{ "objects" : [ { "embark_ID" : 154740, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/154740", "Disp_Access_No" : "P.2192", "_AccNumSort1" : "", "Disp_Create_DT" : "325 BCE - 300 BCE", "_Disp_Start_Dat" : "325 BCE", "_Disp_End_Date" : "300 BCE", "Disp_Title" : "South Italian Polychromatic Gnathian Bell Krater with Theatrical Mask", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "6 11/16 x 9 11/16 x 10 1/16 in. (17 x 24.6 x 25.6 cm)", "Disp_Height" : "6 11/16 in.", "Disp_Width" : "9 11/16 in.", "Dimen_Extent" : "", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay", "Info_Page_Comm" : "Gnathian bell krater with lug handles. The shape seems to be a late evolution of the bell krater in Gnathia ware and is elegant in its simplicity. The vessel has a plump body that swells out slightly from a canted over-hanging rim, reaching its maxium diameter below the lugs. It then tapers sharply to a small plain ring foot. The lugs, only one of which is pierced with a single hole for hanging from a chord, are of a plain wedge shape. The shape finds its closest parallels in the black glazed examples shown in Mario Bernardini, Vasi dello Stile di Gnathia, Vasi a Vernice Nera (BARI) plate 60, nos. 1 & 3. The treatment of the base also recalls Gnathian examples in Bernardini, plate 14, nos. 2, 3, & 4. The krater was dipped in black glaze, leaving the lower body and foot reserved. The decoration was applied in added white, yellow and red. Many, possibly all, of the white elements have been over-painted with yellow. On Side A, ivy runs horizontally between the two handles as the upper border of the decoration. The remaining decoration hangs from this ivy border. In the center, a female theatrical (comic?) mask is suspended from a thin red ribbon whose ends hang below. It is flanked on both sides by two red scarves with white fringe hanging between two downward-pointing palm fronds. There are possible traces of white and yellow over-paint on the scarves. The mask is framed between rosettes with pendant dots of decreasing size. Only the ghost of the rosette on the left of the mask remains. The mask itself is largely fugitive but includes added white covered with added yellow and added red for the hair ribbon which hangs behind. On Side B, two palm fronds extend from the handles and meet in the center where there is a plain rosette. The vessel is intact except for minor chips and spalls from inclusions. The surface is covered with limey incrustations. Some of the painted decoration is partly fugitive. ", "Dedication" : "Gift of George L. 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