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(12.86 cm x 8.26 cm)", "Disp_Height" : "5 1/16 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "Plate", "Medium" : "", "Support" : "", "Disp_Medium" : "", "Info_Page_Comm" : "From an unidentified publication; one of a set of 16 illustrations in Bryn Mawr's collection (1984.32a-1984.32p)", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "18th century", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.32.g_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.32.g_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.32.g_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1984.32.g_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "79290", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 167166, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/167166", "Disp_Access_No" : "1984.32.i", "_AccNumSort1" : "", "Disp_Create_DT" : "1712 - 1784", "_Disp_Start_Dat" : "1712", "_Disp_End_Date" : "1784", "Disp_Title" : "Man Kneeling, Comforting a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Simon Fokke", "Sort_Artist" : "Fokke, Simon", "Disp_Dimen" : "5 1/16 in. x 3 1/4 in. (12.86 cm x 8.26 cm)", "Disp_Height" : "5 1/16 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "Plate", "Medium" : "", "Support" : "", "Disp_Medium" : "", "Info_Page_Comm" : "Plate 9: Interior of a bedroom with a woman sitting on the floor and being consoled by a man, a dog in the foreground. CF British Museum 1887,0722.117 From an unidentified publication; one of a set of 16 illustrations in Bryn Mawr's collection (1984.32a-1984.32p)", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "18th century", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.32.i_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.32.i_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.32.i_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1984.32.i_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "79292", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 167678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/167678", "Disp_Access_No" : "1984.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1639", "_Disp_Start_Dat" : "1639", "_Disp_End_Date" : "1639", "Disp_Title" : "The Death of the Virgin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "16 in. x 12 5/16 in. (40.64 cm x 31.27 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "12 5/16 in.", "Dimen_Extent" : "Sheet", "Medium" : "Etching with drypoint on laid paper", "Support" : "", "Disp_Medium" : "Etching on laid paper", "Info_Page_Comm" : "This print is an etching on laid paper of a scene of the death of the Virgin Mary. It is signed and dated 1639. It is a second state of three. Drypoint was used and can be seen on the back of the seated figure in the foreground and the back of the chair at the lower right. A collector’s stamp, which could not be identified, appears on the verso. The shading in the chair’s arm was not included in the first state of this print, and helps identify this print as a second state. The plate for this print was one of the earliest in which Rembrandt used drypoint extensively. Rembrandt’s wife Saskia had a difficult childbirth the year before this print was made and was often confined to her sick bed at this time. Rembrandt made studies of Saskia ill in bed during these years, and they may have influenced his portrayal of the dying Virgin. Saskia died in 1642. The composition is partly inspired by a woodcut by Durer, but the inclusion of a physician, who checks the pulse of the Virgin, was uniquely Rembrandt’s idea. He also departed from tradition by depicting Mary as sick and elderly rather than young and peaceful. Rembrandt owned an impression of Durer’s print which was part of his popular series of The Life of the Virgin. This image may also be influenced by a stained-glass window after a design by Dirck Pietersz. Crabeth which Rembrandt could have seen in the Oude Kerk in Amsterdam. This print was the gift of Mr. and Mrs. Richard C. Bull of Villanova, PA on March 16, 1984. Josephine Rothermel Bull graduated from Bryn Mawr in 1934. It was included in the exhibition “Twenty-Years A-Growing: An Exhibition Celebrating the Marian Coffin Canaday Library 1969-1989,” which opened October 18, 1989 at Bryn Mawr College. (Angelique Wille, 4/25/2011) ", "Dedication" : "Gift of Richard C. Bull and Josephine Rothermell Bull, Class of 1934", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.81_BMC_f_4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.81_BMC_f_4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.81_BMC_f_4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1984.81_BMC_f_4.jpg", "IsPrimary" : "1", "_SurrogateID" : "40695", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 162277, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/162277", "Disp_Access_No" : "1998.1.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1503-1528", "_Disp_Start_Dat" : "1503", "_Disp_End_Date" : "1528", "Disp_Title" : "Coat of Arms with Skull", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "8 9/16 in. x 6 1/8 in. (21.75 cm x 15.56 cm)", "Disp_Height" : "8 9/16 in.", "Disp_Width" : "6 1/8 in.", "Dimen_Extent" : "", "Medium" : "Engraving on laid paper", "Support" : "", "Disp_Medium" : "Engraving on laid paper", "Info_Page_Comm" : "Albrecht Dürer is widely regarded as one of the most influential and revolutionary printmakers of all time. This print shows Dürer at his finest, exercising the engraver’s needle with great agility. In this print, an ornately dressed woman is accosted by a bearded man whose staff supports a shield decorated with a skull. The subject matter remains a mystery to scholars, who have alternately explained it as an allusion to the War of the Bavarian Succession in 1503, an example of the “wild man” motif, and a memento mori. From the pleats of the woman’s costume to the frothy curls atop the man’s head, each precise line is exquisitely realized, revealing the studied form and naturalistic detail of the Italian masters whom Dürer admired. Albrecht Dürer is widely regarded as one of the most influential and revolutionary printmakers of all time. This print shows Dürer at his finest, exercising the engraver’s needle with great agility. An ornately dressed woman is accosted by a bearded man whose staff supports a shield decorated with a skull. The subject matter remains a mystery to scholars, who have alternately explained it as an allusion to the War of the Bavarian Succession in 1503, an example of the “wild man” motif, and a memento mori. Richard Bernheimer was a professor at Bryn Mawr from 1933 until 1958. His son gave this print, which relates to his father's research on wild men. ", "Dedication" : "Gift of Charles Bernheimer, in memory of Richard Bernheimer, Professor of History of Art", "Copyright_Type" : "", "Disp_Obj_Type" : "German", "Creation_Place2" : "Germany", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "200794", "Rel_Obj_Title" : "Engraved Ivory Wedding Gift for Isabella Gonzaga after the 1503 Albrecht Durer Engraving "Coat of Arms with a Skull"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1998.1.1_BMC_f_4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1998.1.1_BMC_f_4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1998.1.1_BMC_f_4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1998.1.1_BMC_f_4.jpg", "IsPrimary" : "1", "_SurrogateID" : "51501", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 167172, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/167172", "Disp_Access_No" : "1984.32.o", "_AccNumSort1" : "", "Disp_Create_DT" : "1712 - 1784", "_Disp_Start_Dat" : "1712", "_Disp_End_Date" : "1784", "Disp_Title" : "Caring for the Unwell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Simon Fokke", "Sort_Artist" : "Fokke, Simon", "Disp_Dimen" : "5 1/16 in. x 3 1/4 in. (12.86 cm x 8.26 cm)", "Disp_Height" : "5 1/16 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "Plate", "Medium" : "", "Support" : "", "Disp_Medium" : "", "Info_Page_Comm" : "From an unidentified publication; one of a set of 16 illustrations in Bryn Mawr's collection (1984.32a-1984.32p)", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "18th century", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.32.o_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.32.o_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.32.o_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1984.32.o_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "79298", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 167171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/167171", "Disp_Access_No" : "1984.32.n", "_AccNumSort1" : "", "Disp_Create_DT" : "1712 - 1784", "_Disp_Start_Dat" : "1712", "_Disp_End_Date" : "1784", "Disp_Title" : "A Man and a Woman Inside a Parlor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Simon Fokke", "Sort_Artist" : "Fokke, Simon", "Disp_Dimen" : "5 1/16 in. x 3 1/4 in. (12.86 cm x 8.26 cm)", "Disp_Height" : "5 1/16 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "Plate", "Medium" : "", "Support" : "", "Disp_Medium" : "", "Info_Page_Comm" : "From an unidentified publication; one of a set of 16 illustrations in Bryn Mawr's collection (1984.32a-1984.32p)", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "18th century", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.32.n_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.32.n_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.32.n_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1984.32.n_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "79297", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 167170, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/167170", "Disp_Access_No" : "1984.32.m", "_AccNumSort1" : "", "Disp_Create_DT" : "1712 - 1784", "_Disp_Start_Dat" : "1712", "_Disp_End_Date" : "1784", "Disp_Title" : "A Woman Fleeing a House", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Simon Fokke", "Sort_Artist" : "Fokke, Simon", "Disp_Dimen" : "5 1/16 in. x 3 1/4 in. (12.86 cm x 8.26 cm)", "Disp_Height" : "5 1/16 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "Plate", "Medium" : "", "Support" : "", "Disp_Medium" : "", "Info_Page_Comm" : "From an unidentified publication; one of a set of 16 illustrations in Bryn Mawr's collection (1984.32a-1984.32p)", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "18th century", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.32.m_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.32.m_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.32.m_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1984.32.m_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "79296", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 167173, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/167173", "Disp_Access_No" : "1984.32.p", "_AccNumSort1" : "", "Disp_Create_DT" : "1712 - 1784", "_Disp_Start_Dat" : "1712", "_Disp_End_Date" : "1784", "Disp_Title" : "Two Women and Two Men in an Outdoor Garden", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Simon Fokke", "Sort_Artist" : "Fokke, Simon", "Disp_Dimen" : "5 1/16 in. x 3 1/4 in. (12.86 cm x 8.26 cm)", "Disp_Height" : "5 1/16 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "Plate", "Medium" : "", "Support" : "", "Disp_Medium" : "", "Info_Page_Comm" : "From an unidentified publication; one of a set of 16 illustrations in Bryn Mawr's collection (1984.32a-1984.32p)", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "18th century", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1984.32.p_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1984.32.p_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1984.32.p_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1984.32.p_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "79299", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 163202, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/163202", "Disp_Access_No" : "1999.10.5", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Veduta Degli Auanzi Del Foro Di Nerua", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "18 3/8 in. x 27 3/4 in. 