{ "objects" : [ { "embark_ID" : 188627, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/188627", "Disp_Access_No" : "P.217.b", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 450 BCE - 300 BCE", "_Disp_Start_Dat" : "450 BCE", "_Disp_End_Date" : "300 BCE", "Disp_Title" : "Boeotian Kabeiric Black-Figure Fragments", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "2 15/16 x 2 1/2 x 1/8 in. (7.4 x 6.3 x 0.3 cm)", "Disp_Height" : "2 15/16 in.", "Disp_Width" : "2 1/2 in.", "Dimen_Extent" : "measurements for P.217a", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay", "Info_Page_Comm" : "Fragments of a black-figure Cabeiric vessel. P.217a consists of two joined fragments. P.217b is a single sherd. The former shows a man carrying a basket and a knife and wearing a loin cloth. He walks with his mouth wide open (perhaps he is singing or shouting) and is followed by a small nude boy carrying an oiochoe and a skyphos (?). The groundline for the two figures comprises a black band flanked by two lines. P.217b is decorated with an altar (only one half of which survives). Several objects are shown to the right of the altar including a wreath, a branch with lancet leaves and perhaps an animal skin. A portion of the black band flanked by two lines which serves as the groundline on P.217a can be seen below the altar on P.217b. These fragments are probably from the Cabeirion near Thebes in Boeotia. "Of the workshops producing black- and red-figure [pottery] in the second half of the fifth century, pride of place must be given to the Cabeiric potters and painters who worked mainly for the Cabeirion near Thebes. The Cabeiroi were mystery gods, worshipped mainly in Asia Minor, Samothrace and Boeotia, and the religion followed under their guidance is perplexing; its secrets, like those of all ancient mystery religions, were well kept. There was an older and a younger god among the pantheon; the older god is usually shown reclining, holding a kantharos, and he is sometimes accompanied by his younger companion, Pais. With the vases produced at and for the Theban Cabeirion, Boeotian painting abandons its slavish imitation of Atticand pours out examples of a style of painting both individual and unmistakable." (B. A. Sparkes, "The Taste of a Boeotian Pig," The Journal of Hellenic Studies, Vol. 87, (1967), pp. 116-130, 125.) ", "Dedication" : "Gift of Joseph Clark Hoppin, Professor of Archaeology", "Copyright_Type" : "", "Disp_Obj_Type" : "Boeotian", "Creation_Place2" : "Greece", "Department" : "Archaeology", "Obj_Name" : "sherd", "Period" : "Classical", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P.217.b_BMC_f.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P.217.b_BMC_f.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P.217.b_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/P.217.b_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "94190", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/P.217.b_BMC_a.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/P.217.b_BMC_a.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/P.217.b_BMC_a.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/P.217.b_BMC_a.jpg", "IsPrimary" : "0", "_SurrogateID" : "94121", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }