Utagawa Kunisada (aka Toyokuni III)
Japanese (1786 – 1865) Primary
Yui: The Sisters (Shimei) Miyagino and Shinobu, from the Series The Fifty-three Stations [of the Tôkaidô Road] by Two Brushes (Sôhitsu gojûsan tsugi) 「双筆五十三次 由井」 目録：「宮城野 しのぶ 姉妹」Edo
14 1/8 x 9 1/2 in. (35.878 x 24.13 cm)
Bryn Mawr College
Accession Number: 2022.13.214
Other Number(s): Kunisada177 (Donor Number)
Geography: Asia, Japan
Classification: Fine and Visual Arts; Prints; Woodcuts
Keywords Click a term to view the records with the same keywordThis object has the following keywords:
- edged weapons - Weapons featuring a sharp edge or point for cutting, thrusting, clubbing, slashing, or various combinations thereof.
- Edo - Refers to the period and style that developed from the unification of Japan in 1600 until the end of the shogunal dynasty in 1868. During this period, economic expansion encouraged the rise of an educated merchant class who created their own forms of literature and theater as well as new schools of painting and woodblock printing. A wide diversity of pictorial subjects and styles developed during this period and many 19th century Western artists were influenced by them.
- kimonos - Loose, wide-sleeved garments fastened around the waist with an obi or broad sash, traditionally worn by Japanese men and women.
- oban - Japanese prints of a standard size about 15 3/4 by 10 1/2 inches.
- sisters - Female siblings.
- Ukiyo-e - Distinctive genre in painting and other media, but most prominently in woodblock printing. It arose in the Edo period (1600-1868) and built up a broad popular market among the middle classes. Subject matter typically focused on brothel districts and kabuki theatres, with formats ranging from single sheet prints to book illustrations. Generally, the style is characterized by a mixture of the realistic narrative of the Kamakura period and the mature decorative style of the Momoyama and Edo periods. Distinctive styles and specialties in subject matter were developed by different schools throughout the period.
Utagawa, Kunisada, 1786-1864
- His Kunisada, 1966.
- Kunisada, 1993:
- Mirror of the stage, 1996:
- Hayashi, Y. Utagawa Kunisada
- JapanKnowledge Lib, May 9, 2017
- Shinpan kabuki jiten/JapanKnowledge Lib, viewed May 9, 2017
- Web NDL authorities, May 9, 2017
- LC database, May 9, 2017
- woodcuts - Prints made using the process of woodcut, which is a relief process in which the design is cut into and printed from the plank side of a wood block; distinct from "wood engraving (process)," which is a relief process using the grain end of a wood block.
Additional Images Click an image to view a larger version
Owner Name: S. Kathleen Doster, Class of 1978
Place: Bryn Mawr, Pennsylvania, USA
Acquisition Method: Purchased from Japan Print Gallery (William O'Rorke)
Disposal Method: Donation to Bryn Mawr College
Ownership Start Date: 3/25/2019
Ownership End Date: 7/22/2022
Comparanda ListThe following Comparanda exist for this object:
- "Museum of Fine Arts Boston: Online Collections." (Accessed July 1, 2020): collections.mfa.org. Accession No. 11.36763.20.
Related Bibliography ListThe following Related Bibliography exist for this object:
- Andreas Marks, Kunisada's Tōkaidō: Riddles in Japanese Woodblock Prints (Leiden, The Netherlands: Hotei Publishing, 2013), 195. Figure Number: T79-17
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