- Broadly, ceremonial objects that retain their sacredness in their present context. Sometimes defined more narrowly as only those needed by a present-day culture to practice their religion. For objects that are used primarily for a religious ceremony or function, but are not necessarily in themselves considered sacred, use "religious objects."
- Sculpture in the round, usually but not always depicting humans, animals, mythical beings, or small figure groups. Statues are relatively large in scale, being life-size, larger than life-size, or only slightly smaller than life-size. For small-scale representations of humans, animals, or mythical beings, use "figurines," "statuettes," or another appropriate term. For depictions of humans, animals, or mythical beings in media other than sculpture, use "figures (representations)."
- Styles and cultures from the region comprising the westernmost area of the African continent, defined by the United Nations as including the modern nations of Benin, Burkina Faso, Côte d'Ivoire, Cape Verde, Gambia, Ghana, Guinea, Guinea-Bissau, Liberia, Mali, Mauritania, Niger, Nigeria, Senegal, Sierra Leone, and Togo.
- The principal tissue of trees and other plants that provides both strength and a means of conducting nutrients. Wood is one of the most versatile materials known.
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This object was included in the following exhibitions:
Backtalk: Exposures, Erasures, and Elisions of the Bryn Mawr College African Art Collection
Bryn Mawr College
, 2/5/2015 - 6/1/2015
Owner Name: Bruce and Adele King, in memory of Nicole M. King, Class of 1986
Place: Bryn Mawr, Pennsylvania, US
Acquisition Method: Purchased in Ibadan, Nigeria from house to house traders
Ownership Start Date: 1962-1964
Ownership End Date: June 6, 2003