{ "objects" : [ { "embark_ID" : 153083, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/153083", "Disp_Access_No" : "TN.214", "_AccNumSort1" : "", "Disp_Create_DT" : "Probably 20th century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Shugendo Ritual Garment", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Textile", "Support" : "", "Disp_Medium" : "Textile", "Info_Page_Comm" : "Kimono with printed calligraphy and images used for a religious purpose. Sandskrit calligraphy on back and Chinese on sleeve indicating praise to the deity. Red temple seal of Samboin Daigoji. This garment is the upper robe of a suzukake, the ritual garment worn by yamabushi, mountain ascetics of Shugendō. The robe was donated by Bryn Mawr College alumna Helen B. Chapin, who was a foundational scholar in East Asian Studies in the United States. Chapin traveled to China, Japan, and Korea in the 1920s and early 1930s, during which she garnered a great collection of East Asian artifacts. She studied at Yakushiji, a prominent Buddhist temple, at Nara during her stays in Japan, and gained prestige as a Buddhist scholar. Shugendō is a highly syncretic religion that gradually took form in the ninth and tenth centuries when the Japanese folk tradition of mountain veneration incorporated elements from shamanism, esoteric Buddhism, Taoism, and several other religious influences (Earhart, 2001, p.2-3). Embodying a distinct blend of Shinto, the indigenous kami (deity) worship, and Buddhism, an imported religion, Shugendō has played an active role in shaping the worldview and the religious life of the Japanese people. The red seal to the left of the collar reads “Daihonzan Daigo Sanbōin,” identifying the garment to be for Daigoji Temple's Sanbōin, a major Shugendō center of the Tōzan branch affiliated with the Shingon esoteric Buddhist sect. The calligraphy on the right sleeve says “Namu Shōbō Rigen Daishi”, invoking the name of the legendary founder of the Tōzan sect and Daigoji temple, Rigen (832-909), whose portrait in holy garment appears at the left shoulder. The calligraphy on the left sleeve “Namu Jinben Daibosatsu” and the portrait on the right shoulder (Fig. 5) invoke En no Gyōja (b.634), the legendary founder of Shugendō. Shugendō was influenced by folk ancestor worship, and many of its founders—including the two figures—were accredited with legends, deified, and enshrined as objects of worship (Miyake, 2001, p.118-119). Dijia Chen Bryn Mawr College Class of 2016", "Dedication" : "Gift of Helen Burwell Chapin, Class of 1914, AB 1915", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "kimono", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/TN.214_BMC_f_8.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/TN.214_BMC_f_8.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/TN.214_BMC_f_8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/TN.214_BMC_f_8.jpg", "IsPrimary" : "1", "_SurrogateID" : "96404", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 152757, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/152757", "Disp_Access_No" : "2005.6.16", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1940-1949", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1949", "Disp_Title" : "Kimono", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "55 in. x 55 in. (139.7 cm x 139.7 cm)", "Disp_Height" : "55 in.", "Disp_Width" : "55 in.", "Dimen_Extent" : "", "Medium" : "Textile", "Support" : "", "Disp_Medium" : "Textile", "Info_Page_Comm" : "Outer layer made of silk with orange, purple, green, red, and white floral pattern, inside layer made of pale pink silk, detached belt in same fabric as outer layer. One of a pair of kimonos. One made for E. G. vining, one for E. G. Vining's sister, because her Majesty worried that they would be cold. The one made for her sister is the one BMC has. ", "Dedication" : "Gift of Elizabeth Gray Vining, Class of 1923", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "kimono", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2005.6.16_BMC_f.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2005.6.16_BMC_f.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2005.6.16_BMC_f.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.6.16_BMC_f.jpg", "IsPrimary" : "1", "_SurrogateID" : "7846", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 174897, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/174897", "Disp_Access_No" : "2010.15.1.a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1980", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1985", "Disp_Title" : "Kimono", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "62 x 58 in. (157.48 x 147.32 cm)", "Disp_Height" : "62 in.", "Disp_Width" : "58 in.", "Dimen_Extent" : "", "Medium" : "Silk", "Support" : "", "Disp_Medium" : "Silk", "Info_Page_Comm" : "Dark blue silk kimono with printed decoration and yellow sash", "Dedication" : "Gift of Ryoko Shibuya, MA 1957", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "kimono", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2010.15.1.a-b_BMC_ed.