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(29.21 cm x 19.05 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "Sheet", "Medium" : "Heliogravure", "Support" : "", "Disp_Medium" : "Heliogravure", "Info_Page_Comm" : "Bryn Mawr’s print is a Charles Amand-Durand (1831-1905) photographic reproduction of a plate he made in or by 1882 after a Rembrandt original (New Hollstein Cat. 235) of 1646 at the Louvre Museum. Amand-Durand was considered an outstanding reproductive printmaker and photographer of prints. His method was to reproduce the plates first, based on excellent impressions provided by the Louvre. He reproduced the plates of many Old-Master prints, especially Dutch prints, including all of Rembrandts’s plates, to much admiration and support at the Louvre. His means of publishing the prints was Heliogravure. He did not print impressions from his new plates. He did not want to reproduce those. Instead, he directly reproduced his new plates. His translation of original prints into new plates included changes. Therefore Bryn Mawr’s “Sylvius” looks different from all known prints, including copies. (Christiane Hertel, 2019) This print can be compared to VP. 116, which is another version of the same print. However, compared to an original it is clear that this is a copy: the buttons on Sylvius’ clothing are too visible all the way down the length of his torso (in the original they are lost in the shadow on his abdomen), the signature reads only “Rembrandt” instead of “Rembrandt f. 1646.” Furthermore, there are subtle differences in the shape of the folds in his clothing and in the background draping between this copy and the original. Jan Cornelis Sylvius (1564-1638) was the guardian of Saskia, the wife of Rembrandt. This print is a posthumous portrait of Sylvius, a Remonstrant preacher. He leans forward and his gesture is emphasizes by the light falling from the right side. His gesture seems to indicate that he is in the process of preaching, using his hand to emphasize his words. Rembrandt also made an earlier portrait of Sylvius in 1633, in which he appears as a scholar in his study. The posthumous print of Sylvius dates to 1646, eight years after Sylvius’s death. Most of the inscription is a poem about Sylvius written by Caspar Barlaeus, who was a renowned author. A variation of this poem was published in Barlaeus’s Poemata of 1646. The print was designed to include text. Following Barlaeus’s eulogy is a couplet by Petrus Scriverius, which was a typical way of praise: ‘I cannot advertise this man’s gifts better. / My attempt to emulate them in verse is in vain.” the Barlaeus text: Cuius adorandum docuit Facundia Christum, Et populis veram pandit ad astra viam. Talis erat Sylvî facies. audivimus illum Amstelijs isto civibus ore loqui. Hoc Frisjis praecepta dedit: pietasq. severo Relligioq. diu vindice tuta stetit Praeluxit, veneranda suis virtutibus, aetas. Erudytq. ipsos fessa senecta viros. Simplicitatis amans fucum contemsit honesti, Nec sola voluit fronte placere bonis. Sic statuit: Jesum vita meliore doceri Rectiús, et vocum fulmina posse minus. Amstela, sis memor extincti, qui condidit urbem Moribus, hanc ipso fulsijt ille Deo. (translation) His eloquence taught men to honor Christ And showed them the true way to heaven. Such was Sylvius’s face, we have heard him Speak to the citizens of Amsterdam with these lips. With these lips he gave precepts to the Frisians; piety And religion have remained long secure before he severely protected them. His age, that is to be honored for its virtues, is eminent, And in his old age he continued to instruct his fellow men. A lover of sincere simplicity, he despised false appearance Nor did he seek to please good men by mere appearances. He put it this way: Jesus could better be taught Through leading a better life than by thundering speech. O Amsterdam, remember the man now deceased who built the city With his righteousness and piled it on God Himself. The inscription around the oval reads: “My hope is Christ. Johannes Corneslisz. Sylvius, Amsterdammer, filled the function of preaching the holy word for 45 years and 6 months. In Friesland in Tyemarum (Tzummarum) and Pherdgum (Firdgum) four years; in Balk and Haring one year; in Minnertsga four years; in Sloten, Holland, six years; in Amsterdam 28 years and 6 months. He died there on 19 November 1638, 74 years of age.” (Angelique Wille, 4/25/2011) ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "French", "Creation_Place2" : "France", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.332_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.332_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.332_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.332_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31987", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.332_Hertel Research_Amand-Durand_Sylvius_2019.pdf", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.332_Hertel Research_Amand-Durand_Sylvius_2019.pdf", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.332_Hertel Research_Amand-Durand_Sylvius_2019.pdf", "IIIF_URL": "http://iiif.gallerysystems.com/X.332_Hertel Research_Amand-Durand_Sylvius_2019.pdf", "IsPrimary" : "0", "_SurrogateID" : "208607", "Image_Type" : "Object Identification Research", "Photo_Credit" : "", "Remarks" : "Research by Prof. Christiane Hertel (2019) for exhibition Temperamental!: Prints in the Collection of Bryn Mawr College", "View" : "" } , ] },{ "embark_ID" : 166052, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166052", "Disp_Access_No" : "X.325", "_AccNumSort1" : "", "Disp_Create_DT" : "1593", "_Disp_Start_Dat" : "1593", "_Disp_End_Date" : "1593", "Disp_Title" : "Pygmalion and Galatea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "13 in. x 8 5/8 in. (33.02 cm x 21.91 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "8 5/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.325_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.325_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.325_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.325_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31984", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166048, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166048", "Disp_Access_No" : "X.319", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1652", "_Disp_Start_Dat" : "1647", "_Disp_End_Date" : "1657", "Disp_Title" : "Peasant Family on the Tramp", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "4 1/2 in. x 3 5/8 in. (11.43 cm x 9.21 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching on wove paper", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print is an etching on wove paper. It is an 18th-century restrike of a ca.1652 original plate. The image is of a man with his family – he walks towards the right with the aid of a walking stick. His clothing is loose and indicates his low status. He holds the hand of a small child, and behind them walks a woman with a baby on her back. Her figure is cut off by the edge of the plate. The child, woman and baby are less articulated than the figure of the man. To the right of the man’s walking stick are some faint lines which are trace marks from a previous etching of an old man’s head. This print is a very close match with the original states from Rembrandt’s lifetime, although the lines are somewhat fainter. However, the printing on wove paper indicates that this etching must have been printed many years after Rembrandt’s death. The earliest it could have been printed is the 1750s, when wove paper first emerged. This means that this print is probably a restrike from Rembrandt’s original plate. It is known that Claude Henri Watelet (1718-1786) and Pierre Francois Basan (1723-1797) printed versions of this print, so it may be possible that Bryn Mawr’s version was printed by one of these two men. (Angelique Wille, 4/26/2011) ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.319_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.319_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.319_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.319_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31983", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.319_Hertel Research.pdf", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.319_Hertel Research.pdf", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.319_Hertel Research.pdf", "IIIF_URL": "http://iiif.gallerysystems.com/X.319_Hertel Research.pdf", "IsPrimary" : "0", "_SurrogateID" : "208624", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166046, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166046", "Disp_Access_No" : "X.317", "_AccNumSort1" : "", "Disp_Create_DT" : "1646", "_Disp_Start_Dat" : "1646", "_Disp_End_Date" : "1646", "Disp_Title" : "Beggar Woman Leaning on a Stick", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "3 1/4 in. x 2 1/2 in. (8.26 cm x 6.35 cm)", "Disp_Height" : "3 1/4 in.", "Disp_Width" : "2 1/2 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching on laid paper", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "New Hollstein 229, III. Not by Rembrandt. (C. Robbins, 10/22/2021) Like this entry, our print features the plus sign in lower right corner and two dots in upper right. Ours is a much fainter impression