{ "objects" : [ { "embark_ID" : 145812, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/145812", "Disp_Access_No" : "99.3.24", "_AccNumSort1" : "", "Disp_Create_DT" : "Mid 20th century", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1966", "Disp_Title" : "Sande Society Sowei Helmet Mask", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "unknown Gola (West Atlantic)", "Sort_Artist" : "unknown Gola (West Atlantic)", "Disp_Dimen" : "12 5/8 in. x 9 1/16 in. (diameter) (32 cm x 23 cm)", "Disp_Height" : "12 5/8 in.", "Disp_Width" : "9 1/16 in.", "Dimen_Extent" : "", "Medium" : "Carved wood with pigment and patina", "Support" : "", "Disp_Medium" : "Carved wood with pigment and patina", "Info_Page_Comm" : "Mask w/ small features, close-set eyes(triangular holes), incised eyebrows and mirrored curves for cheeks. Small line for mouth, scarification marks on cheeks. Neck rolls combine w/ geom. pattern on crown of head. Circular knob on top of head. When young girls in parts of the West Atlantic region reach a certain age they are initiated into the Sande women’s society, whose purpose is to teach girls the roles of proper women within their communities. Once the training is complete, the girls are then considered women and are brought back into the community to be celebrated. A leader of the women’s society, known as a ndoli jowei, dances in masquerade with this type of helmet mask. Sande Society helmet masks symbolize an ideal of beauty with their high foreheads, elaborate braided hairstyles, and healthy black complexions. According to oral tradition, the Sande spirit is a water spirit; therefore it is believed that the rings on the neck of the mask symbolize the rippling of water. Among the Temne, the rings of the mask are viewed as the outer shell of a moth undergoing metamorphosis, which represents the girl’s transformation into a mature woman.", "Dedication" : "Gift of Mace Neufeld and Helen Katz Neufeld, Class of 1953", "Copyright_Type" : "", "Disp_Obj_Type" : "Gola, Liberian, West African, African", "Creation_Place2" : "Liberia", "Department" : "Anthropology", "Obj_Name" : "helmet mask", "Period" : "", "Style" : "West Africa", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/99.3.24_BMC_spin_.mov", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/99.3.24_BMC_spin_.mov", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/99.3.24_BMC_spin_.mov", "IIIF_URL": "http://iiif.gallerysystems.com/99.3.24_BMC_spin_.mov", "IsPrimary" : "0", "_SurrogateID" : "209675", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : 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"ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/99.3.24_BMC_f_3.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/99.3.24_BMC_f_3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.3.24_BMC_f_3.jpg", "IsPrimary" : "0", "_SurrogateID" : "209645", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 201950, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/201950", "Disp_Access_No" : "2022.7.4.a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "ca.1965", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1970", "Disp_Title" : "M'vungu (Stirrup-Handled Water Pitcher)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mayivangwa Thérèse", "Sort_Artist" : "Thérèse, Mayivangwa", "Disp_Dimen" : "8 1/2 x 6 1/2 x 6 1/2 in. (21.59 x 16.51 x 16.51 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "Object", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "m'vungu is the Kikongo name for this vessel "bulbous jars with canted spouts and stirrup handles" (from The Afro-American Tradition in Decorative Arts, pg. 90) Kakongo traditional cermaic pottery designs contain zig-zagging lines, verticle slanted lines, cross hatching, and protuding circles. This object contains lots of the slanted verticle line motif, which is keeping with traditional Kakongo practice. What is noticable about this object is that there is a serpent along the mid-section on the pitcher. Serpent motifs are common in Kakongo ceramic design, because of the religious connotations. Either shown as a zig-zagging line or as a serpent, serpents are quite common on pitchers. There is a religious belief among the Congolese people that snakes are the source of men water is the source of life. The serpentine nature of water is evocative of serpents. --Sofia Isabel Mondragon, April 15, 2022 Source: Nzungu: Le Ceramique Bakongo ", "Dedication" : "Gift of Janet MacGaffey, PhD 1981, and Wyatt MacGaffey, Professor Emeritus of Anthropology, Haverford College", "Copyright_Type" : "", "Disp_Obj_Type" : "Congolese, Central African, African", "Creation_Place2" : "Democratic Republic of the Congo", "Department" : "Anthropology", "Obj_Name" : "", "Period" : "", "Style" : "Central Africa", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.7.4.a-b_BMC_b.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.7.4.a-b_BMC_b.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.7.4.a-b_BMC_b.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2022.7.4.a-b_BMC_b.jpg", "IsPrimary" : "0", "_SurrogateID" : "219867", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : 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"https://triarte.brynmawr.edu/Objects-1/info/201951", "Disp_Access_No" : "2022.7.5", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1965", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1970", "Disp_Title" : "Duck", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mayivangwa Thérèse", "Sort_Artist" : "Thérèse, Mayivangwa", "Disp_Dimen" : "5 1/4 x 3 5/8 x 7 in. (13.335 x 9.208 x 17.78 cm)", "Disp_Height" : "5 1/4 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "Object", "Medium" : "Ceramic, Paint", "Support" : "", "Disp_Medium" : "Ceramic, Paint", "Info_Page_Comm" : "This duck looks like similar ducks or zoomorphic figurines which are used in funerary practices. These objects are placed in graves and are a way to commemorate the deceased. There are two serpentine lines running along the back of this object. Like the rest of this collection, this object's original shape and artistic technical style comes from the Kakongo pottery. Engraved patterning like cross-hatching, protruding circular motifs, and zig-zagging lines are all evocative of pottery from the Kakongo region. The serpentine lines are symbolic of snakes. In the Democratic Republic of the Congo, the serpent is a symbol of creation. According to Congolese spiritual beliefs, the a rainbow arose two serpents which give birth to man. Because of the intrinsic link between life and serpents, these motifs are placed on funerary objects. Water is also considered a source of life in Congolese spiritual beliefs, so it is not uncommon to find these serpentine motifs on water pitchers. It is unclear if this particular object is used in funerary practices, but due to the presence of traditional motifs and comparanda research object, looking into the secondary use of this object would be benefical. --Sofia Isabel Mondragon April 22, 2022 Source: Nzungu: La Ceramique Bakongo", "Dedication" : "Gift of Janet MacGaffey, PhD 1981, and Wyatt MacGaffey, Professor Emeritus of Anthropology, Haverford College", "Copyright_Type" : "", "Disp_Obj_Type" : "Congolese, Central African, African", "Creation_Place2" : "Democratic Republic of the Congo", "Department" : "Anthropology", "Obj_Name" : "", "Period" : "", "Style" : "Central Africa", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.7.5_BMC_b.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.7.5_BMC_b.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.7.5_BMC_b.jpg", "IIIF_URL": 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