- Describes two circular or spherical figures, spaces, or objects that have a common center or axis.
- Refers to a pottery style created in the city and region of Corinth in the Peloponnese in south-central Greece, and exported extensively in other parts of Greece, Italy, and Egypt, particularly in the second half of the seventh century BCE and the first half of the sixth century BCE. It is characterized by large vessels and bold decoration arranged in friezes covering most of the surface. Designs are in black-figure on a light terra-cotta background, with red, white, and incised additions. Motifs may have been inspired by Eastern textiles and typically include animals, monsters, or human figures, with ornaments such as dots, leaves, or rosettes scattered over the background.
- Covers designed to be placed on open pots.
- Refers to the Orientalizing phase of Greek art in Corinth, from about 720 to 620 BCE, which is roughly contemporary with the Proto-Attic phase in Athens. The Proto-Corinthian pottery style developed in Corinth in the eighth century BCE and lasted until around 640 BCE. It is characterized by vessels that are usually cups, jugs, or perfume pots, with decoration that is at first geometric and later includes animal and human figures, with occasional Eastern curvilinear ornamentation. The later examples are distinctive for the rounded contours and animation of the figures, painted in outline and silhouette, with added designs in incision and white color.
- Relatively small, squat lidded boxlike vessels for holding cosmetics and toilet articles in ancient Greece. Generally cylindrical in shape. Often found in the graves of women and warriors.
- Limited to fragments of pottery or glass.
- Refers to two-dimensional decoration applied to pottery by using paint made of metallic oxides or other pigments held in suspension in slip or another medium. The term is particularly used to refer to Ancient Greek red- and black-figure works. See also "porcelain paintings (visual works)."
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