Toyohara Chikanobu
Japanese (1838 - 1912) Primary

The Women's Brigade of the Kagoshima Rebels in Brave Battle, from the series Kagoshima seito

Meiji
1877

Greatest Dimensions
14 3/4 x 10 1/8 in. (37.465 x 25.718 cm)

This object has the following keywords:

• Hashimoto, Chikanobu, 1838-1912 - Sources:
  - Torioi Omatsu kaijō shinwa, 1927:
  - Shin bijin, 1898:
  - Kotobank.jp, 2012-10-03:
  - Shozō ukiyoe hanga dētabēsu, 2012-10-03:
  - Nihon bijutsukan, 1997:
  - Jinbutsu refarensu j. Bijutsu hen, 2010
  - Ukiyoe j., 1974:
  - Nihon gaka j., 1927:
  - Yōshū Chikanobu = Hashimoto Naoyoshi, 2012:
• Meiji - Period and style that coincides with the rule of emperor Mutsuhito, called Meiji, from 1868 to 1912. The period is characterized by a transformation from feudalism to a modern industrial state, taking western nations as a model. After the Vienna Exposition of 1873, artists were encouraged to produce traditional arts and crafts for export, such as carvings in wood and ivory and laquer. The art of the period also saw the influence of western art and architecture.
• oban - Japanese prints of a standard size about 15 3/4 by 10 1/2 inches.
• triptychs - Paintings or carvings consisting of or mounted on three attached panels, often hinged so that the outer wings fold over the central portion; a common form for altarpieces. Also used for other works having three related images side by side.
• Ukiyo-e - Distinctive genre in painting and other media, but most prominently in woodblock printing. It arose in the Edo period (1600-1868) and built up a broad popular market among the middle classes. Subject matter typically focused on brothel districts and kabuki theatres, with formats ranging from single sheet prints to book illustrations. Generally, the style is characterized by a mixture of the realistic narrative of the Kamakura period and the mature decorative style of the Momoyama and Edo periods. Distinctive styles and specialties in subject matter were developed by different schools throughout the period.
• woodcuts - Prints made using the process of woodcut, which is a relief process in which the design is cut into and printed from the plank side of a wood block; distinct from "wood engraving (process)," which is a relief process using the grain end of a wood block.