Sappho Painter
Ancient Greek (active ca. 500 BCE - ca. 475 BCE) Primary

Attic White-Ground Lekythos (Oil Bottle) with Battle Scene

Late Archaic-Classical
500 BCE - 470 BCE

4 1/4 x 1 7/8 x 1 7/8 in. (10.8 x 4.7 x 4.8 cm)

This object has the following keywords:

• Black-figure - Refers to a style of Greek vase painting that developed from the Geometric and Orientalizing styles. It appeared in Corinth around 720 BCE, flourished in Attica by 600 BCE, and was found in Sparta, eastern Greece, and elsewhere, until the Red-figure style gradually replaced it in the late sixth century BCE. The style is characterized by a particular technique, which is characterized by the use of a refined slip, a two-stage firing process, and sintering to create black figures in silhouette on a red ground. Details were incised into the black figures or applied in purple or white pigment.
• lekythoi - Ancient Greek one-handled, usually tall and slender narrow-necked vessels used for oil and unguents and as an offering for the dead. The form resembles the aryballos in that it has a narrow neck and a single handle, but the lekythos is generally a taller vessel with a small, deep mouth. The Greek word lekythos was undoubtedly used for the various forms called "lekythos" today, although it also appears that the term was used for oil vessels in general in Ancient times.
• vase paintings - Refers to two-dimensional decoration applied to pottery by using paint made of metallic oxides or other pigments held in suspension in slip or another medium. The term is particularly used to refer to Ancient Greek red- and black-figure works. See also "porcelain paintings (visual works)."
• White-ground - Refers to a style of ancient Greek vase painting that employed a variation on the technique of the Red-figure style and became popular in the middle of the fifth century BCE. It is characterized by the use of a chalky white slip as a background, over which black glaze was used to outline figures, and diluted glazes of purple, brown, red, and white were used to color the figures. Additional colors that could not withstand firing were added afterwards. Scenes often depict figures situated on a common groundline at the bottom of a panel or in horizontal bands, which is unlike earlier compositions where figures were generally scattered throughout the picture plane.