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Image of No. 26, Mochizuki, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi)

No. 26, Mochizuki, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi)

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Bookmark: http://triarte.brynmawr.edu/objects-1/info/163086



Ando Hiroshige
Japanese (1797 - 1858) Primary



No. 26, Mochizuki, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi) No. 26, Mochizuki, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi)

1835-1838
Color woodblock

Sheet
10 1/2 in. x 15 3/4 in. (26.67 cm x 40.01 cm)

Bryn Mawr College
Accession Number: X.1019
Geography: Asia, Japan
Classification: Fine and Visual Arts; Prints; Woodcuts
Culture/Nationality: Japanese
The landscape woodblock prints of Ando Hiroshige are especially famous for the beauty of their composition and their sense of reality. The artist published several series of landscapes depicting different views of the Japanese landscape along roads or within cities, and is credited, at least in part, with the revival of landscape woodblock prints in nineteenth-century Japan.

This work is twenty-sixth in the series "Sixty-Nine Stations of the Kisokaido," which was illustrated jointly by Hiroshige and Ikeda Eisen. In this work, Hiroshige represents a section of the mountain road between Edo and Kyoto, where the imperial horses were pastured in the summer before their return to the court at the first autumnal full moon.

Keywords Click a term to view the records with the same keyword
This object has the following keywords:
  • Asian - Refers to the cultures of the continent of Asia, which is in the eastern hemisphere, and is bounded by the Pacific Ocean, the Indian Ocean, the Arctic Ocean, and is generally considered to be delimited on the west by the Ural Mountains. It also refers to the numerous islands off the coast of Asia.
  • color - Refers to pigment in a medium, such as ink, water, or oil. A common example is in referring to the media of Asian art (e.g., "ink and color on paper").
  • color woodcuts - Woodcuts that incorporate color, usually through combining a series of blocks in precise registration that have been inked with individual hues and pressed onto one support.
  • forests - Historically, refers to wilderness areas outside the scope of common law but within the legislation of kings and reserved for royal activities; more recently, used to designate extensive wooded areas, whether maintained for the production of timber or unmanaged and preserving a wilderness of dense growth and wild animal habitats. For forests in the context of a plant community rather than as a cultural landscape, use "forests (plant communities)."
  • Japanese - Nationality, periods, cultures, and styles found in Japan, either in historical times or in the present.
  • meisho-e - Refers to Japanese prints or other works depicting famous places.
  • pine - Wood from numerous trees of the genus Pinus. Pine is used largely in the construction and paper industries, although it is also a source of turpentine, resins, and oils, among other products.
  • travelers - People who from journey from place to place.
  • trees - Woody, perennial plants usually with a single, long, self-supporting stem or trunk, and which grow to a considerable height.
  • Ukiyo-e - Distinctive genre in painting and other media, but most prominently in woodblock printing. It arose in the Edo period (1600-1868) and built up a broad popular market among the middle classes. Subject matter typically focused on brothel districts and kabuki theatres, with formats ranging from single sheet prints to book illustrations. Generally, the style is characterized by a mixture of the realistic narrative of the Kamakura period and the mature decorative style of the Momoyama and Edo periods. Distinctive styles and specialties in subject matter were developed by different schools throughout the period.
  • woodcuts - Prints made using the process of woodcut, which is a relief process in which the design is cut into and printed from the plank side of a wood block; distinct from "wood engraving (process)," which is a relief process using the grain end of a wood block.

Additional Images Click an image to view a larger version
Additional Image X.1019_BMC_f_4.jpg
X.1019_BMC_f_4.jpg

Exhibition List
This object was included in the following exhibitions:
  • Worlds to Discover: 125 Years of Collections at Bryn Mawr College Bryn Mawr College , Sep 24, 2010 – May 28, 2011

Dimensions
  • Sheet Dimensions: 10 1/2 x 15 3/4 in. (26.67 x 40.005 cm)

Portfolio List Click a portfolio name to view all the objects in that portfolio
This object is a member of the following portfolios:

If you would like to cite this object in a Wikipedia article please use the following template:

<ref name=BMC>cite web |url=http://triarte.brynmawr.edu/objects-1/info/163086 |title=No. 26, Mochizuki, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi) No. 26, Mochizuki, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi) |author=Bryn Mawr College Library Special Collections |accessdate=8/19/2022 |publisher=Bryn Mawr College</ref>

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