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Image of No. 26, Mochizuki, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi)

No. 26, Mochizuki, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi)

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Ando Hiroshige
Japanese (1797 - 1858) Primary



No. 26, Mochizuki, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi) No. 26, Mochizuki, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi)

1835-1838
Color woodblock

Sheet
10 1/2 in. x 15 3/4 in. (26.67 cm x 40.01 cm)

Bryn Mawr College
Accession Number: X.1019
Geography: Asia, Japan
Classification: Fine and Visual Arts; Prints; Woodcuts
Culture/Nationality: Japanese
The landscape woodblock prints of Ando Hiroshige are especially famous for the beauty of their composition and their sense of reality. The artist published several series of landscapes depicting different views of the Japanese landscape along roads or within cities, and is credited, at least in part, with the revival of landscape woodblock prints in nineteenth-century Japan.

This work is twenty-sixth in the series "Sixty-Nine Stations of the Kisokaido," which was illustrated jointly by Hiroshige and Ikeda Eisen. In this work, Hiroshige represents a section of the mountain road between Edo and Kyoto, where the imperial horses were pastured in the summer before their return to the court at the first autumnal full moon.

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Additional Image X.1019_BMC_f_4.jpg
X.1019_BMC_f_4.jpg

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<ref name=BMC>cite web |url=http://triarte.brynmawr.edu/objects-1/info/163086 |title=No. 26, Mochizuki, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi) No. 26, Mochizuki, from the series The Sixty-nine Stations of the Kisokaidô Road (Kisokaidô rokujûkyû tsugi no uchi) |author=Bryn Mawr College Library Special Collections |accessdate=9/28/2021 |publisher=Bryn Mawr College</ref>

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