than illustrated in NH. This is an etching on laid paper of a beggar woman leaning on a walking stick. It is signed and dated “Rembrandt f. 1646.” The impression is faint, which may mean that it is a later state. Scholars have debated how many states exist for this print. Some believe it to have only one state while others have recognized as many as six. Bryn Mawr’s version is possibly a third state. (Angelique Wille, 4/27/2011) ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.317_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.317_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.317_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.317_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31981", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166045, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166045", "Disp_Access_No" : "X.316", "_AccNumSort1" : "", "Disp_Create_DT" : "1594", "_Disp_Start_Dat" : "1594", "_Disp_End_Date" : "1594", "Disp_Title" : "Circumcision", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "18 15/16 in. x 13 15/16 in. (48.1 cm x 35.4 cm)", "Disp_Height" : "18 15/16 in.", "Disp_Width" : "13 15/16 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.316_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.316_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.316_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.316_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "16546", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166044, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166044", "Disp_Access_No" : "X.315", "_AccNumSort1" : "", "Disp_Create_DT" : "1593", "_Disp_Start_Dat" : "1593", "_Disp_End_Date" : "1593", "Disp_Title" : "Visitation", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "18 3/4 in. x 14 13/16 in. (47.63 cm x 37.62 cm)", "Disp_Height" : "18 3/4 in.", "Disp_Width" : "14 13/16 in.", "Dimen_Extent" : "", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.315_BMC_d.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.315_BMC_d.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.315_BMC_d.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.315_BMC_d.jpg", "IsPrimary" : "1", "_SurrogateID" : "16545", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166043, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166043", "Disp_Access_No" : "X.314", "_AccNumSort1" : "", "Disp_Create_DT" : "1597", "_Disp_Start_Dat" : "1597", "_Disp_End_Date" : "1597", "Disp_Title" : "Christ Blessing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "8 3/16 in. x 6 3/16 in. (20.8 cm x 15.72 cm)", "Disp_Height" : "8 3/16 in.", "Disp_Width" : "6 3/16 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.314_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.314_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.314_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.314_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "78368", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166039, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166039", "Disp_Access_No" : "X.306", "_AccNumSort1" : "", "Disp_Create_DT" : "1650", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1650", "Disp_Title" : "Landscape with a Square Tower", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "3 3/4 in. x 6 1/4 in. (9.53 cm x 15.88 cm)", "Disp_Height" : "3 3/4 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching with drypoint on laid paper", "Support" : "", "Disp_Medium" : "Etching with drypoint", "Info_Page_Comm" : "Evidence for second state listed below is also true for third state with slipped stroke. New Hollstein 250/III, with slipped stroke. (C. Robbins, 10/22/21) Notice lack of scratches in sky at upper right; looks as if burnished from plate like slipped stroke in signature may have been. This print is a second state etching with drypoint on laid paper. It is a landscape scene dominated by a square tower and dated “Rembrandt f. 1650.” The use of drypoint is particularly clear in the bush in the foreground and the plate mark is strong. The second state of this print includes vertical lines in the sky over the tower caused by scratches in the plate. These are visible in Bryn Mawr’s print, helping to establish it as a second state. Furthermore, in the second state the right side of the tower was extended down and covered a bush with vertical lines. The tower in this scene has been identified as a town-house tower in Amsterdam. In Etchings by Rembrandt, Reflections of the Golden Age, Th. Laurentius writes that in 1649 Rembrandt accompanied his common-law partner Hendrickje Stoffels to visit her parents in Bredevoort, near the German border. This print, which dates to the year afterwards, includes a hilly background. While the houses and farms of the foreground are typical of those which would be found near Amsterdam, Laurentius believes the hills were inspired by Rembrandt’s travels. The verso is marked by a collector’s stamp – a cube containing the initial “B” in black ink. It is a collector’s stamp for G.A. Block (Gordon A. Block Jr., born 1914). He was an insurance broker in Philadelphia with a collection of prints and drawings that notably included work by Dürer, Rembrandt and Rockwell Kent. This print was included in the following exhibitions: "Rembrandt etchings" organized by the Suzanne H. Arnold Art Gallery, Lebanon Valley College. Suzanne H. Arnold Art Gallery, Lebanon Valley College, March 1-April 14, 2002 Philip and Muriel Berman Museum of Art, Ursinus College, April 30-July 14, 2002 Martin Art Gallery, Muhlenberg College, August 9-October 11, 2002 Phillips Museum of Art, Franklin & Marshall College, October 24-December 8, 2002 (Angelique Wille, 4/27/2011) ", "Dedication" : "Gift of Caroline Newton, Class of 1914", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.306_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.306_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.306_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.306_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31980", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166038, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166038", "Disp_Access_No" : "X.305", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1645", "_Disp_Start_Dat" : "1640", "_Disp_End_Date" : "1650", "Disp_Title" : "Cottage Beside a Canal ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "5 1/2 in. x 8 1/8 in. (13.97 cm x 20.64 cm)", "Disp_Height" : "5 1/2 in.", "Disp_Width" : "8 1/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Rembrandt is famous for his etchings, a type of intaglio print that allows for more spontaneous designs and expressive, fluid lines than engraving. In his landscape etchings, Rembrandt captured the humble villages and nostalgic ruins that he encountered on his frequent walks through the lowlands. In this print, he arranges the cottage diagonally against the sweeping and expansive sky, thus swiftly pulling the viewer’s eye into the composition. Between the cottage and canal, a winding road meanders towards the low horizon laced with the hazy outlines of a nearby town. Rembrandt treats the landscape with great subtlety and maturity, capturing the essence of everyday Dutch life. This is an etching with drypoint and is a first and only state. It is unsigned and undated. The margins are trimmed closely, in keeping with Rembrandt’s frugal use of paper. In this print, Rembrandt depicts a landscape view and arranges a cottage diagonally against the sweeping and expansive sky, thus swiftly pulling the viewer’s eye into the composition. Between the cottage and canal, a winding road meanders towards the low horizon laced with the hazy outlines of a nearby town. G.W. Nowell-Eusticke describes it as a scarce print, and possibly an image of a snow scene. Gary Schwartz speculates that it may depict a view of the Ouderkerk aan de Amstel. This etching was featured in the 2010-2011 'Worlds to Discover: 125 Years of Collections at Bryn Mawr College' exhibition as well as the following exhibitions: "Rembrandt etchings" organized by the Suzanne H. Arnold Art Gallery, Lebanon Valley College. Suzanne H. Arnold Art Gallery, Lebanon Valley College, March 1-April 14, 2002 Philip and Muriel Berman Museum of Art, Ursinus College, April 30-July 14, 2002 Martin Art Gallery, Muhlenberg College, August 9-October 11, 2002 Phillips Museum of Art, Franklin & Marshall College, October 24-December 8, 2002 (Angelique Wille, 4/27/2011) ", "Dedication" : "Gift of Caroline Newton, Class of 1914", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.305_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.305_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.305_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.305_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "94382", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166037, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166037", "Disp_Access_No" : "X.301", "_AccNumSort1" : "", "Disp_Create_DT" : "1648", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1648", "Disp_Title" : "Self-Portrait Drawing at Window", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "7 in. x 5 in. (17.78 cm x 12.7 cm)", "Disp_Height" : "7 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching with drypoint and