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Featured Japanese Prints

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Image of Noin-hoshi (no. 69)  (The Monk Noin) / Hyakunin isshu no uchi (One Hundred Poems by One Hundred Poets)

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Bookmark: http://triarte.brynmawr.edu/objects-1/info/165657



Utagawa Kuniyoshi
Japanese (1798 - 1861) Primary



Noin-hoshi (no. 69) (The Monk Noin) / Hyakunin isshu no uchi (One Hundred Poems by One Hundred Poets)

1840-1842
Color woodblock

15 3/4 x 10 1/2 (40.01 cm x 26.67 cm)

Bryn Mawr College
Accession Number: S.70.FA
Geography: Asia, Japan
Classification: Fine and Visual Arts; Prints; Woodcuts
Culture/Nationality: Japanese

Keywords Click a term to view the records with the same keyword
This object has the following keywords:
  • Asian - Refers to the cultures of the continent of Asia, which is in the eastern hemisphere, and is bounded by the Pacific Ocean, the Indian Ocean, the Arctic Ocean, and is generally considered to be delimited on the west by the Ural Mountains. It also refers to the numerous islands off the coast of Asia.
  • bijinga - Paintings or prints that depict beautiful women. This term, which literally means "pictures of beautiful women," was most likely coined in the Edo period (1615-1868) or the Meiji period (1868-1912). Before this period, these pictures may have been called "onna-e" or "bijin-e".
  • color woodcuts - Woodcuts that incorporate color, usually through combining a series of blocks in precise registration that have been inked with individual hues and pressed onto one support.
  • Japanese - Nationality, periods, cultures, and styles found in Japan, either in historical times or in the present.
  • poetry - Literary and oral genre rooted in the compressed and cogent imaginative awareness or associations of experiences, ideas, or emotional responses and arranged under an organized criterion of meaning, conscious and unconscious expression, symbolism, formal or informal pattern, sound, and rhythm. The genre encompasses narrative, dramatic, satiric, didactic, erotic, and personal forms.
  • Ukiyo-e - Distinctive genre in painting and other media, but most prominently in woodblock printing. It arose in the Edo period (1600-1868) and built up a broad popular market among the middle classes. Subject matter typically focused on brothel districts and kabuki theatres, with formats ranging from single sheet prints to book illustrations. Generally, the style is characterized by a mixture of the realistic narrative of the Kamakura period and the mature decorative style of the Momoyama and Edo periods. Distinctive styles and specialties in subject matter were developed by different schools throughout the period.
  • woodcuts - Prints made using the process of woodcut, which is a relief process in which the design is cut into and printed from the plank side of a wood block; distinct from "wood engraving (process)," which is a relief process using the grain end of a wood block.

Additional Images Click an image to view a larger version
Additional Image S.70.FA_BMC_f_2.jpg
S.70.FA_BMC_f_2.jpg

Exhibition List
This object was included in the following exhibitions:
  • Japanese Wood Block Prints: Images of a Floating World Haverford College , Mar 28, 1987 – May 3, 1987

Bibliography List
The following Bibliography exist for this object:

Portfolio List Click a portfolio name to view all the objects in that portfolio
This object is a member of the following portfolios:

If you would like to cite this object in a Wikipedia article please use the following template:

<ref name=BMC>cite web |url=http://triarte.brynmawr.edu/objects-1/info/165657 |title=Noin-hoshi (no. 69) (The Monk Noin) / Hyakunin isshu no uchi (One Hundred Poems by One Hundred Poets) |author=Bryn Mawr College Library Special Collections |accessdate=8/15/2022 |publisher=Bryn Mawr College</ref>

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