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2010.15.1.a-b_BMC_ed.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2010.15.1.a-b_BMC_ed.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2010.15.1.a-b_BMC_ed.jpg", "IsPrimary" : "1", "_SurrogateID" : "101972", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2010.15.1.a-b_BMC_d.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2010.15.1.a-b_BMC_d.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2010.15.1.a-b_BMC_d.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2010.15.1.a-b_BMC_d.jpg", "IsPrimary" : "0", "_SurrogateID" : "219205", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2010.15.1.a-b_BMC_d_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2010.15.1.a-b_BMC_d_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2010.15.1.a-b_BMC_d_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2010.15.1.a-b_BMC_d_2.jpg", "IsPrimary" : "0", "_SurrogateID" : "219206", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2010.15.1.a-b_BMC_d_3.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2010.15.1.a-b_BMC_d_3.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2010.15.1.a-b_BMC_d_3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2010.15.1.a-b_BMC_d_3.jpg", "IsPrimary" : "0", "_SurrogateID" : "219207", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 194146, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/194146", "Disp_Access_No" : "2014.4.29", "_AccNumSort1" : "", "Disp_Create_DT" : "Mid 19th century - Late 19th century", "_Disp_Start_Dat" : "1833", "_Disp_End_Date" : "1899", "Disp_Title" : "Kosode (Japanese Robe) with Painted and Embroidered Decoration", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "", "Sort_Artist" : "", "Disp_Dimen" : "68 in. (172.72 cm)", "Disp_Height" : "68 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Painted and embroidered silk", "Support" : "", "Disp_Medium" : "Painted and embroidered silk", "Info_Page_Comm" : "This Kosode (Japanese robe) is said to have belonged to M. Carey Thomas, before it belonged to Helen Manning Taft (daughter of US President, and acting President and Dean of Bryn Mawr College) whose daughter donated it. 3 small Family Crests across the back 'pinks" small pink carnations as part of the painted design. ", "Dedication" : "Gift of Helen Manning Hunter, Professor Emeritus of Physics", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "kimono", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 203113, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/203113", "Disp_Access_No" : "2022.13.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Nanny Asaoka, from the series Azuma nishiki chuya kurabe", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : " Azuma nishiki chuya kurabe (Eastern Brocade, Day and Night Compared)", "Disp_Maker_1" : "Toyohara Chikanobu", "Sort_Artist" : "Chikanobu, Toyohara", "Disp_Dimen" : "14 x 9 3/8 in. (35.56 x 23.813 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "9 3/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Color woodblock", "Support" : "", "Disp_Medium" : "Color woodblock", "Info_Page_Comm" : ""Asaoka was the nanny for Kamechiyo, the heir of the powerful house of Date. She guarded the child against various assassination attempts" (from ukiyo-e website). This print is part of the series Azuma nishiki chuya kurabe (Edo Embroidery Pictures, Comparison of Day and Night). From Claremont College's description: In the city of Sendai, several assassination attempts were made to overthrow the Date family. The print depicts a masked assassin being overpowered by a family retainer while the young heir is shielded by his nursemaid during an attack in the Bamboo Chamber. In the upper inset Arajishi Otakonosuke, one of the Date family retainers, defends their mansion. The story was dramatized in the Kabuki play Meiboku Sendai hagi. (Bruce Coats, "Chikanobu: Modernity and Nostalgia in Japanese Prints," p. 125)", "Dedication" : "Gift of S. Kathleen Doster, Class of 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "Meiji", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.27_BMC_f.JPG", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.27_BMC_f.JPG", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.27_BMC_f.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.27_BMC_f.JPG", "IsPrimary" : "0", "_SurrogateID" : "224842", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.27_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.27_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.27_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.27_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "225019", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 203112, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/203112", "Disp_Access_No" : "2022.13.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Lightning Strike, from the series Azuma nishiki chuya kurabe", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : " Azuma nishiki chuya kurabe (Eastern Brocade, Day and Night Compared)", "Disp_Maker_1" : "Toyohara Chikanobu", "Sort_Artist" : "Chikanobu, Toyohara", "Disp_Dimen" : "14 x 9 1/2 in. (35.56 x 24.13 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "Sheet", "Medium" : "Color woodblock", "Support" : "", "Disp_Medium" : "Color woodblock", "Info_Page_Comm" : ""Court lady Matsushima-no-Tsubone at the Lord Minamoto-no-Sanetomo escapes from Hojo Tomotoki" (from ukiyo-e website). Other descriptions refer to Matsushima as a maid or a lady-in-waiting. This print is part of the series Azuma nishiki chuya kurabe (Edo Embroidery Pictures, Comparison of Day and Night). From the Claremont Colleges Description:Although Lady Matsushima was an attendant of the shogun Minamoto no Sanetomo (1192-1219), Hojo Tomotoki (1193-1245), second son of the regent Hojo Yoshitoki, frequently sent her love letters, even though she was deeply in love with Wada Asahina Yoshihide. (See Plate 83) One night she had to fight off Tomotoki's overt passions, and tried to escape with Yoshihide, but that scheme was blocked by Sanetomo.", "Dedication" : "Gift of S. Kathleen Doster, Class of 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "Meiji", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.26_BMC_f.JPG", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.26_BMC_f.JPG", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.26_BMC_f.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.26_BMC_f.JPG", "IsPrimary" : "0", "_SurrogateID" : "224841", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.26_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.26_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.26_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.26_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "225018", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 203105, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/203105", "Disp_Access_No" : "2022.13.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Takeuchi no Sukune, from the series Azuma nishiki chuya kurabe", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : " Azuma nishiki chuya kurabe (Eastern Brocade, Day and Night Compared)", "Disp_Maker_1" : "Toyohara Chikanobu", "Sort_Artist" : "Chikanobu, Toyohara", "Disp_Dimen" : "14 x 9 3/8 in. (35.56 x 23.813 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "9 3/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Color woodblock", "Support" : "", "Disp_Medium" : "Color woodblock", "Info_Page_Comm" : ""Old man Takenouchi Sukune guarding the emperor at [the] moon viewing party" (from ukiyo-e website). Inset shows Empress Jingu and Sukune fishing on coast of Chikuzen. This print is part of the series Azuma nishiki chuya kurabe (Edo Embroidery Pictures, Comparison of Day and Night). From the Claremont Colleges record: The warrior Takenouchi no Sukune was the trusted minister of the 3rd century empress Jingu, who is credited with conquering kingdoms on the Korean Peninsula. He is shown here in the garden of the imperial palace. Later Sukune became regent for Emperor Ojin.", "Dedication" : "Gift of S. Kathleen Doster, Class of 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "Meiji", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.19_BMC_f.JPG", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.19_BMC_f.JPG", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.19_BMC_f.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.19_BMC_f.JPG", "IsPrimary" : "0", "_SurrogateID" : "224796", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.19_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.19_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.19_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.19_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "225009", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 203104, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/203104", "Disp_Access_No" : "2022.13.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1884", "_Disp_Start_Dat" : "1884", "_Disp_End_Date" : "1884", "Disp_Title" : "Yamato, Utabiko, Lady Kasuga and Princess Chujo, from the series Setsu getsu ka (Snow, Flower, Moon)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Setsu getsu ka/Setsugekka", "Disp_Maker_1" : "Toyohara Chikanobu", "Sort_Artist" : "Chikanobu, Toyohara", "Disp_Dimen" : "14 1/2 x 9 1/2 in. (36.83 x 24.13 cm)", "Disp_Height" : "14 1/2 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "Sheet", "Medium" : "Color woodblock", "Support" : "", "Disp_Medium" : "Color woodblock", "Info_Page_Comm" : ""Utahiko and her assistant Toyohi-no-mae are beating up Princess Chujo. Kannon is coming to [the] rescue [in the inset]" (from ukiyo-e website). This print is part of the series Setsu getsu ka, or Setsugekka (Snow, Moon, and Flowers). From