burin", "Support" : "", "Disp_Medium" : "Etching with drypoint and burin", "Info_Page_Comm" : "Rembrandt commanded the field of etching in the seventeenth century, and his range of visual effects, from linearity to complex tonalities, has never been matched. This etching is one of his most famous self-portrait prints, an intimate late-career work that shows the artist in an introspective state, immersed in his drawing and illuminated by the light of a window. Dressed in modest studio attire, he depicts himself without pretence. The dense network of etched lines yields a mass of shadows that blanket the room, in contrast to the soft veil of sunlight illuminating the artist at work. This penetrating and stunning portrait captures the artist’s thoughtful persona, not simply his likeness. This print is an etching with drypoint and is the fourth of five states. It is a self-portrait of the artist drawing or etching by a window, and is one of Rembrandt’s most recognizable prints. It is signed and dated 1648 in a scroll at the top portion of the window, although this signature is partially obscured by shading which was added in the fourth state. Rembrandt’s signature was not added until the second state, and the landscape outside the window was not added until the fourth, which aids in identifying Bryn Mawr’s print as a fourth state. This print is Rembrandt’s final etched self-portrait, after a gap of six years. In it he departs from the courtly poses of his earlier self-portraits and depicts himself unpretentiously as an artist at work. He is dressed in ordinary working clothes rather than the elaborate costumes of his earlier self-portraits. His gaze meets the viewer’s directly, but in actuality he is gazing at his reflection in a mirror in order to draw or etch his self-portrait. The provenance of Bryn Mawr’s print includes the collections of Charles H. Ellingwood (b. 1867) a financier from New York, A.G. Theirmann (d. 1860) in Berlin, and the Kupferstichkabinett der Staatlichen Museen, Berlin. It was a gift from Howard L. Gray, Professor of History. It was used for the brochure and poster illustration for the 1985 Mary Flexner Lectures at Bryn Mawr, Rembrandt: A Series of Four Lectures by the renowned Rembrandt scholar Svetlana Alpers, which ran from March 29-April 8, 1985. It was also included in the following exhibitions: "Rembrandt etchings" organized by the Suzanne H. Arnold Art Gallery, Lebanon Valley College. Suzanne H. Arnold Art Gallery, Lebanon Valley College, March 1-April 14, 2002 Philip and Muriel Berman Museum of Art, Ursinus College, April 30-July 14, 2002 Martin Art Gallery, Muhlenberg College, August 9-October 11, 2002 Phillips Museum of Art, Franklin & Marshall College, October 24-December 8, 2002 'Worlds to Discover: 125 Years of Collections at Bryn Mawr College' exhibition, 2010-2011. (Angelique Wille, 4/27/2011) ", "Dedication" : "Gift of Howard L. Gray, Professor of History, 1915-1940", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.301_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.301_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.301_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.301_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31979", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 167033, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/167033", "Disp_Access_No" : "X.1513", "_AccNumSort1" : "", "Disp_Create_DT" : "Early 17th century - mid 17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1666", "Disp_Title" : "Rudolphus Petri (1585-1649)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Cornelis van Dalen", "Sort_Artist" : "Dalen, Cornelis van", "Disp_Dimen" : "12 1/16 in. x 8 9/16 in. (30.7 cm x 21.8 cm)", "Disp_Height" : "12 1/16 in.", "Disp_Width" : "8 9/16 in.", "Dimen_Extent" : "", "Medium" : "Engraving on wove paper", "Support" : "", "Disp_Medium" : "Engraving on wove paper", "Info_Page_Comm" : "The subject is depicted in half-length, seated at a table with his right hand resting on the opening page of chapter 14 of the Gospel of St. John.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.1513_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.1513_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.1513_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.1513_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "82330", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 163039, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/163039", "Disp_Access_No" : "2007.9.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1641", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1641", "Disp_Title" : "Virgin and Child in the Clouds", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "6 5/8 in. x 4 3/16 in. (16.8 cm x 10.6 cm)", "Disp_Height" : "6 5/8 in.", "Disp_Width" : "4 3/16 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Virgin Mary seated and holding Christ child in her lap surrounded by clouds, light ring surrounding her head with rays of light coming from Christ; Mary looks upwards This print is an image of the Virgin and Christ child in clouds. It is signed and dated “Rembrandt 1641,” but the signature is somewhat obscure because it is covered by the crosshatching in the cloud underneath the Virgin. A head can be seen upside-down by the Virgin’s left knee, probably from an earlier etching on the same plate. Gary Schwartz writes that it is possible that this upside-down face could be the reflection of the Virgin’s face in the clouds, or a first version of the Virgin’s face, after which the artist turned the plate to make another attempt. G.W. Nowell-Eusticke describes it as a “rather uncommon print.” In the catalogue for Rembrandt: the Printmaker, the authors speculate that Rembrandt may have received inspiration for this print from several sources. These include Dürer’s Madonna on the Crescent Moon from the title-page of his Life of the Virgin (Bryn Mawr’s Special Collections has a copy of this book). Another potential source of inspiration is Federico Barocci’s Madonna and Child -- they are almost the same size and the positioning of the Virgin is very similar (although reversed). It is possible that Rembrandt owned an impression of Barocci’s print. The provenance of Bryn Mawr’s print includes the collection of A. Gerstaecker and Sessler’s Book Shop, Philadelphia. The print is signed in pencil on the verso by Gerstaecker. It was a gift to Bryn Mawr College from Eleanor May Morris. It was purchased by Mr. Samuel W. Morris from Mrs. Mabel Zahn at Sessler’s Book Shop in Philadelphia at some point in the 1950s. Mr. Morris bought his wife a Rembrandt print annually during this time. The Morrises displayed these prints in their home library. This print was one of several given by Mrs. Morris in honor of Carol Biba, Head of Bryn Mawr College’s Public Relations from 1950-1972. (Angelique Wille, 4/25/2011) ", "Dedication" : "Gift of Eleanor May Morris, Class of 1941, MA 1970, in honor of Carol Biba, Head of Public Relations, Bryn Mawr College, 1950-1972", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2007.9.2_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2007.9.2_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2007.9.2_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2007.9.2_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "9945", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 163005, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/163005", "Disp_Access_No" : "2007.9.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1654", "_Disp_Start_Dat" : "1654", "_Disp_End_Date" : "1654", "Disp_Title" : "Christ Returning from the Temple with His Parents", "Alt_Title" : "Christ returning from the Temple with his Parents", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "3 11/16 in. x 5 11/16 in. (9.4 cm x 14.4 cm)", "Disp_Height" : "3 11/16 in.", "Disp_Width" : "5 11/16 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching with drypoint", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Christ as child walking between his parents, holding hands, through landscape, mountains in background; Christ looking upwards This print is an illustration of Luke 2: 41-52, and shows Christ as a boy walking with his parents. This image has a considerable burr from the use of drypoint and clearly shows vertical wiping scratches in the sky at the upper right. It has narrow margins, in keeping with Rembrandt’s frugal use of paper. There is small dot of brown on the Virgin’s cheek and another in the margin. A white spot, possibly gouache, appears to the right of the dog. This print dates to 1654, which was the year that Rembrandt’s common-law wife Hendrickje was brought before the church council and condemned for “fornication.” That same year she gave birth to their daughter Cornelia. In this year Rembrandt printed several prints – perhaps to augment his salary during a time when his family was expanding but his financial situation was troubled. During this time his focus in both prints and paintings were frequently biblical subjects. In “Remarks on Rembrandt’s oil-sketches for etchings” by Ernst van de Wetering, this print is included in a series of etchings of scenes from the childhood of Christ. These etchings all date to 1654 and include The adoration of the shepherds, The circumcision, The flight into Egypt, Virgin and Child, Christ disputing with the doctors. This series has been largely ignored by scholarship. The prints have almost never been treated as a series. It is a gift of Eleanor May Morris, class of 1941, MA. 1970. The print was purchased by Mr. Samuel W. Morris from Mrs. Mabel Zahn at Sessler’s Book Shop in Philadelphia at some point in the 1950s. Mr. Morris bought his wife, Eleanor May Morris, a Rembrandt print annually during this time. The Morrises’ displayed these prints in their home library. This print was one of several given by Mrs. Morris in honor of Carol Biba, Head of Bryn Mawr College’s Public Relations from 1950-1972. (Angelique Wille, 4/25/2011) ", "Dedication" : "Gift of Eleanor May Morris, Class of 1941, MA 1970, in honor of Carol Biba, Head of Public Relations, Bryn Mawr College, 1950-1972", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2007.9.1_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2007.9.1_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2007.9.1_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2007.9.1_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "9944", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 162682, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/162682", "Disp_Access_No" : "2005.3.135", "_AccNumSort1" : "", "Disp_Create_DT" : "Early 18th century - mid 18th century", "_Disp_Start_Dat" : "1700", "_Disp_End_Date" : "1766", "Disp_Title" : "Albertus Seba, Etzela Oostfrisiv", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacobus Houbraken", "Sort_Artist" : "Houbraken, Jacobus", "Disp_Dimen" : "17 1/4 in. x 12 in. (43.82 cm x 30.48 cm)", "Disp_Height" : "17 1/4 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "portrait with shells, insects, science", "Dedication" : "Gift of Richard E. Bishop in memory of Mary E. Harrington", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2005.3.135_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2005.3.135_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2005.3.135_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.3.135_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "105075", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 162559, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/162559", "Disp_Access_No" : "2005.3.148", "_AccNumSort1" : "", "Disp_Create_DT" : "1633", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1633", "Disp_Title" : "The Descent From the Cross: Second Plate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "20 1/4 in. x 15 3/4 in. (51.44 cm x 40.01 cm)", "Disp_Height" : "20 1/4 in.", "Disp_Width" : "15 3/4 in.", "Dimen_Extent" : "Composition", "Medium" : "Etching on laid paper", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print is an etching on laid paper of a scene of the descent from the cross. A former Bryn Mawr curator attributed this print as from the original plate by Rembrandt but heavily reworked by Claude Henri Watelet (ca. 1786) and published by Pierre Francois Basan. Further examination has determined this not to be the case. This print is actually a copy of Rembrandt’s original of 1633 by an unknown artist. It is clear that our print is a copy when it is compared to the original reproduced in Gary Schwartz’s catalogue of Rembrandt etchings (Gary Schwartz, “Rembrandt: All the etchings reproduced in true size,” London: Oresko Books Ltd., 1977). The faces of the figures are very different and the measurements of some elements of the composition vary slightly between the original and the copy (e.g. the cane of the turbaned man). The differences are especially apparent in the face of the robed figure in the shadows between Christ’s body and the turbaned man, and in the face of the woman kneeling in the right corner (the shape of her nose and the slope of her chin are notably different in Bryn Mawr’s copy.) The original print of which this is a copy was based on a painting by Rembrandt for Frederick Henry, Prince of Orange, dating to 1632-33. This painting is now in the Alte Pinakothek in Munich. Some scholars have noted the resemblance between the figure holding Christ’s body via his arm and known self-portraits of the artist. Early in his career, during the 1630s when he was beginning to establish his printing technique, Rembrandt employed the printmaker Jan van Vliet to design plates under his supervision, some of which were based on existing Rembrandt paintings. Many scholars believe that the print on which our copy is based was one of Van Vliet’s designs. A signature appears in the plate, “Rembrandt f.cum pryvl: 1633.” It is part of the Harrington-Bishop Collection, received in 1962. (Angelique Wille, 4/25/2011) ", "Dedication" : "Gift of Richard E. Bishop in memory of Mary E. 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(11.7 cm x 9 cm)", "Disp_Height" : "4 5/8 in.", "Disp_Width" : "3 9/16 in.", "Dimen_Extent" : "Sheet", "Medium" : "Etching on laid paper", "Support" : "", "Disp_Medium" : "Etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of John Freas in Nov. 20, 1996", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.906_BMC_f_3.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.906_BMC_f_3.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.906_BMC_f_3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.906_BMC_f_3.jpg", "IsPrimary" : "1", "_SurrogateID" : "40255", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166185, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166185", "Disp_Access_No" : "X.440", "_AccNumSort1" : "", "Disp_Create_DT" : "1652", "_Disp_Start_Dat" : "1652", "_Disp_End_Date" : "1652", "Disp_Title" : "David in Prayer", "Alt_Title" : "David in Prayer", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "5 15/16 in. x 4 15/16 in. (15.08 cm x 12.54 cm)", "Disp_Height" : "5 15/16 in.", "Disp_Width" : "4 15/16 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching on laid paper", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print is an etching in its third state depicting King David in prayer kneeling by a bed. His bed hangings cast deep shadows in the space and on his face and a harp rests on its side in the foreground. This print is on laid paper with trimmed margins, in keeping with Rembrandt’s frugal use of paper. It is signed and dated “Rembrandt f. 1652”at the bottom of the plate, although the signature is somewhat obscured by the shading underneath the harp. The third state of this print has a slipped stroke across David’s back which is a nearly horizontal mark, slightly thinner than the lines around it. This mark is visible in Bryn Mawr’s print, confirming that this is a third state print. On the verso of the print is a collector’s stamp “MJM” in blue ink. This is a collector’s stamp of Mary Jane Morgan, whose art collection included 109 pieces by Rembrandt. She was the wealthy widow of shipping tycoon Charles Morgan. Mary Jane Morgan died in 1885 and her collection was auctioned in 1886. A catalogue of the auction lists several Rembrandt prints including “David Praying” with the number 2033 and B. 41. This is probably the print in Bryn Mawr’s collection. This print was exhibited at Haverford College Cantor-Fitzgerald Gallery “Spirituality in Art.” September 20 – November 3, 2002. (Angelique Wille, 4/27/2011) New Hollstein, Cat. 268, II, with scratch (posthumous). (J. Kruse, Robbins, 10/1/2021)", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.440_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.440_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.440_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.440_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32000", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166463, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166463", "Disp_Access_No" : "1946.12", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 16th century - early 17th century", "_Disp_Start_Dat" : "1567", "_Disp_End_Date" : "1632", "Disp_Title" : "Urania", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Goltzius", "Sort_Artist" : "Goltzius, Hendrick", "Disp_Dimen" : "9 5/8 in. x 6 1/2 in. (24.45 cm x 16.51 cm)", "Disp_Height" : "9 5/8 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/1946.12_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/1946.12_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/1946.12_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1946.12_BMC_f_2.jpg", "IsPrimary" : "0", "_SurrogateID" : "79646", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/1946.12_BMC_f_3.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/1946.12_BMC_f_3.