view in the foreground, but also usually depict a view into the distance. Landscapes may contain architecture or figures, but the primary focus remains the land. When an ocean, sea, or other large body of water dominates the picture, use "seascapes." For actual areas of land rather than depictions, use "landscapes (environments)."
- Perpendicular or very steep descents of the water of a stream. May be used for artificial waterfalls only if highly naturalistic in form and context; otherwise prefer "cascades" or "fountains."
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This object was included in the following exhibitions:
Divine (Re)Productions: Italian Printmaking in the Sixteenth Century, from the Bryn Mawr College's Collections
Bryn Mawr College
, Mar 21, 2001 – Apr 4, 2001
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This object is a member of the following portfolios: