- Refers to the context of or associated specifically with the modern political entity of the United States of America.
- Structural elements, typically curved, spanning openings and transmitting vertical loads to either side of the opening; also, structural elements or freestanding structures that resemble arches or act structurally like arches.
- Barriers that swing, slide, tilt, or fold to close a doorway, usually of solid and finished construction and usually leading to or separating interior spaces. Use also for similar features that close a container or a piece of case furniture. For barriers of less solid or finished construction, and usually separating two exterior spaces, use "gates."
- Denotes openings, which contain or could contain a door, that provide access into or out of building spaces.
- Prints on paper incorporating impressions of a reverse design created on a printing plate, usually copper, into which the design has been incised (engraved) using burins or gravers. Historically, "engravings" has sometimes been incorrectly used to refer to all prints, regardless of the specific technique. For prints made from designs engraved on a flat wooden block, use "wood cuts"; for prints made from a plate that is etched rather than engraved, use "etchings."
- Refers to the culture of the modern nation of Italy, or in general to cultures that have occupied the boot-shaped Italian peninsula in the Mediterranean Sea.
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This object was included in the following exhibitions:
To Hold the Renaissance in One's Hands
Bryn Mawr College
, Oct 11, 1995 – Jun 2, 1996
Dimensions: 12 3/8 x 6 9/16 in. (31.433 x 16.669 cm)
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