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Man with young boy and a young girl. Man holds a decorated dipper(?) in his hands. Boy holds a model of the Treasure Boat, which is auspicious if it appears in one's dream on New Years. Girl carries model of a moutain with turtle and crane, both symbols of longetivity. May refer to dream Genji has in the story? 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Two women beating cloth. Both have taken off kimono and in their red under-kimono for easy move ment during work. Woman on left wears a white tenugui (towel) on her head. Woman on right wears a red bow in her coiffure. Scene is set outdoors; the two sit on the ground on thin straw mats, with the roll of white cloth between them. 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Part Allusions to 100 Poems--the 24th image. Text reads: "At the present time, / Since I could bring no offering, / See Mount Tamuke! // Here are brocades of red leaves, / As a tribute to the gods." 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A beautiful woman sitting on the floor with right hand raised. 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(40.01 cm x 26.67 cm)", "Disp_Height" : "15 3/4 in.", "Disp_Width" : "10 1/2 in.", "Dimen_Extent" : "", "Medium" : "Color woodblock", "Support" : "", "Disp_Medium" : "Color woodblock", "Info_Page_Comm" : "This print, part of a triptych that shows several women engaged in needlework, highlights the innovation and style of celebrated woodblock print artist Kitagawa Utamaro. The artist’s originality is shown through the representation of the sheer cloth, an effect he developed by attaching textured gauze or grains of sand to the woodblock instead of carving it (nunomezuri). His style is revealed by the sensitive depiction of mother and child and the idealized faces and forms of the pair. Utamaro was one of the ukiyo-e artists who were most famous outside Japan. His “pictures of the floating world” (representations of the lifestyle and entertainment of the emerging middle class) served as inspiration to such artists as Cassatt, Manet, and Degas. Oban, vertical. 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