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/1946.12_BMC_f_3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1946.12_BMC_f_3.jpg", "IsPrimary" : "1", "_SurrogateID" : "110529", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166439, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166439", "Disp_Access_No" : "X.692", "_AccNumSort1" : "", "Disp_Create_DT" : "Early 17th century - mid 17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1666", "Disp_Title" : "The Cowherd", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paulus Potter", "Sort_Artist" : "Potter, Paulus", "Disp_Dimen" : "7 1/8 in. x 10 3/8 in. (18.03 cm x 26.42 cm)", "Disp_Height" : "7 1/8 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.692_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.692_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.692_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.692_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32005", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166437, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166437", "Disp_Access_No" : "X.690", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Wagon on the Road", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roelant Roghman", "Sort_Artist" : "Roghman, Roelant", "Disp_Dimen" : "4 13/16 in. x 6 5/16 in. (12.19 cm x 16 cm)", "Disp_Height" : "4 13/16 in.", "Disp_Width" : "6 5/16 in.", "Dimen_Extent" : "Sheet", "Medium" : "Etching", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.690_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.690_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.690_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.690_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32003", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 166480, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/166480", "Disp_Access_No" : "X.936", "_AccNumSort1" : "", "Disp_Create_DT" : "Mid 17th century - early 18th century", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1732", "Disp_Title" : "Iacobus Taurynus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrik Bary", "Sort_Artist" : "Bary, Hendrik", "Disp_Dimen" : "11 3/16 in. x 8 1/16 in. 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(36.4 cm x 23.5 cm)", "Disp_Height" : "14 5/16 in.", "Disp_Width" : "9 1/4 in.", "Dimen_Extent" : "", "Medium" : "Engraving on laid paper", "Support" : "", "Disp_Medium" : "Engraving on laid paper", "Info_Page_Comm" : "The subject is depicted in half-length seated in an interior.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.939_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.939_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.939_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.939_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "82364", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 167099, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/167099", "Disp_Access_No" : "X.1526", "_AccNumSort1" : "", "Disp_Create_DT" : "1720 - 1746", "_Disp_Start_Dat" : "1720", "_Disp_End_Date" : "1746", "Disp_Title" : "Jean Law", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Leonardus Schenk", "Sort_Artist" : "Schenk, Leonardus", "Disp_Dimen" : "10 13/16 in. x 6 15/16 in. (27.4 cm x 17.7 cm)", "Disp_Height" : "10 13/16 in.", "Disp_Width" : "6 15/16 in.", "Dimen_Extent" : "", "Medium" : "Engraving on laid paper pasted onto a wove mount", "Support" : "", "Disp_Medium" : "Engraving on laid paper pasted onto a wove mount", "Info_Page_Comm" : "The subject is depicted in full-length standing with formal gardens in background.", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.1526_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.1526_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.1526_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.1526_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "82343", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 167173, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/167173", "Disp_Access_No" : "1984.32.p", "_AccNumSort1" : "", "Disp_Create_DT" : "1712 - 1784", "_Disp_Start_Dat" : "1712", "_Disp_End_Date" : "1784", "Disp_Title" : "Two Women and Two Men in an Outdoor Garden", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Simon Fokke", "Sort_Artist" : "Fokke, Simon", "Disp_Dimen" : "5 1/16 in. x 3 1/4 in. 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(11.27 cm x 10.95 cm)", "Disp_Height" : "4 7/16 in.", "Disp_Width" : "4 5/16 in.", "Dimen_Extent" : "Sheet", "Medium" : "Etching on laid paper", "Support" : "", "Disp_Medium" : "Etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.727_BMC_f_4.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.727_BMC_f_4.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.727_BMC_f_4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.727_BMC_f_4.jpg", "IsPrimary" : "1", "_SurrogateID" : "40495", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 167678, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/167678", "Disp_Access_No" : "1984.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1639", "_Disp_Start_Dat" : "1639", "_Disp_End_Date" : "1639", "Disp_Title" : "The Death of the Virgin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt van Rijn", "Sort_Artist" : "Rembrandt van Rijn", "Disp_Dimen" : "16 in. x 12 5/16 in. (40.64 cm x 31.27 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "12 5/16 in.", "Dimen_Extent" : "Sheet", "Medium" : "Etching with drypoint on laid paper", "Support" : "", "Disp_Medium" : "Etching on laid paper", "Info_Page_Comm" : "NH 173, state 2 (Robbins, 1/27/22) This print is an etching on laid paper of a scene of the death of the Virgin Mary. It is signed and dated 1639. It is a second state of three. Drypoint was used and can be seen on the back of the seated figure in the foreground and the back of the chair at the lower right. A collector’s stamp, which could not be identified, appears on the verso. The shading in the chair’s arm was not included in the first state of this print, and helps identify this print as a second state. The plate for this print was one of the earliest in which Rembrandt used drypoint extensively. Rembrandt’s wife Saskia had a difficult childbirth the year before this print was made and was often confined to her sick bed at this time. Rembrandt made studies of Saskia ill in bed during these years, and they may have influenced his portrayal of the dying Virgin. Saskia died in 1642. The composition is partly inspired by a woodcut by Durer, but the inclusion of a physician, who checks the pulse of the Virgin, was uniquely Rembrandt’s idea. He also departed from tradition by depicting Mary as sick and elderly rather than young and peaceful. Rembrandt owned an impression of Durer’s print which was part of his popular series of The Life of the Virgin. This image may also be influenced by a stained-glass window after a design by Dirck Pietersz. Crabeth which Rembrandt could have seen in the Oude Kerk in Amsterdam. This print was the gift of Mr. and Mrs. Richard C. Bull of Villanova, PA on March 16, 1984. Josephine Rothermel Bull graduated from Bryn Mawr in 1934. It was included in the exhibition “Twenty-Years A-Growing: An Exhibition Celebrating the Marian Coffin Canaday Library 1969-1989,” which opened October 18, 1989 at Bryn Mawr College. (Angelique Wille, 4/25/2011) ", "Dedication" : "Gift of Richard C. 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(16.19 cm x 7.62 cm)", "Disp_Height" : "6 3/8 in.", "Disp_Width" : "3 in.", "Dimen_Extent" : "Plate", "Medium" : "Tinted Etching", "Support" : "", "Disp_Medium" : "Tinted Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Richard E. Bishop in memory of Mary E. Harrington", "Copyright_Type" : "", "Disp_Obj_Type" : "American", "Creation_Place2" : "United States", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/1962.135_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/1962.135_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/1962.135_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1962.135_BMC_f_2.jpg", "IsPrimary" : "0", "_SurrogateID" : "49354", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/1962.135_BMC_f_4.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/1962.135_BMC_f_4.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/1962.135_BMC_f_4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1962.135_BMC_f_4.jpg", "IsPrimary" : "1", "_SurrogateID" : "166598", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/1962.135_BMC_d.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/1962.135_BMC_d.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/1962.135_BMC_d.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1962.135_BMC_d.jpg", "IsPrimary" : "0", "_SurrogateID" : "166699", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/1962.135_BMC_d_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/1962.135_BMC_d_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/1962.135_BMC_d_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1962.135_BMC_d_2.jpg", "IsPrimary" : "0", "_SurrogateID" : "166700", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/1962.135_BMC_d_3.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/1962.135_BMC_d_3.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/1962.135_BMC_d_3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1962.135_BMC_d_3.jpg", "IsPrimary" : "0", "_SurrogateID" : "166701", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/1962.135_BMC_d_4.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/1962.135_BMC_d_4.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/1962.135_BMC_d_4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1962.135_BMC_d_4.jpg", "IsPrimary" : "0", "_SurrogateID" : "166702", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 168127, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/168127", "Disp_Access_No" : "X.897", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "By t. geeve/ Bestaet ons Leeve (Alms Support our Lives)", "Alt_Title" : "Gentleman Offering Alms to a Cripple", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Georg van Vliet", "Sort_Artist" : "Vliet, Jan Georg van", "Disp_Dimen" : "3 9/16 in. x 2 5/8 in. (9 cm x 6.6 cm)", "Disp_Height" : "3 9/16 in.", "Disp_Width" : "2 5/8 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching on wove paper", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print dates to 1632 and is part of a series of ten beggars and peddlars by Jan van Vliet. Because the paper is wove, this is probably a restrike dating to the 1750s or later, since it was during this decade that wove paper was introduced. Van Vliet was hired by Rembrandt to make etchings based on Rembrandt’s paintings and some of his sketches. He also completed prints which Rembrandt left unfinished. However, Van Vliet is also known as an artist in his own right, especially for the print series of beggars and street people of which this print was a part. Even in his independent work, Van Vliet’s style reflects that of Rembrandt. In this image a man bends over a hanging cloth to give alms to two beggars, one of whom is lame. The cloth is inscribed “By. t. geeuie. / Bestaet Ons Leeue/ JG van vliet fec 1632.” This print is also known as “Gentleman Offering Alms to a Cripple.” This print was the title page for the series of ten prints called “Beggars and other Low Life,” of which Bryn Mawr has seven prints (probably restrikes). Beggars and other street people were a common subject for Rembrandt as well. Van Vliet does not portray beggars in a positive light in this series. The concern with dishonest beggars with false handicaps was a common one during the seventeenth century. (Angelique Wille, 4/29/2011) ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.897_BMC_f_4.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.897_BMC_f_4.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.897_BMC_f_4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.897_BMC_f_4.jpg", "IsPrimary" : "1", "_SurrogateID" : "40246", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 168128, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/168128", "Disp_Access_No" : "X.898", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Man with Wares and Walking Stick", "Alt_Title" : "Hunchbacked Beggar", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Georg van Vliet", "Sort_Artist" : "Vliet, Jan Georg van", "Disp_Dimen" : "3 9/16 in. x 2 5/8 in. (9 cm x 6.6 cm)", "Disp_Height" : "3 9/16 in.", "Disp_Width" : "2 5/8 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching on wove paper", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This print dates to 1632 and is part of a series of ten beggars and peddlars by Jan van Vliet. Because the paper is wove, this is probably a restrike dating to the 1750s or later, since it was during this decade that wove paper was introduced. It is signed “JG van vliet inv.” Van Vliet was hired by Rembrandt to make etchings based on Rembrandt’s paintings and some of his sketches. He also completed prints which Rembrandt left unfinished. However, Van Vliet is also known as an artist in his own right, especially for the print series of beggars and street people of which this print was a part. Even in his independent work, Van Vliet’s style reflects that of Rembrandt. In this image a hunchbacked beggar walks with a stick towards the right. It is part of the series of ten prints called “Beggars and other Low Life,” of which Bryn Mawr has seven prints (probably restrikes). Beggars and other street people were a common subject for Rembrandt as well. Van Vliet does not portray beggars in a positive light in this series. The concern with dishonest beggars with false handicaps was a common one during the seventeenth century. It is possible that the figure shown here may have a false hunchback, made by using some sort of stuffing to fake the disability. (Angelique Wille, 4/29/2011) ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.898_BMC_f_3.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.898_BMC_f_3.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.898_BMC_f_3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.898_BMC_f_3.jpg", "IsPrimary" : "1", "_SurrogateID" : "40247", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 168129, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/168129", "Disp_Access_No" : "X.899", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Seated Pedlar with Tray on His Lap", "Alt_Title" : "Seated Pedlar", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Georg van Vliet", "Sort_Artist" : "Vliet, Jan Georg van", "Disp_Dimen" : "3 9/16 in. x 2 5/8 in. (9 cm x 6.6 cm)", "Disp_Height" : "3 9/16 in.", "Disp_Width" : "2 5/8 in.", "Dimen_Extent" : "Plate", "Medium" : "Etching on wove paper", "Support" : "", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Catalogue: New Hollstein, Dutch and Flemish Etchings, Engravings and Woodcuts, vol. 41; Johannes de Visscher to Robert van Voerst. Compiled by Christiaan Schuckman, Roosendaal: Koninklijcke van Poll, 1992, pages 197-205: Cat. no. 73-82, Jan Joris or Jan Georg van Vliet, Beggar series, series of ten prints, 1632 etching title page, cat no. 73: “By.t.geeve.Bestaet Ons leeuve” [Our life is based on giving] [By giving we sustain our life] cat. no. 76, “Seated peddlar with tray on his lap” 9.2 x 6.6 cm inscribed in the upper right: “J G van vliet inv.,” state iii/iv shows the number “8” in the lower right corner. 3 known copies, all in reverse. (C. Hertel, 2018) This print dates to 1632 and is part of a series of ten beggars and peddlars by Jan van Vliet. Because the paper is wove, this is probably a restrike dating to the 1750s or later, since it was during this decade that wove paper was introduced. It is signed “JG van vliet inv.” Van Vliet was hired by Rembrandt to make etchings based on Rembrandt’s paintings and some of his sketches. He also completed prints which Rembrandt left unfinished. However, Van Vliet is also known as an artist in his own right, especially for the print series of beggars and street people of which this print was a part. Even in his independent work, Van Vliet’s style reflects that of Rembrandt. This image is part of the series of ten prints called “Beggars and other Low Life,” of which Bryn Mawr has seven prints (probably restrikes). Beggars and other street people were a common subject for Rembrandt as well. Van Vliet does not portray beggars in a positive light in this series. The concern with dishonest beggars with false handicaps was a common one during the seventeenth century (Angelique Wille, 4/29/2011) ", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.899_BMC_f_3.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.899_BMC_f_3.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.899_BMC_f_3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.899_BMC_f_3.jpg", "IsPrimary" : "1", "_SurrogateID" : "40248", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.899_Hertel_Research.pdf", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.899_Hertel_Research.pdf", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.899_Hertel_Research.pdf", "IIIF_URL": "http://iiif.gallerysystems.com/X.899_Hertel_Research.pdf", "IsPrimary" : "0", "_SurrogateID" : "219821", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 168134, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/168134", "Disp_Access_No" : "X.905", "_AccNumSort1" : "", "Disp_Create_DT" : "1648", "_Disp_Start_Dat" : "1648", "_Disp_End_Date" : "1648", "Disp_Title" : "The Father", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adriaen van Ostade", "Sort_Artist" : "Ostade, Adriaen van", "Disp_Dimen" : "4 13/16 in. x 3 1/2 in. (12.3 cm x 8.9 cm)", "Disp_Height" : "4 13/16 in.", "Disp_Width" : "3 1/2 in.", "Dimen_Extent" : "Sheet", "Medium" : "Etching on laid paper", "Support" : "", "Disp_Medium" : "Etching on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of John Freas in Nov. 20, 1996", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/X.905_BMC_f_3.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/X.905_BMC_f_3.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/X.905_BMC_f_3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/X.905_BMC_f_3.jpg", "IsPrimary" : "1", "_SurrogateID" : "40254", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 168370, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/168370", "Disp_Access_No" : "JNE.401", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Man in Hat with Shoes, Sword", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown Artist", "Sort_Artist" : "Artist, Unknown", "Disp_Dimen" : "7 3/8 in. x 3 5/8 in. (18.73 cm x 9.21 cm)", "Disp_Height" : "7 3/8 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Graphite and pen and ink", "Support" : "", "Disp_Medium" : "Graphite and pen and ink", "Info_Page_Comm" : "", "Dedication" : "Bequest of John Nichols Estabrook and Dorothy Coogan Estabrook", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "Drawing", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/JNE.401_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/JNE.401_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/JNE.401_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/JNE.401_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "79304", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 168451, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/168451", "Disp_Access_No" : "JNE.1107", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 19th century - mid 20th century", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1966", "Disp_Title" : "Two Birds on a Branch", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Willem Abraham Wassenaar", "Sort_Artist" : "Wassenaar, Willem Abraham", "Disp_Dimen" : "9.685 x 9.291 in. (24.6 x 23.6 cm)", "Disp_Height" : "9.685 in.", "Disp_Width" : "9.291 in.", "Dimen_Extent" : "Image", "Medium" : "Scratch (?) lithograph", "Support" : "", "Disp_Medium" : "Scratch (?) lithograph", "Info_Page_Comm" : "", "Dedication" : "Bequest of John Nichols Estabrook and Dorothy Coogan Estabrook", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/JNE.1107_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/JNE.1107_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/JNE.1107_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/JNE.1107_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "82643", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 168617, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/168617", "Disp_Access_No" : "JNE.1124", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Figure with Gun on Shoulder in Swampy Woodland", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob van Ruisdael", "Sort_Artist" : "Ruisdael, Jacob van", "Disp_Dimen" : "7.813 x 10.75 in. (19.844 x 27.305 cm)", "Disp_Height" : "7.813 in.", "Disp_Width" : "10.75 in.", "Dimen_Extent" : "Sheet", "Medium" : "Etching or photomechanical print (?)", "Support" : "", "Disp_Medium" : "Etching or photomechanical print (?)", "Info_Page_Comm" : "", "Dedication" : "Bequest of John Nichols Estabrook and Dorothy Coogan Estabrook", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/JNE.1124_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/JNE.1124_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/JNE.1124_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/JNE.1124_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "84028", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 168737, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/168737", "Disp_Access_No" : "1985.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1689", "_Disp_Start_Dat" : "1689", "_Disp_End_Date" : "1689", "Disp_Title" : "Entrance of William III of Orange into London", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Romeyn de Hooghe", "Sort_Artist" : "Hooghe, Romeyn de", "Disp_Dimen" : "35 1/2 in. x 29 1/2 in. (90.17 cm x 74.93 cm)", "Disp_Height" : "35 1/2 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "Framed", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Seymour Adelman Fund Purchase", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/1985.70_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/1985.70_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/1985.70_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1985.70_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "79653", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173656, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/173656", "Disp_Access_No" : "2009.19.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1566", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1566", "Disp_Title" : "Sanguinei, from the Set of the Four Temperaments", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Herman Jansz Müller", "Sort_Artist" : "Müller, Herman Jansz", "Disp_Dimen" : "8 7/16 in. x 9 1/4 in. (21.5 cm x 23.5 cm)", "Disp_Height" : "8 7/16 in.", "Disp_Width" : "9 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "One print from the Set of the Four Temperaments. Allegorically depicts Jupiter and Venus as "Sanguine" or the humor of blood. Exhibits a Latin phrase on the bottom edge: "Qui choreas agitant et dulcia furta petesunt [. . .] Juppiter hos equusfouet, ac Citherea venusta." Roughly translated, this says, "That which stirs the dancers/the multitude and desires sweet drinks [. . .] Jupiter (Zeus) maintains his steed, and also charming Citherea (Venus)." This inscripition seems to describe the title of the engraving -- Sanguinei. The composition of the piece is split between the heavens and the earth by means of a swirling cloud upon which Jupiter and Venus sit. Venus holds her son Cupid to her on one side and grasps a long arrow in her free hand. Jupiter is partially mounted on his eagle and holds an unknown object in his raised hand; this object is perhaps an interpretation of a lightning bolt, though snake-like heads emerge from the tips of the thing. Surrounding the gods are the personifications of the constellations/zodiac signs known as Libra, Gemini, and Aquarius. Below the heavens, on the earthly plane, there are amorous couples, musicians, bathers, and crowds of people. These people all seem to represent the personality traits associated with the sanguine or blood humor, including amorousness, happiness, generosity, optimism, and irresponsibility. ", "Dedication" : "Gift of Dale Kinney, Professor of History of Art", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2009.19.1_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2009.19.1_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2009.19.1_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19.1_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "23230", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173657, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/173657", "Disp_Access_No" : "2009.19.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1566", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1566", "Disp_Title" : "Cholerici, from the Set of the Four Temperaments", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Herman Jansz Müller", "Sort_Artist" : "Müller, Herman Jansz", "Disp_Dimen" : "8 7/16 in. x 9 1/4 in. (21.5 cm x 23.5 cm)", "Disp_Height" : "8 7/16 in.", "Disp_Width" : "9 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "One print from the Set of the Four Temperaments. Allegorically depicts Mars as "Choleric" or the humor of yellow bile. A Latin inscription on the bottom edge of the print reads "Armorum rabies incendia, praelia strages [. . .] Luctiferum agnoscunt Martem, dominum (?) cruentum." Roughly translated, this says, "The fiery heat of weapons, the battle, [and] the massacre [. . .] The untamed of (by) grief acknowledge Mars, the bloodthirsty master." This inscription seems to refer to and describe the title of the engraving -- Cholerici. The choleric or yellow bile humor is often associated with traits like violence, vengence, and ambition. The composition is split between the heavens and earth by a roiling cloud on which Mars stands. His pose indicates strength and power. He wears a full suit of armor and holds in one hand his sword and in the other, his shield. Behind him are the personifications of the three constellations/zodiac signs known as Aries, Leo, and Sagittarius. Below the heavens, assumably on earth, there are machines of war before a town, an assembled army, and men working a bellows and a weapons forge. Two men in the foreground fight while another man looks into the heavens. These people and things seem to personify the traits of a choleric personality mentioned above. ", "Dedication" : "Gift of Dale Kinney, Eugenia Chase Guild Professor Emeritus of the Humanities and Professor Emeritus of History of Art", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2009.19.2_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2009.19.2_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2009.19.2_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19.2_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "23231", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173658, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/173658", "Disp_Access_No" : "2009.19.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1566", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1566", "Disp_Title" : "Melancholici, from the Set of the Four Temperaments", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Herman Jansz Müller", "Sort_Artist" : "Müller, Herman Jansz", "Disp_Dimen" : "8 7/16 in. x 9 1/4 in. (21.5 cm x 23.5 cm)", "Disp_Height" : "8 7/16 in.", "Disp_Width" : "9 1/4 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "One print from the Set of the Four Temperaments. Allegorically depicts Saturn as "Melancholic" or the humor of black bile. There is an inscription at the bottom edge of the engraving that reads, "Mensores terrae, vates Saturnus adoptat [. . .] Falciger, [?] quibus est sana nulla uncia mentis." Roughly translated, this says, "Land-surveyors of the earth, Saturn selects [as his] prophets [. . .] The sickle, by which no sane ounce of the mind exists." Like the other engravings in this collection, it would seem that this inscription likely refers to and describes the title of the print -- Melancholici. The traits that are most often associated with the melancholic or black bile humor, however, are introspection, sentimentality, and gluttony, which do not seem overtly present in this image or accompanying caption. According to sources sited on Wikipedia, medieval scholars attributed Saturn to the melancholic humors saying, "Physicians, scholars, philosophers and scientists, which includes writers and musicians, seem to have a strong Saturn placement which tends to lean such natives toward melancholy. The bright side is that Saturn can impart serenity and wisdom. And the wisdom of Saturn is the wisdom of the Earth itself." The composition of this image is split between the heaven and the earth by a sweeping cloud on which Saturn sits, devouring one of his children. In his other hand, he supports his iconic sickle. Behind his figure are the personifications of the constellations/zodiac signs known as Taurus, Virgo, and Capricorn. Below the heavens, there are three men--two are perhaps land-surveyors, while the other is a musician--with tools of their trades, including a compass and globe for two and a harp for the third. The rest of the scene, however, contains a tree from which a dead man hangs and labors preparing other methods of torture with wheels, chains, and a cross. In the far background, one person seems to struggle against his/her captors; three others appear to be in the process of jumping from the edge of a cliff. ", "Dedication" : "Gift of Dale Kinney, Professor of History of Art", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2009.19.3_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2009.19.3_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2009.19.3_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19.3_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "23232", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173659, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/173659", "Disp_Access_No" : "2009.19.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1566", "_Disp_Start_Dat" : "1566", "_Disp_End_Date" : "1566", "Disp_Title" : "Phlegmatici, from the Set of the Four Temperaments", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Herman Jansz Müller", "Sort_Artist" : "Müller, Herman Jansz", "Disp_Dimen" : "8 7/16 in. x 9 1/4 in. (21.5 cm x 23.5 cm)", "Disp_Height" : "8 7/16 in.", "Disp_Width" : "9 1/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "One print from the Set of the Four Temperaments. Allegorically depicts Luna as "Phlegmatic" or the humor of phlegm. There is a Latin inscription on the bottom edge of the print that reads, "Luna tuo in regno, nodosa hic retia pandit [. . .] Piscibus hic volucri pedicas ille equora sulcat." Roughly translated, this says, "Luna in your kingdom, the nets full of knots are spread out here [. . .] In this place, that sea cleaves fetters by swift fish." Like other prints from this collection, it would seem that this inscription refers to and perhaps describes the title of the print -- Phlegmatici. The traits most often associated with the humor of phlegm, however, are sluggishness, cowardice, and lifelessness, which do not seem to describe the contents of the image. Nevertheless, medieval medical practices did associate the moon and the lunar cycle with both physiological and psychological health. Rather than allegorically expressing the personality traits of "phlegmatic" personalities, it is possible that this image is meant to associate the Roman goddess of the moon, Luna, with fishery work. The composition is split between the heavens and the earth by a cloud upon which Luna sits holding the moon in her hand. Behind her are the personifications of the constellations/zodiac signs of Scorpio, Pisces, and Cancer. Below the heavens, there are many men engaged in fishery work, including fishing with both nets and poles and the capturing of water fowl. In the background, there are many types of ships and boats out on the sea off the coast of small town. Above the ships fly a flock of sea birds.", "Dedication" : "Gift of Dale Kinney, Professor of History of Art", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2009.19.4_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2009.19.4_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2009.19.4_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19.4_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "23233", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173660, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/173660", "Disp_Access_No" : "2009.19.5", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Haud mora promissis stat Iudas mittit et hoedum", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicolas Visscher", "Sort_Artist" : "Visscher, Nicolas", "Disp_Dimen" : "8 1/4 in. x 10 1/4 in. (21 cm x 26 cm)", "Disp_Height" : "8 1/4 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Not a delay of promise releases Judas and (his) goat...", "Dedication" : "Gift of Dale Kinney, Professor of History of Art", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2009.19.5_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2009.19.5_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2009.19.5_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19.5_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "23234", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173661, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/173661", "Disp_Access_No" : "2009.19.6", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Hospicium superis prabet Lot inscius haec. fors.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Philip Galle", "Sort_Artist" : "Galle, Philip", "Disp_Dimen" : "8 11/16 in. x 11 1/4 in. (22 cm x 28.5 cm)", "Disp_Height" : "8 11/16 in.", "Disp_Width" : "11 1/4 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Lot (begs?) host angels not knowing this", "Dedication" : "Gift of Dale Kinney, Professor of History of Art", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2009.19.6_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2009.19.6_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2009.19.6_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.19.6_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "23235", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 173900, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/173900", "Disp_Access_No" : "2009.24.32", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "Johann Casimir, Duke of Saxony", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Crispijn de Passe, the younger", "Sort_Artist" : "Passe, the younger, Crispijn de", "Disp_Dimen" : "5 5/8 in. x 4 in. (14.3 cm x 10.2 cm)", "Disp_Height" : "5 5/8 in.", "Disp_Width" : "4 in.", "Dimen_Extent" : "Plate", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Portrait of Johann Casimir, Duke of Saxony, 1564-1633", "Dedication" : "Gift of James Tanis, Director of Libraries, 1969-1996, and Florence Tanis", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "print", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2009.24.32_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2009.24.32_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2009.24.32_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.24.32_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "25490", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 175585, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/175585", "Disp_Access_No" : "1946.18.DUP", "_AccNumSort1" : "", "Disp_Create_DT" : "17th century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1699", "Disp_Title" : "The Blind Beggar Tricked by Lazarillo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Wyck", "Sort_Artist" : "Wyck, Thomas", "Disp_Dimen" : "5 1/16 in. x 4 9/16 in. (12.86 cm x 11.59 cm)", "Disp_Height" : "5 1/16 in.", "Disp_Width" : "4 9/16 in.", "Dimen_Extent" : "Sheet", "Medium" : "Engraving", "Support" : "", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "Netherlands", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/1946.18.DUP_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/1946.18.DUP_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/1946.18.DUP_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1946.18.DUP_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33946", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 176633, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/176633", "Disp_Access_No" : "2000.7.13", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Spoon, Apostle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown Artist", "Sort_Artist" : "Artist, Unknown", "Disp_Dimen" : "5 1/4 in. (13.34 cm)", "Disp_Height" : "5 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Silver", "Support" : "", "Disp_Medium" : "Silver", "Info_Page_Comm" : ""Apostle spoon with twisted handle, topped by column and full figure representing Saint Andrew. Oval bowl inscribed on both sides. Place of manufacture: Holland" Bowl marked "Mary Smith Rupert" and "Senior Luncheon Deanery June 4, 1918"; marked "B10197" on back of handle", "Dedication" : "Bequest of M. Carey Thomas, President of Bryn Mawr College, 1894-1922", "Copyright_Type" : "", "Disp_Obj_Type" : "Dutch", "Creation_Place2" : "", "Department" : "Decorative Arts", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2000.7.13_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2000.7.13_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2000.7.13_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.7.13_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46768", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }