Japanese (1787 - 1867) Primary
Ichikawa of the Matsubaya, from the series Women of Seven Houses (Shichikenjin), pun on Seven Sages of the Bamboo Grove1806-1808
15 3/4 in. x 10 1/2 in. (40.01 cm x 26.67 cm)
Bryn Mawr College
Accession Number: X.1015
Geography: Asia, Japan
Classification: Fine and Visual Arts; Prints; Woodcuts
Keywords Click a term to view the records with the same keywordThis object has the following keywords:
- bijinga - Paintings or prints that depict beautiful women. This term, which literally means "pictures of beautiful women," was most likely coined in the Edo period (1615-1868) or the Meiji period (1868-1912). Before this period, these pictures may have been called "onna-e" or "bijin-e".
- color woodcuts - Woodcuts that incorporate color, usually through combining a series of blocks in precise registration that have been inked with individual hues and pressed onto one support.
- Japanese - Nationality, periods, cultures, and styles found in Japan, either in historical times or in the present.
- meisho-e - Refers to Japanese prints or other works depicting famous places.
- parody - The form of analytical criticism in which one performance or work of art or literature subversively mimics another work or its style by adapting and inverting its characteristic features, in order to reveal weaknesses, pretensions, or lack of self-awareness in the original.
- Ukiyo-e - Distinctive genre in painting and other media, but most prominently in woodblock printing. It arose in the Edo period (1600-1868) and built up a broad popular market among the middle classes. Subject matter typically focused on brothel districts and kabuki theatres, with formats ranging from single sheet prints to book illustrations. Generally, the style is characterized by a mixture of the realistic narrative of the Kamakura period and the mature decorative style of the Momoyama and Edo periods. Distinctive styles and specialties in subject matter were developed by different schools throughout the period.
- woodcuts - Prints made using the process of woodcut, which is a relief process in which the design is cut into and printed from the plank side of a wood block; distinct from "wood engraving (process)," which is a relief process using the grain end of a wood block.
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Exhibition ListThis object was included in the following exhibitions:
- Beneath the Printed Pattern: Display and Disguise in Ukiyo-e Bijinga Bryn Mawr College , Sep 25, 2013 – Dec 20, 2013
- Japanese Wood Block Prints: Images of a Floating World Haverford College , Mar 28, 1987 – May 3, 1987
Bibliography ListThe following Bibliography exist for this object:
Japanese wood block Prints: Images of a Floating World.
Comfort Gallery, Haverford College.
Haverford, Pennsylvania, 1987
Page Number: 24 (Ex. 7)
Portfolio List Click a portfolio name to view all the objects in that portfolioThis object is a member of the following portfolios:
Your current search criteria is: Portfolio is "Featured Japanese Prints" and [Object]Display Artist is "Kikukawa Eizan".View current selection of records as: