Title
|
Artist
|
Medium & Support
|
Creation Date
|
Accession Number
|
Segawa Kikunojo as Sandaiyu's Daughter Oshima
|
Utagawa Toyokuni
|
Color woodblock
|
1821
|
S.92.FA
|
Nakamura Shikan and Seki Sanjuro as Sasaki Saemon from the play "Higashiyama-dono Kabuki no Danmaku," performed at the Nakamura Theater in the third month, 1818
|
Utagawa Toyokuni
|
Color woodblock
|
ca. 1818
|
S.91.a-b.FA
|
The Actor Takinata Kasen as Samurai
|
Katsukawa Shun'ei
|
Color woodblock
|
ca. 1795
|
S.88.FA
|
The Summit of Mount Fuji in Great Japan (Dai Nihon Fujisan zetchô no zu)
|
Sadahide
|
Color woodblock
|
1857
|
S.87.a-c.FA
|
Woman on Veranda Watching a Bird
|
Utagawa Kuniyasu
|
Color woodblock
|
Early 19th century
|
S.85.FA
|
Appearance of Genji by a Fraudulent Murasaki: A Visual Parody of the Eight Views, Clearing Mist (Nise Murasaki Genji sugata: Mitate hakkei no uchi, Seiran)
|
Utagawa Kunisada II
|
Color woodblock
|
Mid 19th century - late 19th century
|
S.84.FA.a-c
|
Furyû Genji: Akashi (Hiroshige landscape, Kunisada [main] figures), Late Edo period, 1835
|
Ando Hiroshige
|
Color woodblock
|
1853
|
S.83.a
|
A Woman Carrying a Baby with a Girl Carrying a Dog
|
Artist, Unknown
|
Color woodblock
|
|
S.82.FA
|
View of the Temple of Five Hundred Arhats (Gohyaku rakan no kei), from the series Famous Places in Edo, a New Selection (Shinsen Edo meisho)
|
Yoshitora Utagawa
|
Color woodblock
|
1855
|
S.81.FA
|
A Moon-viewing Party with the Suma Koto in the Bedroom (Tsuki no en neya no sumagoto)
|
Yoshiiku, Ochiai
|
Color woodblock
|
January 1861
|
S.80.FA.a-c
|
A courtesan on parade wearing a kimono decorated with chrysanthemums
|
Kikukawa Eizan
|
Color woodblock
|
ca.1818-1823
|
S.8.FA
|
Fan Sellers, from the series Seiro Niwaka
|
Kitagawa Utamaro
|
Color woodblock
|
ca. 1799
|
S.79.FA
|
Three women and a boy
|
Kitagawa Utamaro
|
Color woodblock
|
1802
|
S.78.FA
|
Koganei Musashino Bridge
|
Tsukimaro
|
Color woodblock
|
1807
|
S.77.FA
|
Furyu Jisei Sugata (Fashion of the Time Series)
|
Utagawa Toyokuni II
|
Color woodblock
|
1777-1835
|
S.76.FA
|
Ichikawa Monnosuke as Akoya
|
Utagawa Toyokuni
|
Color woodblock
|
ca.1820
|
S.75.FA
|
Turtle [possibly from the series Mirror of Stone Rubbings (Ishizuri kagami)]
|
Taito Katsushika
|
Color woodblock
|
ca. 1830-1844
|
S.74.FA
|
Bats and Moon, Dragon in Clouds, Calligraphy (harimaze)
|
Taito Katsushika
|
Color woodblock
|
1830-1844
|
S.73.FA
|
Hot Spring in Hakone
|
Utagawa Kuniyasu
|
Color woodblock
|
ca. 1820s
|
S.72.a-c.FA
|
Courtesan Sugatano, at Sugata-Ebiya, Kyomachi
|
Utagawa Kuniyoshi
|
Color woodblock
|
ca. 1830 - 1835
|
S.71.FA
|
Noin-hoshi (no. 69) (The Monk Noin) / Hyakunin isshu no uchi (One Hundred Poems by One Hundred Poets)
|
Utagawa Kuniyoshi
|
Color woodblock
|
1840-1842
|
S.70.FA
|
Mother Carrying Her Baby Son on Her Back by a Cistern
|
Kikukawa Eizan
|
Color woodblock
|
ca. 1810
|
S.7.FA
|
Prince Genji Listening to Insects
|
Utagawa Kunisada
|
Color woodblock
|
1864
|
S.69.a
|
No. 54, Yume no ukihashi, from the series Lady Murasaki's Genji Cards (Murasaki Shikibu Genji karuta)
|
Utagawa Kunisada
|
Color woodblock
|
1857
|
S.68.FA
|
No. 36, Kashiwagi, from the series Lady Murasaki's Genji Cards (Murasaki Shikibu Genji karuta)
|
Utagawa Kunisada II
|
Color woodblock
|
1857
|
S.67.FA
|
Twilight Snow at Hira (Hira bosetsu), from the series Eight Views of Ômi (Ômi hakkei no uchi)
|
Utagawa Kunisada II
|
Color woodblock
|
1847-1852
|
S.66.FA.a-c
|
Satomi Hakkenden Sokanbi Yakkohime Ten'en o eru zu
|
Utagawa Kunisada
|
Color woodblock
|
December 1855
|
S.63.a
|
Modern Genji and Two Leaves of Heartvine (Futaba Aoi imayô Genji)
|
