Roman Gallo-Germanic Firnisste Keramik (Glazed Ware) CupImperial (Roman)
2nd century CE
3 11/16 x 3 1/4 x 3 1/4 in. (9.3 x 8.2 x 8.3 cm)
Bryn Mawr College
This object has the following keywords:
- ceramic - Refers to any of various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing a nonmetallic mineral, such as clay, at a high temperature.
- ceramic glaze - Thin, opaque, vitreous coating that is applied to the surface of a ceramic body by painting, spraying, or dipping, in order to add color, texture, or water resistance to the object. The glaze is applied to the surface of a fired ceramic piece, and then the piece is refired at a temperature that vitrifies the glaze, but is lower than the original firing temperature. Ceramic glazes are usually mixtures of silicates, colorants, and flux.
- cups - Open bowl-shaped vessels, used chiefly for drinking, often having one handle, but sometimes two handles or none, generally on a low foot-ring; also includes similar bowl-shaped vessels, generally without handles, resting on a stem and supported by a spreading foot. Occasionally made with a lid.
- glaze - Thin, usually glossy surface coating in various contexts. In paintings, glaze is a thin film of transparent to semitransparent color added to change tonality.For textiles and paper, glaze is a highly polished finish obtained by treating the fabric or paper with starch, glue, wax, or synthetic resins, then heat-pressing. In ceramics, glaze is a thin, vitreous, opaque coating fired on the surface of a ceramic body to add color, texture, and water resistance; prefer a narrower concept "ceramics glaze," or one of its narrower terms. For thin applications of paint in watercolor, use "wash (material)."
- Hellenistic - Refers to the ancient Greek period, culture, and art of ancient Greece that lasted from about 330 BCE to 31 BCE, when Augustus defeated Cleopatra and Mark Antony. It is characterized by an international culture that was ushered in by Alexander the Great's conquest of India, Egypt, and the Near East. In architecture and art, the style is marked by greater sophistication, complexity, and diversity than was known in earlier Greek styles. Architecture diverges from strict rules of earlier periods. Sculptors emphasized more realistic figures in a greater variety of poses than in earlier Greek art.
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