- An intaglio etching technique in which a metal plate is sprinkled with a finely-powdered resin (asphaltum, rosin, etc.); the plate is heated to melt the resin, then cooled, and placed in an acid bath. The acid lightly etches areas not covered with the resin. The results in a plate with fine pockmarks. The process was invented in the 1760s by J.B. LePrince. Aquatints were popular until the late 1830s.
- Prints on paper incorporating impressions of a reverse design created on a printing plate, usually copper, into which the design has been incised (engraved) using burins or gravers. Historically, "engravings" has sometimes been incorrectly used to refer to all prints, regardless of the specific technique. For prints made from designs engraved on a flat wooden block, use "wood cuts"; for prints made from a plate that is etched rather than engraved, use "etchings."
- Prints made from an etched printing plate, which is a metal plate on which a design is made by coating the plate with an acid-resistant substance, creating a design in the coating, and then exposing the plate to acid, which etches the plate where the metal is exposed. For designs incised directly into a copper plate using a burin or graver, use "engravings (prints)."
- Refers to the culture of the southern Netherlands, roughly corresponding to modern Belgium, Luxembourg, and part of France, particularly during the historical period when Flanders was an independent principality.
- Prints made using the process of lithography, which is a planographic printing process in which a design is deposited on the stone or plate with a greasy substance which will accept ink.
- Refers to two-dimensional works of art, usually on a paper support, to which pigment suspended in water is applied with a brush to create an image or design. Includes paintings using gouache, which is not technically watercolor paint. Watercolors are variously classified as drawings or paintings in collections.
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