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Harrington", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "England", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 162678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/162678", "Disp_Access_No" : "2005.3.131", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 17th century - first quarter of 18th century", "_Disp_Start_Dat" : "1667", "_Disp_End_Date" : "1724", "Disp_Title" : "Saints with Cherubs and the Virgin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Sharp", "Sort_Artist" : "Sharp, William", "Disp_Dimen" : "23 in. x 15 1/2 in. (58.42 cm x 39.37 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "15 1/2 in.", "Dimen_Extent" : "Composition", "Medium" : "Engraving on wove paper", "Support" : "", "Disp_Medium" : "Engraving on wove paper", "Info_Page_Comm" : "Six males in togas with cherubs and the Virgin Mary.", "Dedication" : "Gift of Richard E. Bishop in memory of Mary E. Harrington", "Copyright_Type" : "", "Disp_Obj_Type" : "British", "Creation_Place2" : "England", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.3.131_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.3.131_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.3.131_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.3.131_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "105071", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 162561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/162561", "Disp_Access_No" : "2005.3.150", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 18th century - mid 19th century", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1866", "Disp_Title" : "War", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Turner", "Sort_Artist" : "Turner, Charles", "Disp_Dimen" : "18 1/4 in. x 14 1/4 in. (46.36 cm x 36.2 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "Composition", "Medium" : "Engraving with hand coloring", "Support" : "", "Disp_Medium" : "Engraving with hand coloring", "Info_Page_Comm" : "Cock with spurs, engraved by Turner after the painting by Benjamin Marshall (English painter, 1767-1835).", "Dedication" : "Gift of Richard E. Bishop in memory of Mary E. Harrington", "Copyright_Type" : "", "Disp_Obj_Type" : "British", "Creation_Place2" : "England", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 162317, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/162317", "Disp_Access_No" : "2005.3.145", "_AccNumSort1" : "", "Disp_Create_DT" : "1759", "_Disp_Start_Dat" : "1759", "_Disp_End_Date" : "1759", "Disp_Title" : "Mr. Cornelius Hop, Burgomeister and Council of the City of Amsterdam", "Alt_Title" : "Mr. Cornelius Hop, Burgermeister en Raad der Stad Amsterdam", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacobus Houbraken", "Sort_Artist" : "Houbraken, Jacobus", "Disp_Dimen" : "10 in. x 9 1/4 in. (25.4 cm x 23.5 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "9 1/4 in.", "Dimen_Extent" : "Composition", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "portrait", "Dedication" : "Gift of Richard E. Bishop in memory of Mary E. Harrington", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.3.145_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.3.145_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.3.145_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.3.145_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "103014", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 162560, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/162560", "Disp_Access_No" : "2005.3.149", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 18th century - mid 19th century", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1866", "Disp_Title" : "Peace", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Turner", "Sort_Artist" : "Turner, Charles", "Disp_Dimen" : "18 1/4 in. x 14 1/4 in. (46.36 cm x 36.2 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "Composition", "Medium" : "Engraving with hand coloring", "Support" : "", "Disp_Medium" : "Engraving with hand coloring", "Info_Page_Comm" : "Rooster, engraved by Turner after the painting by Benjamin Marshall (English painter, 1767-1835).", "Dedication" : "Gift of Richard E. Bishop in memory of Mary E. Harrington", "Copyright_Type" : "", "Disp_Obj_Type" : "British", "Creation_Place2" : "England", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 162528, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/162528", "Disp_Access_No" : "2005.3.154", "_AccNumSort1" : "", "Disp_Create_DT" : "1768", "_Disp_Start_Dat" : "1768", "_Disp_End_Date" : "1768", "Disp_Title" : "The Fishery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Woollett", "Sort_Artist" : "Woollett, William", "Disp_Dimen" : "15 1/4 in. x 20 3/4 in. (38.74 cm x 52.71 cm)", "Disp_Height" : "15 1/4 in.", "Disp_Width" : "20 3/4 in.", "Dimen_Extent" : "Composition", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "fishery", "Dedication" : "Gift of Richard E. Bishop in memory of Mary E. Harrington", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "England", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 163166, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/163166", "Disp_Access_No" : "2005.13.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1570", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1570", "Disp_Title" : "An Allegory of the Spanish Tyranny", "Alt_Title" : "Enslavement of the Dutch Provinces by the Duke of Alva (per 1983 appraisal)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joris Hoefnagel", "Sort_Artist" : "Hoefnagel, Joris", "Disp_Dimen" : "16 1/4 in. x 36 in. (41.28 cm x 91.44 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "Sheet", "Medium" : "Etching on laid paper", "Support" : "", "Disp_Medium" : "Etching on laid paper", "Info_Page_Comm" : "Three attached sheets This print shows seventeen figures in chains which represent the enslaved Dutch provinces appearing before the Spanish Duke of Alva, who is represented with devil's horns. There are numbers marking the figures, but many of them have been rubbed off. Enough remain to demonstrate that there must have been about 85 identifications in this print. We do not have the key to these identifications. It is dated to 1570, and is signed with a lower-case "a." Research by scholars R.J. Zijp, Carl Nix, Daniel Horst and Karel Porteman determined that this letter refers to Antwerp, and the artist is Joris Hoefnagel who resided in this city. It is believed that he created this print upon his return from England. This print initially belonged to Harlan J. Berk, who lent it to Bryn Mawr for study. After the Director of the Library, James Tanis, took a special interest in the unique qualities of this print and did further study, with the intent of including it in a show entitled "Images of Discord," Berk gave the print to the College in 1983. Donald Cresswell of the Philadelphia Print Shop appraised the print in 1983. He determined that it is a line engraving printed from six copper plates and joined. Similar prints of chained figures appearing before the Duke of Alva exist, and Bryn Mawr has one by Willem Delff in its collection. It is believed, however, that this may be the only copy of this specific print by Hoefnagel, and thus it is quite a unique object. (Angelique Wille, 11/1/2010) ", "Dedication" : "Gift of Harlan J. Berk", "Copyright_Type" : "", "Disp_Obj_Type" : "Netherlandish", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.13.1_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.13.1_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.13.1_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.13.1_BMC_f.jpg", "IsPrimary" : "0", "_SurrogateID" : "20960", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.13.1_BMC_f_5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.13.1_BMC_f_5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.13.1_BMC_f_5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.13.1_BMC_f_5.jpg", "IsPrimary" : "1", "_SurrogateID" : "111001", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 162559, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/162559", "Disp_Access_No" : "2005.3.148", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "The Descent From the Cross: Second Plate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "20 1/4 in. x 15 3/4 in. (51.44 cm x 40.01 cm)", "Disp_Height" : "20 1/4 in.", "Disp_Width" : "15 3/4 in.", "Dimen_Extent" : "Composition", "Medium" : "Etching on laid paper", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print is an etching on laid paper of a scene of the descent from the cross. A former Bryn Mawr curator attributed this print as from the original plate by Rembrandt but heavily reworked by Claude Henri Watelet (ca. 1786) and published by Pierre Francois Basan. Further examination has determined this not to be the case. This print is actually a copy of Rembrandt’s original of 1633 by an unknown artist. It is clear that our print is a copy when it is compared to the original reproduced in Gary Schwartz’s catalogue of Rembrandt etchings (Gary Schwartz, “Rembrandt: All the etchings reproduced in true size,” London: Oresko Books Ltd., 1977). The faces of the figures are very different and the measurements of some elements of the composition vary slightly between the original and the copy (e.g. the cane of the turbaned man). The differences are especially apparent in the face of the robed figure in the shadows between Christ’s body and the turbaned man, and in the face of the woman kneeling in the right corner (the shape of her nose and the slope of her chin are notably different in Bryn Mawr’s copy.) The original print of which this is a copy was based on a painting by Rembrandt for Frederick Henry, Prince of Orange, dating to 1632-33. This painting is now in the Alte Pinakothek in Munich. Some scholars have noted the resemblance between the figure holding Christ’s body via his arm and known self-portraits of the artist. Early in his career, during the 1630s when he was beginning to establish his printing technique, Rembrandt employed the printmaker Jan van Vliet to design plates under his supervision, some of which were based on existing Rembrandt paintings. Many scholars believe that the print on which our copy is based was one of Van Vliet’s designs. A signature appears in the plate, “Rembrandt f.cum pryvl: 1633.” It is part of the Harrington-Bishop Collection, received in 1962. (Angelique Wille, 4/25/2011) ", "Dedication" : "Gift of Richard E. Bishop in memory of Mary E. Harrington", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.3.148_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.3.148_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.3.148_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.3.148_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "70029", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 163167, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/163167", "Disp_Access_No" : "2005.13.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1570 - 1572", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1572", "Disp_Title" : "William I of Orange: The Prudent Captain", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Theodor de Bry", "Sort_Artist" : "Bry, Theodor de", "Disp_Dimen" : "4 3/4 in. (diameter) (12.1 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Likely William the Silent, Prince of Orange as the Captain of Wisdom. William the Silent mentioned in exhibition brochure, "Images of Discord" Sarah Mitchell, August 31, 2010", "Dedication" : "Gift of Harlan J. Berk", "Copyright_Type" : "", "Disp_Obj_Type" : "Netherlandish", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.13.2_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.13.2_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.13.2_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.13.2_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "87746", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 163168, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/163168", "Disp_Access_No" : "2005.13.3", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1570 - 1572", "_Disp_Start_Dat" : "1570", "_Disp_End_Date" : "1572", "Disp_Title" : "The Captain of Folly (Duke of Alba)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Theodor de Bry", "Sort_Artist" : "Bry, Theodor de", "Disp_Dimen" : "4 7/8 in. (diameter) (12.4 cm)", "Disp_Height" : "4 7/8 in.", "Disp_Width" : "", "Dimen_Extent" : "Image", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "The Duke of Alva as the Captain of Folly. Title from exhibition brochure, "Images of Discord" Sarah Mitchell, August 31, 2010", "Dedication" : "Gift of Harlan J. Berk", "Copyright_Type" : "", "Disp_Obj_Type" : "Netherlandish", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.13.3_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.13.3_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.13.3_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.13.3_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "87747", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 172998, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/172998", "Disp_Access_No" : "2009.17.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1630 - after 1650", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1650", "Disp_Title" : "Vestigii del Mausoleo d'Augusto", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marcus Christoph Sadeler", "Sort_Artist" : "Sadeler, Marcus Christoph", "Disp_Dimen" : "6.5 x 10 3/4 in. (16.51 x 27.3 cm)", "Disp_Height" : "6.5 in.", "Disp_Width" : "10 3/4 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Ruins of Augustus's Mausoleum", "Dedication" : "Gift of Lucy Shoe Meritt, Class of 1927, MA 1928, PhD 1935", "Copyright_Type" : "", "Disp_Obj_Type" : "Flemish", "Creation_Place2" : "Belgium", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.17.11_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.17.11_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.17.11_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.17.11_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "20828", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 163039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/163039", "Disp_Access_No" : "2007.9.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1641", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1641", "Disp_Title" : "Virgin and Child in the Clouds", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "6 5/8 in. x 4 3/16 in. (16.8 cm x 10.6 cm)", "Disp_Height" : "6 5/8 in.", "Disp_Width" : "4 3/16 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Virgin Mary seated and holding Christ child in her lap surrounded by clouds, light ring surrounding her head with rays of light coming from Christ; Mary looks upwards This print is an image of the Virgin and Christ child in clouds. It is signed and dated “Rembrandt 1641,” but the signature is somewhat obscure because it is covered by the crosshatching in the cloud underneath the Virgin. A head can be seen upside-down by the Virgin’s left knee, probably from an earlier etching on the same plate. Gary Schwartz writes that it is possible that this upside-down face could be the reflection of the Virgin’s face in the clouds, or a first version of the Virgin’s face, after which the artist turned the plate to make another attempt. G.W. Nowell-Eusticke describes it as a “rather uncommon print.” In the catalogue for Rembrandt: the Printmaker, the authors speculate that Rembrandt may have received inspiration for this print from several sources. These include Dürer’s Madonna on the Crescent Moon from the title-page of his Life of the Virgin (Bryn Mawr’s Special Collections has a copy of this book). Another potential source of inspiration is Federico Barocci’s Madonna and Child -- they are almost the same size and the positioning of the Virgin is very similar (although reversed). It is possible that Rembrandt owned an impression of Barocci’s print. The provenance of Bryn Mawr’s print includes the collection of A. Gerstaecker and Sessler’s Book Shop, Philadelphia. The print is signed in pencil on the verso by Gerstaecker. It was a gift to Bryn Mawr College from Eleanor May Morris. It was purchased by Mr. Samuel W. Morris from Mrs. Mabel Zahn at Sessler’s Book Shop in Philadelphia at some point in the 1950s. Mr. Morris bought his wife a Rembrandt print annually during this time. The Morrises displayed these prints in their home library. This print was one of several given by Mrs. Morris in honor of Carol Biba, Head of Bryn Mawr College’s Public Relations from 1950-1972. 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(9.4 cm x 14.4 cm)", "Disp_Height" : "3 11/16 in.", "Disp_Width" : "5 11/16 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Christ as child walking between his parents, holding hands, through landscape, mountains in background; Christ looking upwards This print is an illustration of Luke 2: 41-52, and shows Christ as a boy walking with his parents. This image has a considerable burr from the use of drypoint and clearly shows vertical wiping scratches in the sky at the upper right. It has narrow margins, in keeping with Rembrandt’s frugal use of paper. There is small dot of brown on the Virgin’s cheek and another in the margin. A white spot, possibly gouache, appears to the right of the dog. This print dates to 1654, which was the year that Rembrandt’s common-law wife Hendrickje was brought before the church council and condemned for “fornication.” That same year she gave birth to their daughter Cornelia. In this year Rembrandt printed several prints – perhaps to augment his salary during a time when his family was expanding but his financial situation was troubled. During this time his focus in both prints and paintings were frequently biblical subjects. In “Remarks on Rembrandt’s oil-sketches for etchings” by Ernst van de Wetering, this print is included in a series of etchings of scenes from the childhood of Christ. These etchings all date to 1654 and include The adoration of the shepherds, The circumcision, The flight into Egypt, Virgin and Child, Christ disputing with the doctors. This series has been largely ignored by scholarship. The prints have almost never been treated as a series. It is a gift of Eleanor May Morris, class of 1941, MA. 1970. The print was purchased by Mr. Samuel W. Morris from Mrs. Mabel Zahn at Sessler’s Book Shop in Philadelphia at some point in the 1950s. Mr. Morris bought his wife, Eleanor May Morris, a Rembrandt print annually during this time. The Morrises’ displayed these prints in their home library. This print was one of several given by Mrs. Morris in honor of Carol Biba, Head of Bryn Mawr College’s Public Relations from 1950-1972. 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(16.193 x 28.893 cm)", "Disp_Height" : "6.375 in.", "Disp_Width" : "11.375 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Brothel of Giardino Farnese on Monte Gianicolo "Sloppy" setting. Writing from the Tavola p. XLII on both sides on paper. Text and image appear to be from two different engravings. 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Maria Nova, Donat. 3;6", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pieter Schenk", "Sort_Artist" : "Schenk, Pieter", "Disp_Dimen" : "6 1/2 in. x 7 1/2 in. 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(26.7 cm x 21.4 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "8 7/16 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Cuff of Neptune Engraving, hand-colored with brown, white; yellow on border.", "Dedication" : "Gift of Lucy Shoe Meritt, Class of 1927, MA 1928, PhD 1935", "Copyright_Type" : "", "Disp_Obj_Type" : "French", "Creation_Place2" : "France", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.17.56_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.17.56_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.17.56_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.17.56_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "23228", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173044, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/173044", "Disp_Access_No" : "2009.17.57", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1630 - after 1650", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1650", "Disp_Title" : "Vestigii del Castello dell' acqua Martia ouero Julia", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marcus Christoph Sadeler", "Sort_Artist" : "Sadeler, Marcus Christoph", "Disp_Dimen" : "6 5/16 in. x 10 5/8 in. (16 cm x 27 cm)", "Disp_Height" : "6 5/16 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Ruins of a Castle of the Water of Mars...Julia ", "Dedication" : "Gift of Lucy Shoe Meritt, Class of 1927, MA 1928, PhD 1935", "Copyright_Type" : "", "Disp_Obj_Type" : "Flemish", "Creation_Place2" : "Belgium", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.17.57_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.17.57_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.17.57_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.17.57_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "20829", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173046, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/173046", "Disp_Access_No" : "2009.17.59", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1630 - after 1650", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1650", "Disp_Title" : "Vestigii delle Terme di Constantino, nel monte Quirinale", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marcus Christoph Sadeler", "Sort_Artist" : "Sadeler, Marcus Christoph", "Disp_Dimen" : "6 5/16 in. x 10 5/8 in. (16 cm x 27 cm)", "Disp_Height" : "6 5/16 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Ruins of the Hot Baths of Constantine, at the Quirinal Hill ", "Dedication" : "Gift of Lucy Shoe Meritt, Class of 1927, MA 1928, PhD 1935", "Copyright_Type" : "", "Disp_Obj_Type" : "Flemish", "Creation_Place2" : "Belgium", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.17.59_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.17.59_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.17.59_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.17.59_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "20831", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/173047", "Disp_Access_No" : "2009.17.60", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1630 - after 1650", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1650", "Disp_Title" : "Vestigii d'una parte del monte Aventino che guarda verso Ponente", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marcus Christoph Sadeler", "Sort_Artist" : "Sadeler, Marcus Christoph", "Disp_Dimen" : "6 5/16 in. x 10 5/8 in. (16 cm x 27 cm)", "Disp_Height" : "6 5/16 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Ruins of a Part of the Aventine Hill, which looks after this place ", "Dedication" : "Gift of Lucy Shoe Meritt, Class of 1927, MA 1928, PhD 1935", "Copyright_Type" : "", "Disp_Obj_Type" : "Flemish", "Creation_Place2" : "Belgium", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.17.60_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.17.60_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.17.60_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.17.60_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "20832", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/173049", "Disp_Access_No" : "2009.17.62", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1660 - 1718", "_Disp_Start_Dat" : "1660", "_Disp_End_Date" : "1718", "Disp_Title" : "Septizonium Severi", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pieter Schenk", "Sort_Artist" : "Schenk, Pieter", "Disp_Dimen" : "6 9/16 in. x 7 11/16 in. (16.7 cm x 19.5 cm)", "Disp_Height" : "6 9/16 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Septimius Severus", "Dedication" : "Gift of Lucy Shoe Meritt, Class of 1927, MA 1928, PhD 1935", "Copyright_Type" : "", "Disp_Obj_Type" : "German", "Creation_Place2" : "Germany", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.17.62_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.17.62_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.17.62_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.17.62_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "20834", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173659, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/173659", "Disp_Access_No" : "2009.19.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1566", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1566", "Disp_Title" : "Phlegmatici, from the Set of the Four Temperaments", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Herman Jansz Müller", "Sort_Artist" : "Müller, Herman Jansz", "Disp_Dimen" : "8 7/16 in. x 9 1/4 in. (21.5 cm x 23.5 cm)", "Disp_Height" : "8 7/16 in.", "Disp_Width" : "9 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "One print from the Set of the Four Temperaments. Allegorically depicts Luna as "Phlegmatic" or the humor of phlegm. There is a Latin inscription on the bottom edge of the print that reads, "Luna tuo in regno, nodosa hic retia pandit [. . .] Piscibus hic volucri pedicas ille equora sulcat." Roughly translated, this says, "Luna in your kingdom, the nets full of knots are spread out here [. . .] In this place, that sea cleaves fetters by swift fish." Like other prints from this collection, it would seem that this inscription refers to and perhaps describes the title of the print -- Phlegmatici. The traits most often associated with the humor of phlegm, however, are sluggishness, cowardice, and lifelessness, which do not seem to describe the contents of the image. Nevertheless, medieval medical practices did associate the moon and the lunar cycle with both physiological and psychological health. Rather than allegorically expressing the personality traits of "phlegmatic" personalities, it is possible that this image is meant to associate the Roman goddess of the moon, Luna, with fishery work. The composition is split between the heavens and the earth by a cloud upon which Luna sits holding the moon in her hand. Behind her are the personifications of the constellations/zodiac signs of Scorpio, Pisces, and Cancer. Below the heavens, there are many men engaged in fishery work, including fishing with both nets and poles and the capturing of water fowl. In the background, there are many types of ships and boats out on the sea off the coast of small town. Above the ships fly a flock of sea birds.", "Dedication" : "Gift of Dale Kinney, Professor of History of Art", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.19.4_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.19.4_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.19.4_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19.4_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "23233", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173656, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/173656", "Disp_Access_No" : "2009.19.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1566", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1566", "Disp_Title" : "Sanguinei, from the Set of the Four Temperaments", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Herman Jansz Müller", "Sort_Artist" : "Müller, Herman Jansz", "Disp_Dimen" : "8 7/16 in. x 9 1/4 in. (21.5 cm x 23.5 cm)", "Disp_Height" : "8 7/16 in.", "Disp_Width" : "9 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "One print from the Set of the Four Temperaments. Allegorically depicts Jupiter and Venus as "Sanguine" or the humor of blood. Exhibits a Latin phrase on the bottom edge: "Qui choreas agitant et dulcia furta petesunt [. . .] Juppiter hos equusfouet, ac Citherea venusta." Roughly translated, this says, "That which stirs the dancers/the multitude and desires sweet drinks [. . .] Jupiter (Zeus) maintains his steed, and also charming Citherea (Venus)." This inscripition seems to describe the title of the engraving -- Sanguinei. The composition of the piece is split between the heavens and the earth by means of a swirling cloud upon which Jupiter and Venus sit. Venus holds her son Cupid to her on one side and grasps a long arrow in her free hand. Jupiter is partially mounted on his eagle and holds an unknown object in his raised hand; this object is perhaps an interpretation of a lightning bolt, though snake-like heads emerge from the tips of the thing. Surrounding the gods are the personifications of the constellations/zodiac signs known as Libra, Gemini, and Aquarius. Below the heavens, on the earthly plane, there are amorous couples, musicians, bathers, and crowds of people. These people all seem to represent the personality traits associated with the sanguine or blood humor, including amorousness, happiness, generosity, optimism, and irresponsibility. ", "Dedication" : "Gift of Dale Kinney, Professor of History of Art", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.19.1_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.19.1_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.19.1_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19.1_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "23230", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/173048", "Disp_Access_No" : "2009.17.61", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1630 - after 1650", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1650", "Disp_Title" : "Vestigii del Tempio della pace, edificato da Vespasiano Imp. qual secondo li aut", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marcus Christoph Sadeler", "Sort_Artist" : "Sadeler, Marcus Christoph", "Disp_Dimen" : "6 5/16 in. x 10 5/8 in. (16 cm x 27 cm)", "Disp_Height" : "6 5/16 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Ruins of the Temple of Peace, built by Emperor Vespasian ", "Dedication" : "Gift of Lucy Shoe Meritt, Class of 1927, MA 1928, PhD 1935", "Copyright_Type" : "", "Disp_Obj_Type" : "Flemish", "Creation_Place2" : "Belgium", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.17.61_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.17.61_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.17.61_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.17.61_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "20833", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173657, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/173657", "Disp_Access_No" : "2009.19.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1566", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1566", "Disp_Title" : "Cholerici, from the Set of the Four Temperaments", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Herman Jansz Müller", "Sort_Artist" : "Müller, Herman Jansz", "Disp_Dimen" : "8 7/16 in. x 9 1/4 in. (21.5 cm x 23.5 cm)", "Disp_Height" : "8 7/16 in.", "Disp_Width" : "9 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "One print from the Set of the Four Temperaments. Allegorically depicts Mars as "Choleric" or the humor of yellow bile. A Latin inscription on the bottom edge of the print reads "Armorum rabies incendia, praelia strages [. . .] Luctiferum agnoscunt Martem, dominum (?) cruentum." Roughly translated, this says, "The fiery heat of weapons, the battle, [and] the massacre [. . .] The untamed of (by) grief acknowledge Mars, the bloodthirsty master." This inscription seems to refer to and describe the title of the engraving -- Cholerici. The choleric or yellow bile humor is often associated with traits like violence, vengence, and ambition. The composition is split between the heavens and earth by a roiling cloud on which Mars stands. His pose indicates strength and power. He wears a full suit of armor and holds in one hand his sword and in the other, his shield. Behind him are the personifications of the three constellations/zodiac signs known as Aries, Leo, and Sagittarius. Below the heavens, assumably on earth, there are machines of war before a town, an assembled army, and men working a bellows and a weapons forge. Two men in the foreground fight while another man looks into the heavens. These people and things seem to personify the traits of a choleric personality mentioned above. ", "Dedication" : "Gift of Dale Kinney, Eugenia Chase Guild Professor Emeritus of the Humanities and Professor Emeritus of History of Art", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.19.2_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.19.2_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.19.2_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19.2_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "23231", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173658, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/173658", "Disp_Access_No" : "2009.19.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1566", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1566", "Disp_Title" : "Melancholici, from the Set of the Four Temperaments", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Herman Jansz Müller", "Sort_Artist" : "Müller, Herman Jansz", "Disp_Dimen" : "8 7/16 in. x 9 1/4 in. (21.5 cm x 23.5 cm)", "Disp_Height" : "8 7/16 in.", "Disp_Width" : "9 1/4 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "One print from the Set of the Four Temperaments. Allegorically depicts Saturn as "Melancholic" or the humor of black bile. There is an inscription at the bottom edge of the engraving that reads, "Mensores terrae, vates Saturnus adoptat [. . .] Falciger, [?] quibus est sana nulla uncia mentis." Roughly translated, this says, "Land-surveyors of the earth, Saturn selects [as his] prophets [. . .] The sickle, by which no sane ounce of the mind exists." Like the other engravings in this collection, it would seem that this inscription likely refers to and describes the title of the print -- Melancholici. The traits that are most often associated with the melancholic or black bile humor, however, are introspection, sentimentality, and gluttony, which do not seem overtly present in this image or accompanying caption. According to sources sited on Wikipedia, medieval scholars attributed Saturn to the melancholic humors saying, "Physicians, scholars, philosophers and scientists, which includes writers and musicians, seem to have a strong Saturn placement which tends to lean such natives toward melancholy. The bright side is that Saturn can impart serenity and wisdom. And the wisdom of Saturn is the wisdom of the Earth itself." The composition of this image is split between the heaven and the earth by a sweeping cloud on which Saturn sits, devouring one of his children. In his other hand, he supports his iconic sickle. Behind his figure are the personifications of the constellations/zodiac signs known as Taurus, Virgo, and Capricorn. Below the heavens, there are three men--two are perhaps land-surveyors, while the other is a musician--with tools of their trades, including a compass and globe for two and a harp for the third. The rest of the scene, however, contains a tree from which a dead man hangs and labors preparing other methods of torture with wheels, chains, and a cross. In the far background, one person seems to struggle against his/her captors; three others appear to be in the process of jumping from the edge of a cliff. 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(16 cm x 27 cm)", "Disp_Height" : "6 5/16 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Ruins of the Circus Massimo", "Dedication" : "Gift of Lucy Shoe Meritt, Class of 1927, MA 1928, PhD 1935", "Copyright_Type" : "", "Disp_Obj_Type" : "Flemish", "Creation_Place2" : "Belgium", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.17.58_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.17.58_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.17.58_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.17.58_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "20830", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173660, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/173660", "Disp_Access_No" : "2009.19.5", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Haud mora promissis stat Iudas mittit et hoedum", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Visscher", "Sort_Artist" : "Visscher, Nicolas", "Disp_Dimen" : "8 1/4 in. x 10 1/4 in. 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(34.5 cm x 25.6 cm)", "Disp_Height" : "13 9/16 in.", "Disp_Width" : "10 1/16 in.", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Portrait of Gilles Boileau, 1631-1669", "Dedication" : "Gift of James Tanis, Director of Libraries, 1969-1996, and Florence Tanis", "Copyright_Type" : "", "Disp_Obj_Type" : "French", "Creation_Place2" : "France", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.24.7_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.24.7_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.24.7_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.24.7_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "23254", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173888, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/173888", "Disp_Access_No" : "2009.24.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1682", "_Disp_Start_Dat" : "1682", "_Disp_End_Date" : "1682", "Disp_Title" : "Mme la Duchesse de Richemont", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan van der Bruggen", "Sort_Artist" : "Bruggen, Jan van der", "Disp_Dimen" : "12 in. x 8 9/16 in. 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(18.7 cm x 29.1 cm)", "Disp_Height" : "7 3/8 in.", "Disp_Width" : "11 7/16 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. 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(40.6 cm x 57.1 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "22 1/2 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. 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(42.7 cm x 56.1 cm)", "Disp_Height" : "16 13/16 in.", "Disp_Width" : "22 1/16 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "An allegory with cupid and others", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt", "Copyright_Type" : "", "Disp_Obj_Type" : "Italian", "Creation_Place2" : "Italy", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/VP.62_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/VP.62_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/VP.62_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/VP.62_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "10050", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 161590, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/161590", "Disp_Access_No" : "VP.4", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Battle of Constantine and Maxentius", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista de' Cavalieri", "Sort_Artist" : "Cavalieri, Giovanni Battista de'", "Disp_Dimen" : "15 15/16 in. x 24 9/16 in. (40.5 cm x 62.4 cm)", "Disp_Height" : "15 15/16 in.", "Disp_Width" : "24 9/16 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Engraving of a battle scene from the orignal Vatican stanza.", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt", "Copyright_Type" : "", "Disp_Obj_Type" : "Italian", "Creation_Place2" : "Italy", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/VP.4_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/VP.4_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/VP.4_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/VP.4_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "10040", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 161566, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/161566", "Disp_Access_No" : "VP.14", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Orpheus, Silenus, and Amorini", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Boldrini", "Sort_Artist" : "Boldrini, Francesco", "Disp_Dimen" : "11 11/16 x 6.75 in. (29.7 x 17.145 cm)", "Disp_Height" : "11 11/16 in.", "Disp_Width" : "6.75 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt", "Copyright_Type" : "", "Disp_Obj_Type" : "Italian", "Creation_Place2" : "Italy", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/VP.14_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/VP.14_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/VP.14_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/VP.14_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "79018", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 161660, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/161660", "Disp_Access_No" : "VP.19", "_AccNumSort1" : "", "Disp_Create_DT" : "Early 16th century - mid 16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1566", "Disp_Title" : "Biblical Scene with Elders before a Reclining Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Antonio Salamanca", "Sort_Artist" : "Salamanca, Antonio", "Disp_Dimen" : "10 3/16 in. x 15 7/16 in. (25.8 cm x 39.2 cm)", "Disp_Height" : "10 3/16 in.", "Disp_Width" : "15 7/16 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. 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(42.7 cm x 75.4 cm)", "Disp_Height" : "16 13/16 in.", "Disp_Width" : "29 11/16 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. 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(37.2 cm x 59.6 cm)", "Disp_Height" : "14 5/8 in.", "Disp_Width" : "23 7/16 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt", "Copyright_Type" : "", "Disp_Obj_Type" : "Italian", "Creation_Place2" : "Italy", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/VP.102_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/VP.102_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/VP.102_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/VP.102_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "9959", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 161559, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/161559", "Disp_Access_No" : "VP.108", "_AccNumSort1" : "", "Disp_Create_DT" : "Mid 18th century - early 19th century", "_Disp_Start_Dat" : "1733", "_Disp_End_Date" : "1832", "Disp_Title" : "Primavera y Verano (Spring and Summer)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "6.75 x 5.375 in. (17.145 x 13.653 cm)", "Disp_Height" : "6.75 in.", "Disp_Width" : "5.375 in.", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Engraving of Aphrodite with a dolphin and shell after an antique marble statue.", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt", "Copyright_Type" : "", "Disp_Obj_Type" : "Italian", "Creation_Place2" : "Italy", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/VP.108_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/VP.108_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/VP.108_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/VP.108_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "79003", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 161476, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/161476", "Disp_Access_No" : "VP.115", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1496-1528", "_Disp_Start_Dat" : "1496", "_Disp_End_Date" : "1528", "Disp_Title" : "The Little (or Small ) Courier", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albrecht Dürer", "Sort_Artist" : "Dürer, Albrecht", "Disp_Dimen" : "4 3/8 in. x 3 1/8 in. (11.1 cm x 7.9 cm)", "Disp_Height" : "4 3/8 in.", "Disp_Width" : "3 1/8 in.", "Dimen_Extent" : "Image", "Medium" : "Engraving on laid paper", "Support" : "", "Disp_Medium" : "Engraving on laid paper", "Info_Page_Comm" : "This print showcases Dürer’s skill in negotiating minute and focused detail with a balanced overall composition, an art which he learned by studying Renaissance masters during two trips to Italy. In this scene, the hurried courier gallops toward a distant town, bearing some important message. Dürer masterfully evokes the courier’s fuzzy fur hat and the wispy blades of grass, while also imbuing the rider with movement and creating a scene that is vibrant and dynamic. Though he was also a painter, Dürer adopted engraving as his primary medium for exploring complex imagery. In prints like this one, he invited the viewer to carefully study the image and luxuriate in the sumptuous network of lines and textures. ", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt", "Copyright_Type" : "", "Disp_Obj_Type" : "German", "Creation_Place2" : "Germany", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/VP.115_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/VP.115_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/VP.115_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/VP.115_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "1511", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 161558, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/161558", "Disp_Access_No" : "VP.105", "_AccNumSort1" : "", "Disp_Create_DT" : "Mid 18th century - early 19th century", "_Disp_Start_Dat" : "1733", "_Disp_End_Date" : "1832", "Disp_Title" : "Aphrodite with Dolphin and Shell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "7 11/16 in. x 4 3/4 in. (19.5 cm x 12 cm)", "Disp_Height" : "7 11/16 in.", "Disp_Width" : "4 3/4 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt", "Copyright_Type" : "", "Disp_Obj_Type" : "Italian", "Creation_Place2" : "Italy", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/VP.105_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/VP.105_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/VP.105_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/VP.105_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "9960", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 161817, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/161817", "Disp_Access_No" : "VP.118", "_AccNumSort1" : "", "Disp_Create_DT" : "1641", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1641", "Disp_Title" : "The Schoolmaster", "Alt_Title" : "Woman at a Door Hatch Talking to a Man and Children", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "3.625 x 2.375 in. (9.208 x 6.033 cm)", "Disp_Height" : "3.625 in.", "Disp_Width" : "2.375 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching with drypoint on laid paper", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print is an etching with drypoint on laid paper. It is signed and dated “Rembrandt f. 1641” under the archway. It is a second state. It is also sometimes known as "Woman at a Door Hatch Talking to a Man and Children." Traces of a previous mount are adhered to the top verso of the paper. Scholars have debated whether this print has two states or only one, as the differences may be due to variations in impression. If there are two states, then Bryn Mawr’s print is a second state. (Angelique Wille, 4/25/2011) ", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt", "Copyright_Type" : "", "Disp_Obj_Type" : "Netherlandish", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/VP.118_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/VP.118_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/VP.118_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/VP.118_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "9963", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 161707, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/161707", "Disp_Access_No" : "VP.116", "_AccNumSort1" : "", "Disp_Create_DT" : "1646", "_Disp_Start_Dat" : "1646", "_Disp_End_Date" : "1646", "Disp_Title" : "Jan Cornelis Sylvius", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "13 1/8 in. x 9 9/16 in. (33.4 cm x 24.3 cm)", "Disp_Height" : "13 1/8 in.", "Disp_Width" : "9 9/16 in.", "Dimen_Extent" : "", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print is a bookplate from a portfolio, as indicated by the No. 187 which appears in the plate, lower left. The watermark is a Van Gelder watermark (a large watermark showing a crown over a fleur de lis and initials. This print is part of the Van Pelt Collection and can be compared with X.332 which is another version of this print. Compared to the original, the background draping lacks the variation in shading, which may be due to a worn plate. Signed and dated “Rembrandt f. 1646” Jan Cornelis Sylvius (1564-1638) was the guardian of Saskia, the wife of Rembrandt. This print is a posthumous portrait of Sylvius, a Remonstrant preacher. He leans forward and his gesture is emphasizes by the light falling from the right side. His gesture seems to indicate that he is in the process of preaching, using his hand to emphasize his words. Rembrandt also made an earlier portrait of Sylvius in 1633, in which he appears as a scholar in his study. The posthumous print of Sylvius dates to 1646, eight years after Sylvius’s death. Most of the inscription is a poem about Sylvius written by Caspar Barlaeus, who was a renowned author. A variation of this poem was published in Barlaeus’s Poemata of 1646. The print was designed to include text. Following Barlaeus’s eulogy is a couplet by Petrus Scriverius, which was a typical way of praise: ‘I cannot advertise this man’s gifts better. / My attempt to emulate them in verse is in vain.” the Barlaeus text: Cuius adorandum docuit Facundia Christum, Et populis veram pandit ad astra viam. Talis erat Sylvî facies. audivimus illum Amstelijs isto civibus ore loqui. Hoc Frisjis praecepta dedit: pietasq. severo Relligioq. diu vindice tuta stetit Praeluxit, veneranda suis virtutibus, aetas. Erudytq. ipsos fessa senecta viros. Simplicitatis amans fucum contemsit honesti, Nec sola voluit fronte placere bonis. Sic statuit: Jesum vita meliore doceri Rectiús, et vocum fulmina posse minus. Amstela, sis memor extincti, qui condidit urbem Moribus, hanc ipso fulsijt ille Deo. (translation) His eloquence taught men to honor Christ And showed them the true way to heaven. Such was Sylvius’s face, we have heard him Speak to the citizens of Amsterdam with these lips. With these lips he gave precepts to the Frisians; piety And religion have remained long secure before he severely protected them. His age, that is to be honored for its virtues, is eminent, And in his old age he continued to instruct his fellow men. A lover of sincere simplicity, he despised false appearance Nor did he seek to please good men by mere appearances. He put it this way: Jesus could better be taught Through leading a better life than by thundering speech. O Amsterdam, remember the man now deceased who built the city With his righteousness and piled it on God Himself. The inscription around the oval reads: “My hope is Christ. Johannes Corneslisz. Sylvius, Amsterdammer, filled the function of preaching the holy word for 45 years and 6 months. In Friesland in Tyemarum (Tzummarum) and Pherdgum (Firdgum) four years; in Balk and Haring one year; in Minnertsga four years; in Sloten, Holland, six years; in Amsterdam 28 years and 6 months. He died there on 19 November 1638, 74 years of age.” (Angelique Wille, 4/25/2011)", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt", "Copyright_Type" : "", "Disp_Obj_Type" : "Netherlandish", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/VP.116_BMC_f_3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/VP.116_BMC_f_3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/VP.116_BMC_f_3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/VP.116_BMC_f_3.jpg", "IsPrimary" : "1", "_SurrogateID" : "70051", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 161471, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/161471", "Disp_Access_No" : "VP.146", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 16th century - early 17th century", "_Disp_Start_Dat" : "1567", "_Disp_End_Date" : "1632", "Disp_Title" : "Thalia Comoedias Recitat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Johann Theodor de Bry", "Sort_Artist" : "Bry, Johann Theodor de", "Disp_Dimen" : "9 3/16 in. x 5 9/16 in. (23.4 cm x 14.1 cm)", "Disp_Height" : "9 3/16 in.", "Disp_Width" : "5 9/16 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Greek muse of comic theatre.", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. 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(10.9 cm x 7.8 cm)", "Disp_Height" : "4 5/16 in.", "Disp_Width" : "3 1/16 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching on laid paper", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print is the second state of six. The paper is laid and on the verso is a small black collector’s stamp of the initials “A.F.D.” It is signed and dated “Rembrandt f. 1635” in the bottom margin. The image is of an old woman cooking pancakes at a small stove amidst a group of people, including some children and a dog. The woman’s clothing is quite dark and the background includes hatching marks that seem to hint at a background which is not discernible. The child in the foreground appears to hold food away from the dog who is reaching for it. Some of the lines appear to be worn away – those near the arm and face of the seated figure turned towards the woman to the right of the scene are especially worn. This print was included in an exhibition at Bryn Mawr College entitled “Master Prints and Drawings from the Drexel-Van Pelt Collection,” which appeared at the Centennial Campus Center Gallery from November 10 to December 3, 1995. Bryn Mawr’s version of this print is in keeping with descriptions of the second state of this print (there are six states in total, not including a trial proof). The difference between this state and the first is additional shading especially in the woman’s clothing and the fine lines of the background have worn away somewhat, especially in the shading above the boy on the right. In the second state the pancake-maker is emphasized more due to the shading in her clothing. The first state is rarer as the second was meant for the market. According to the catalogue of Rembrandt: the Printmaker, the image of a cook tending the pancake-making while customers wait impatiently was a familiar scene. Rembrandt’s version is in keeping with other images of pancake makers from around the same time. It seems likely that his composition was influenced by an engraving by Jan van de Velde II (ca. 1593-1641), "Pancake Woman", which has a very similar composition of the old woman facing towards the right waching the pancakes cook while children watch eagerly. Rembrandt also owned a painting by Adriaen Brouwer (born 1605 or 1606, died 1638) of a similar scene. Van de Velde and Brouwer showed the pancake woman inside a domestic scene, but Rembrandt departed from this by showing the woman cooking on an outdoor stove. It is known that vendors who cooked outside sometimes worked under a protective tent, and it is possible that the ambiguous background of this print may depict such a tent. The collector’s stamp “A.F.D” indicates that this print was part of the collection of Ambroise Firmin-Didot (1790-1876) a French publisher and collector. Firmin-Didot began his career as a diplomat and then inherited the Didot publishing house. He became a great collector, and it is known that he included Rembrandt prints in his collection. Firmin- Didot’s stamp is identified in Fritz Lugt’s 1921 book of collectors' marks. (Angelique Wille, 4/25/2011) ", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. 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(48 cm x 61 cm)", "Disp_Height" : "18 7/8 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "After painting by B. West.", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt", "Copyright_Type" : "", "Disp_Obj_Type" : "English", "Creation_Place2" : "England", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/VP.805_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/VP.805_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/VP.805_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/VP.805_BMC_f.jpg", "IsPrimary" : "0", "_SurrogateID" : "196751", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/VP.805_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/VP.805_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/VP.805_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/VP.805_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "196750", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/166039", "Disp_Access_No" : "X.306", "_AccNumSort1" : "", "Disp_Create_DT" : "1650", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "Landscape with Square Tower", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "3 3/4 in. x 6 1/4 in. (9.53 cm x 15.88 cm)", "Disp_Height" : "3 3/4 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching with drypoint on laid paper", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : "This print is a second state etching with drypoint on laid paper. It is a landscape scene dominated by a square tower and dated “Rembrandt f. 1650.” The use of drypoint is particularly clear in the bush in the foreground and the plate mark is strong. The second state of this print includes vertical lines in the sky over the tower caused by scratches in the plate. These are visible in Bryn Mawr’s print, helping to establish it as a second state. Furthermore, in the second state the right side of the tower was extended down and covered a bush with vertical lines. The tower in this scene has been identified as a town-house tower in Amsterdam. In Etchings by Rembrandt, Reflections of the Golden Age, Th. Laurentius writes that in 1649 Rembrandt accompanied his common-law partner Hendrickje Stoffels to visit her parents in Bredevoort, near the German border. This print, which dates to the year afterwards, includes a hilly background. While the houses and farms of the foreground are typical of those which would be found near Amsterdam, Laurentius believes the hills were inspired by Rembrandt’s travels. The verso is marked by a collector’s stamp – a cube containing the initial “B” in black ink. It is a collector’s stamp for G.A. Block (Gordon A. Block Jr., born 1914). He was an insurance broker in Philadelphia with a collection of prints and drawings that notably included work by Dürer, Rembrandt and Rockwell Kent. This print was included in the following exhibitions: "Rembrandt etchings" organized by the Suzanne H. Arnold Art Gallery, Lebanon Valley College. Suzanne H. Arnold Art Gallery, Lebanon Valley College, March 1-April 14, 2002 Philip and Muriel Berman Museum of Art, Ursinus College, April 30-July 14, 2002 Martin Art Gallery, Muhlenberg College, August 9-October 11, 2002 Phillips Museum of Art, Franklin & Marshall College, October 24-December 8, 2002 (Angelique Wille, 4/27/2011) ", "Dedication" : "Gift of Caroline Newton, Class of 1914", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/X.306_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/X.306_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/X.306_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.306_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31980", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166037, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/166037", "Disp_Access_No" : "X.301", "_AccNumSort1" : "", "Disp_Create_DT" : "1648", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1648", "Disp_Title" : "Self-Portrait Drawing at Window", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "7 in. x 5 in. (17.78 cm x 12.7 cm)", "Disp_Height" : "7 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching with drypoint and burin", "Support" : "", "Disp_Medium" : "Etching with drypoint and burin", "Info_Page_Comm" : "Rembrandt commanded the field of etching in the seventeenth century, and his range of visual effects, from linearity to complex tonalities, has never been matched. This etching is one of his most famous self-portrait prints, an intimate late-career work that shows the artist in an introspective state, immersed in his drawing and illuminated by the light of a window. Dressed in modest studio attire, he depicts himself without pretence. The dense network of etched lines yields a mass of shadows that blanket the room, in contrast to the soft veil of sunlight illuminating the artist at work. This penetrating and stunning portrait captures the artist’s thoughtful persona, not simply his likeness. This print is an etching with drypoint and is the fourth of five states. It is a self-portrait of the artist drawing or etching by a window, and is one of Rembrandt’s most recognizable prints. It is signed and dated 1648 in a scroll at the top portion of the window, although this signature is partially obscured by shading which was added in the fourth state. Rembrandt’s signature was not added until the second state, and the landscape outside the window was not added until the fourth, which aids in identifying Bryn Mawr’s print as a fourth state. This print is Rembrandt’s final etched self-portrait, after a gap of six years. In it he departs from the courtly poses of his earlier self-portraits and depicts himself unpretentiously as an artist at work. He is dressed in ordinary working clothes rather than the elaborate costumes of his earlier self-portraits. His gaze meets the viewer’s directly, but in actuality he is gazing at his reflection in a mirror in order to draw or etch his self-portrait. The provenance of Bryn Mawr’s print includes the collections of Charles H. Ellingwood (b. 1867) a financier from New York, A.G. Theirmann (d. 1860) in Berlin, and the Kupferstichkabinett der Staatlichen Museen, Berlin. It was a gift from Howard L. Gray, Professor of History. It was used for the brochure and poster illustration for the 1985 Mary Flexner Lectures at Bryn Mawr, Rembrandt: A Series of Four Lectures by the renowned Rembrandt scholar Svetlana Alpers, which ran from March 29-April 8, 1985. It was also included in the following exhibitions: "Rembrandt etchings" organized by the Suzanne H. Arnold Art Gallery, Lebanon Valley College. Suzanne H. Arnold Art Gallery, Lebanon Valley College, March 1-April 14, 2002 Philip and Muriel Berman Museum of Art, Ursinus College, April 30-July 14, 2002 Martin Art Gallery, Muhlenberg College, August 9-October 11, 2002 Phillips Museum of Art, Franklin & Marshall College, October 24-December 8, 2002 'Worlds to Discover: 125 Years of Collections at Bryn Mawr College' exhibition, 2010-2011. (Angelique Wille, 4/27/2011) ", "Dedication" : "Gift of Howard L. Gray, Professor of History, 1915-1940", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/X.301_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/X.301_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/X.301_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.301_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31979", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 161787, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/161787", "Disp_Access_No" : "X.