- Ancient Greek one-handled, usually tall and slender narrow-necked vessels used for oil and unguents and as an offering for the dead. The form resembles the aryballos in that it has a narrow neck and a single handle, but the lekythos is generally a taller vessel with a small, deep mouth. The Greek word lekythos was undoubtedly used for the various forms called "lekythos" today, although it also appears that the term was used for oil vessels in general in Ancient times.
- Motif resembling a stylized erect leaf divided into lobes, in the form of a fan or palm leaf, often supported by spirals. Its origins are obscure, but similar motifs are first recorded in Syria and Mesopotamia and in the islands of the eastern Mediterranean by the 2nd millennium BCE. As the name suggests, it may have been derived from representations of palm-trees, especially in view of the belief that a tree cult may have existed in western Asia in association with the introduction of the cultivated date-palm; however, it has much in common with other early floral and spiral motifs. The motif is common in classical and classicizing styles, used either individually or along with other conventionalized flower or foliage forms, for example, in an anthemion.
- Refers to a style of Greek vase painting that developed from the Black-figure style. It appeared in Athens around 530 BCE and spread to other areas of Greece, southern Italy, Etruria, and elsewhere in the Mediterranean area, until it disappeared in the third century BCE. The style is characterized by a particular technique, which involves the use of refined slip and a two-phase firing process to create a black ground through sintering, with figures reserved in red. The details of the figures are more fluid than in the Black-figure style, and are typically drawn with a brush, using both a defined, black relief line and a more dilute line that varies in color from dark gold to black.
- Refers to two-dimensional decoration applied to pottery by using paint made of metallic oxides or other pigments held in suspension in slip or another medium. The term is particularly used to refer to Ancient Greek red- and black-figure works. See also "porcelain paintings (visual works)."
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