Utagawa Kunisada
|
Color woodblock
|
1855
|
S.62.a-b.FA
|
Yozakura (Cherry Blossoms at Night)
|
Utagawa Kunisada
|
Color woodblock
|
1848
|
S.60.a.FA
|
Bamboo and Sparrows (Take ni suzume), from the series Collection of Fashionable Pairings, New Edition for the Year of the Rabbit (Fûryû aioi zukushi, U no haru shinpan)
|
Utagawa Kunisada
|
Color woodblock
|
1831
|
S.58.FA
|
Kasumigaseki in Snow (Kasumigaseki setchû), from the series Thirty-six Views of the Eastern Capital (Tôto sanjûrokkei)
|
Ando Hiroshige
|
Color woodblock
|
1862
|
S.57.FA
|
Crossing the Oi River
|
Hiroshige II
|
Color woodblock
|
1847-1852
|
S.56.a-c.FA
|
Turtles
|
Ando Hiroshige
|
Color woodblock
|
1797-1858
|
S.50.FA
|
From the series Fashionable Flowers and Birds, Wind and Moon: Wind (Furyu kacho fugetsu no uchi)
|
Kikukawa Eizan
|
Color woodblock
|
ca. 1812-1813
|
S.5.FA
|
Orchid Grass, Chinese Woman, and Bamboo, from the series A Mirror of Stone Rubbings by Famous Artists. Ancient and Modern.
|
Ando Hiroshige
|
Color woodblock
|
1830-1840
|
S.49.FA
|
Looking toward the Saruwaka-machi District from the Top of Matsuchiyama (Matsuchiyama ue yori Saruwaka-machi o miru zu), from the series Famous Places in the Eastern Capital (Tôto meisho)
|
Ando Hiroshige
|
Color woodblock
|
c. 1847-1850
|
S.48.FA
|
View of Matsuchiyama (Matsuchiyama no zu), from the series Famous Places in the Eastern Capital (Tôto meisho)
|
Ando Hiroshige
|
Color woodblock
|
ca.1840-1842
|
S.47.FA
|
Sunrise on New Year's Day at Susaki (Susaki hatsu hinode), from the series Famous Places in Edo (Edo meisho)
|
Ando Hiroshige
|
Color woodblock
|
1853
|
S.46.FA
|
Clear Morning after Snow at Nihonbashi Bridge (Nihonbashi yukibare no asa), from the series Famous Places in Edo (Edo meisho)
|
Ando Hiroshige
|
Color woodblock
|
1848-1849
|
S.45.FA
|
The Daimaru Dry-goods Store in Ôdenmachô (Ôdenmachô Daimaru gofukudana no zu), from the series Famous Places in Edo (Edo meisho)
|
Ando Hiroshige
|
Color woodblock
|
ca. 1847-1852
|
S.44.FA
|
On the Sumida River. From the Series of Famous Places in the Eastern Capital
|
Ando Hiroshige
|
Color woodblock
|
1843
|
S.43.FA
|
Matsushima
|
Ando Hiroshige
|
Color woodblock
|
1856
|
S.42.FA
|
Publisher Fujiokaya Keijiro. This print is also in the collection of Minneapolis Institute of Arts(MIA).
|
Ando Hiroshige
|
Color woodblock
|
1847-1852
|
S.41.FA
|
Takao, from the series Ogura Imitations of One Hundred Poems by One Hundred Poets (Ogura nazorae hyakunin isshu)
|
Ando Hiroshige
|
Color woodblock
|
c.1845-1848
|
S.40.FA
|
Woman as the Poet Ariwara Narihira
|
Hosoda Eishi
|
Color woodblock
|
1815-1842
|
S.4.FA
|
Bikuni Bridge in Snow (Bikunibashi setchû), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)
|
Ando Hiroshige
|
Color woodblock
|
1857
|
S.39.FA
|
No. 18, Okitsu: The Okitsu River and Satta Pass (Okitsu, Okitsugawa Satta no tôge), from the series Famous Sights of the Fifty-three Stations (Gojûsan tsugi meisho zue), also known as the Vertical Tôkaidô
|
Ando Hiroshige
|
Color woodblock
|
1855
|
S.38.FA
|
Merchants at Yamanaka Village near Fujikawa, no. 38 from the series Fifty-three Stations of the Tokaido (Gyosho Tokaido)
|
Ando Hiroshige
|
Color woodblock
|
1840-1845
|
S.37.FA
|
Yui station on the Tôkaidô Road. From the series: Tôkaidô goju¯ santsugi no uchi : 53 stations of the Tôkaidô Road
|
Ando Hiroshige
|
Color woodblock
|
1848-1854
|
S.36.FA
|
Numazu: Making the Famous Dried Fish (Numazu, meibutsu katsuobushi o seisu), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô.
|
Ando Hiroshige
|
Color woodblock
|
1841-1844
|
S.35.FA
|
|
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