James McNeill Whistler
American (1834 - 1903) Primary
6 in. x 9 in. (15.24 cm x 22.86 cm)
Bryn Mawr College
In 1879, Whistler was commissioned to do a series of etchings in Venice, and following his relocation to London at the outbreak of the Franco-Prussian War (1870), he also produced etchings and lithographs depicting English landscapes and architecture.
"The Fishing Boat" belongs to Whistler’s Venetian series of 1879-1880; it was published in 1886 with a series of twenty-six etchings known as the “Second Venice Set.” It depicts a sailing vessel on a Venetian canal, and the artist’s characteristic signature – a monogram of his initials within an abstract butterfly – appears at the lower right. This print hung in the Blue Room of the Deanery along with other etchings by Whistler and several works of the French master, Charles Meryon.
This object has the following keywords:
- etchings - Prints made from an etched printing plate, which is a metal plate on which a design is made by coating the plate with an acid-resistant substance, creating a design in the coating, and then exposing the plate to acid, which etches the plate where the metal is exposed. For designs incised directly into a copper plate using a burin or graver, use "engravings (prints)."
- seascapes and water scenes
- Prints of Whistler and Haden from the Bryn Mawr College Collections Bryn Mawr College , Mar 14, 1988 – Mar 30, 1988
- Sheet Dimensions: 6 x 9 in. (15.24 x 22.86 cm)
La Salute: Dawn
The "Adam and Eve," Old Chelsea
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