Proto-Corinthian Conical Oinochoe Base SherdGeometric-Archaic
725 BCE - 640 BCE
1 5/16 x 1 11/16 x 3/16 in. (3.3 x 4.3 x 0.5 cm)
Bryn Mawr College
This object has the following keywords:
- bases - Elements at the bottoms of structures or objects upon which the upper parts rest or are supported; for large objects, bases are often relatively massive. For terminal elements upon which objects rest and that are small in relation to the body of the object, use "feet."
- Corinthian - Refers to a pottery style created in the city and region of Corinth in the Peloponnese in south-central Greece, and exported extensively in other parts of Greece, Italy, and Egypt, particularly in the second half of the seventh century BCE and the first half of the sixth century BCE. It is characterized by large vessels and bold decoration arranged in friezes covering most of the surface. Designs are in black-figure on a light terra-cotta background, with red, white, and incised additions. Motifs may have been inspired by Eastern textiles and typically include animals, monsters, or human figures, with ornaments such as dots, leaves, or rosettes scattered over the background.
- oinochoai - Ancient Greek one-handled vessels used for ladling and pouring wine or water; made in a variety of jug- and pitcherlike forms.
- Proto-Corinthian - Refers to the Orientalizing phase of Greek art in Corinth, from about 720 to 620 BCE, which is roughly contemporary with the Proto-Attic phase in Athens. The Proto-Corinthian pottery style developed in Corinth in the eighth century BCE and lasted until around 640 BCE. It is characterized by vessels that are usually cups, jugs, or perfume pots, with decoration that is at first geometric and later includes animal and human figures, with occasional Eastern curvilinear ornamentation. The later examples are distinctive for the rounded contours and animation of the figures, painted in outline and silhouette, with added designs in incision and white color.
- vase paintings - Refers to two-dimensional decoration applied to pottery by using paint made of metallic oxides or other pigments held in suspension in slip or another medium. The term is particularly used to refer to Ancient Greek red- and black-figure works. See also "porcelain paintings (visual works)."
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