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Fellow 'Prentices at their Looms", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "17 3/16 in. x 21 7/8 in. (43.7 cm x 55.5 cm)", "Disp_Height" : "17 3/16 in.", "Disp_Width" : "21 7/8 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "British", "Creation_Place2" : "Great Britain", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 162258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/162258", "Disp_Access_No" : "X.200", "_AccNumSort1" : "", "Disp_Create_DT" : "1751", "_Disp_Start_Dat" : "1751", "_Disp_End_Date" : "1751", "Disp_Title" : "View of the Fontana Paola on the Janiculum Hill", "Alt_Title" : "Veduta del Castello dell' Acqua Paola sul Monte Aureo", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "15 3/4 in. x 24 1/4 in. (40.01 cm x 61.6 cm)", "Disp_Height" : "15 3/4 in.", "Disp_Width" : "24 1/4 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching on wove paper", "Support" : "", "Disp_Medium" : "Etching on wove paper", "Info_Page_Comm" : "The Fontana dell' Acqua Paola.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Italian", "Creation_Place2" : "Italy", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/X.200_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/X.200_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/X.200_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.200_BMC_f_2.jpg", "IsPrimary" : "0", "_SurrogateID" : "79539", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/X.200_BMC_f_5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/X.200_BMC_f_5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/X.200_BMC_f_5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.200_BMC_f_5.jpg", "IsPrimary" : "1", "_SurrogateID" : "110657", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 161788, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/161788", "Disp_Access_No" : "X.152", "_AccNumSort1" : "", "Disp_Create_DT" : "1747", "_Disp_Start_Dat" : "1747", "_Disp_End_Date" : "1747", "Disp_Title" : "The Idle Prentice at Play in the Church Yard, During Divine Service", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Hogarth", "Sort_Artist" : "Hogarth, William", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "British", "Creation_Place2" : "Great Britain", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 161261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/161261", "Disp_Access_No" : "VP.631", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 18th century - early 19th century", "_Disp_Start_Dat" : "1767", "_Disp_End_Date" : "1832", "Disp_Title" : "Elisabeth de Bourbon Reine d'Espagne, Fille de Henry IV", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Auguste Jean Baptiste Marie Blanchard", "Sort_Artist" : "Blanchard, Auguste Jean Baptiste Marie", "Disp_Dimen" : "16 1/8 in. x 11 13/16 in. (41 cm x 30 cm)", "Disp_Height" : "16 1/8 in.", "Disp_Width" : "11 13/16 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Abby A. K. Turner Van Pelt Griscom, Class of 1952, Katherine Drexel Van Pelt Beaver, and Charles B. P. Van Pelt", "Copyright_Type" : "", "Disp_Obj_Type" : "French", "Creation_Place2" : "France", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/VP.631_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/VP.631_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/VP.631_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/VP.631_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "97975", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 163204, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/163204", "Disp_Access_No" : "X.232", "_AccNumSort1" : "", "Disp_Create_DT" : "Mid 18th century - late 18th century", "_Disp_Start_Dat" : "1733", "_Disp_End_Date" : "1799", "Disp_Title" : "Autre vue de l'interieur du pronaos, qui deja ete decrit et dessine dans la plan", "Alt_Title" : "", "Obj_Title" : "Autre vue de l'interieur du pronaos, qui deja ete decrit et dessine dans la planche precedente. A Temple Dorique anciennement dedie a Neptune. VIII.", "Series_Title" : "", "Disp_Maker_1" : "Giovanni Battista Piranesi", "Sort_Artist" : "Piranesi, Giovanni Battista", "Disp_Dimen" : "19 3/16 in. x 26 in. (48.8 cm x 66 cm)", "Disp_Height" : "19 3/16 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "", "Medium" : "Engraving on thick laid paper", "Support" : "", "Disp_Medium" : "Engraving on thick laid paper", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Italian", "Creation_Place2" : "Italy", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/X.232_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/X.232_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/X.232_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.232_BMC_f.jpg", "IsPrimary" : "0", "_SurrogateID" : "196797", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/X.232_BMC_f_2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/X.232_BMC_f_2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/X.232_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.232_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "196796", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166038, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/166038", "Disp_Access_No" : "X.305", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1645", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1650", "Disp_Title" : "Cottage Beside a Canal ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "5 1/2 in. x 8 1/8 in. (13.97 cm x 20.64 cm)", "Disp_Height" : "5 1/2 in.", "Disp_Width" : "8 1/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Rembrandt is famous for his etchings, a type of intaglio print that allows for more spontaneous designs and expressive, fluid lines than engraving. In his landscape etchings, Rembrandt captured the humble villages and nostalgic ruins that he encountered on his frequent walks through the lowlands. In this print, he arranges the cottage diagonally against the sweeping and expansive sky, thus swiftly pulling the viewer’s eye into the composition. Between the cottage and canal, a winding road meanders towards the low horizon laced with the hazy outlines of a nearby town. Rembrandt treats the landscape with great subtlety and maturity, capturing the essence of everyday Dutch life. This is an etching with drypoint and is a first and only state. It is unsigned and undated. The margins are trimmed closely, in keeping with Rembrandt’s frugal use of paper. In this print, Rembrandt depicts a landscape view and arranges a cottage diagonally against the sweeping and expansive sky, thus swiftly pulling the viewer’s eye into the composition. Between the cottage and canal, a winding road meanders towards the low horizon laced with the hazy outlines of a nearby town. G.W. Nowell-Eusticke describes it as a scarce print, and possibly an image of a snow scene. Gary Schwartz speculates that it may depict a view of the Ouderkerk aan de Amstel. This etching was featured in the 2010-2011 'Worlds to Discover: 125 Years of Collections at Bryn Mawr College' exhibition as well as the following exhibitions: "Rembrandt etchings" organized by the Suzanne H. Arnold Art Gallery, Lebanon Valley College. Suzanne H. 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Therefore Bryn Mawr’s “Sylvius” looks different from all known prints, including copies. (Christiane Hertel, 2019) This print can be compared to VP. 116, which is another version of the same print. However, compared to an original it is clear that this is a copy: the buttons on Sylvius’ clothing are too visible all the way down the length of his torso (in the original they are lost in the shadow on his abdomen), the signature reads only “Rembrandt” instead of “Rembrandt f. 1646.” Furthermore, there are subtle differences in the shape of the folds in his clothing and in the background draping between this copy and the original. Jan Cornelis Sylvius (1564-1638) was the guardian of Saskia, the wife of Rembrandt. This print is a posthumous portrait of Sylvius, a Remonstrant preacher. He leans forward and his gesture is emphasizes by the light falling from the right side. His gesture seems to indicate that he is in the process of preaching, using his hand to emphasize his words. Rembrandt also made an earlier portrait of Sylvius in 1633, in which he appears as a scholar in his study. The posthumous print of Sylvius dates to 1646, eight years after Sylvius’s death. Most of the inscription is a poem about Sylvius written by Caspar Barlaeus, who was a renowned author. A variation of this poem was published in Barlaeus’s Poemata of 1646. The print was designed to include text. Following Barlaeus’s eulogy is a couplet by Petrus Scriverius, which was a typical way of praise: ‘I cannot advertise this man’s gifts better. / My attempt to emulate them in verse is in vain.” the Barlaeus text: Cuius adorandum docuit Facundia Christum, Et populis veram pandit ad astra viam. Talis erat Sylvî facies. audivimus illum Amstelijs isto civibus ore loqui. Hoc Frisjis praecepta dedit: pietasq. severo Relligioq. diu vindice tuta stetit Praeluxit, veneranda suis virtutibus, aetas. Erudytq. ipsos fessa senecta viros. Simplicitatis amans fucum contemsit honesti, Nec sola voluit fronte placere bonis. Sic statuit: Jesum vita meliore doceri Rectiús, et vocum fulmina posse minus. Amstela, sis memor extincti, qui condidit urbem Moribus, hanc ipso fulsijt ille Deo. (translation) His eloquence taught men to honor Christ And showed them the true way to heaven. Such was Sylvius’s face, we have heard him Speak to the citizens of Amsterdam with these lips. With these lips he gave precepts to the Frisians; piety And religion have remained long secure before he severely protected them. His age, that is to be honored for its virtues, is eminent, And in his old age he continued to instruct his fellow men. A lover of sincere simplicity, he despised false appearance Nor did he seek to please good men by mere appearances. He put it this way: Jesus could better be taught Through leading a better life than by thundering speech. O Amsterdam, remember the man now deceased who built the city With his righteousness and piled it on God Himself. The inscription around the oval reads: “My hope is Christ. Johannes Corneslisz. Sylvius, Amsterdammer, filled the function of preaching the holy word for 45 years and 6 months. In Friesland in Tyemarum (Tzummarum) and Pherdgum (Firdgum) four years; in Balk and Haring one year; in Minnertsga four years; in Sloten, Holland, six years; in Amsterdam 28 years and 6 months. 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