Claremont Colleges: Princess Chujo was asked to safeguard a statue of Kannon. Her wicked stepmother Iwane gozen stole the image and then accused Chujo of losing it. Here Chujo is being attacked by Lady Kasuga, using a tobacco pipe, and another woman, who succeed in driving the Princess out of the palace to take refuge in Mt. Hibari. This "snow torture scene" / yukizeme was a popular part of the kabuki play Hibariyama himesute matsu.", "Dedication" : "Gift of S. Kathleen Doster, Class of 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "Meiji", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.18_BMC_f.JPG", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.18_BMC_f.JPG", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.18_BMC_f.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.18_BMC_f.JPG", "IsPrimary" : "0", "_SurrogateID" : "224788", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.18_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.18_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.18_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.18_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "225005", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 203103, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/203103", "Disp_Access_No" : "2022.13.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1884-1885", "_Disp_Start_Dat" : "1884", "_Disp_End_Date" : "1885", "Disp_Title" : "Yamashiro, Snow at Fushimi, Lady Tokiwa, Otowaka, from the series Setsu getsu ka (Snow, Flower, Moon)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Setsu getsu ka/Setsugekka", "Disp_Maker_1" : "Toyohara Chikanobu", "Sort_Artist" : "Chikanobu, Toyohara", "Disp_Dimen" : "14 3/8 x 9 3/4 in. (36.513 x 24.765 cm)", "Disp_Height" : "14 3/8 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "Sheet", "Medium" : "Color woodblock", "Support" : "", "Disp_Medium" : "Color woodblock", "Info_Page_Comm" : "The print features Lady Tokiwa, a noblewoman and the wife of Minamoto no Yoshitomo, fleeing to Uta with her three sons in winter after her husband's death in the Heiji rebellion. The inset shows a Kabuki actor playing a samurai and holding an umbrella (information from antique print and map room website). This print is part of the series Setsu getsu ka, or Setsugekka (Snow, Moon, and Flowers). From the Claremont Colleges description: Description Lady Tokiwa was a Japanese noblewoman of the late Heian period. A concubine or wife to Minamoto no Yoshitomo, she bore him three sons, one of whom became the great samurai general Minamoto no Yoshitsune. After Yoshitomo's death in 1160, she fled with her children in the depth of winter, pursued by Taira soldiers, to to Uta. She carries a snow-covered, wide-brimmed peasant hat as she flees through the falling snow, her wind-blown hair fluttering around her face as she tucks her baby in the folds of her robes, her other two boys at her side.The boys wear red kimono and green hakama with tall sandals on their feet, and carry swords as befits their status as the sons of a samurai. One boy blows on his hands to warm them against the cold, and the other holds the brim of his wide hat against the wind. A stream flows behind them, and a snow-covered pine frames the image to the left. In the top left is an image of a samurai holding an umbrella, and on the right calligraphy.", "Dedication" : "Gift of S. Kathleen Doster, Class of 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "Meiji", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.17_BMC_f.JPG", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.17_BMC_f.JPG", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.17_BMC_f.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.17_BMC_f.JPG", "IsPrimary" : "0", "_SurrogateID" : "224783", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.17_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.17_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.17_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.17_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "225004", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 203102, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/203102", "Disp_Access_No" : "2022.13.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "Yamashiro, Snow at the Imperial Palace, Lady Sei Shonagon, from the series Setsu getsu ka (Snow, Flower, Moon)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Setsu getsu ka/ Setsugekka", "Disp_Maker_1" : "Toyohara Chikanobu", "Sort_Artist" : "Chikanobu, Toyohara", "Disp_Dimen" : "13 7/8 x 9 3/8 in. (35.243 x 23.813 cm)", "Disp_Height" : "13 7/8 in.", "Disp_Width" : "9 3/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Color woodblock", "Support" : "", "Disp_Medium" : "Color woodblock", "Info_Page_Comm" : ""Lady Seisho-nagon of Heian court. She wrote the essay, 'Makura Soshi'" (from ukiyo-e website). This print is part of the series Setsu getsu ka, or Setsugekka (Snow, Moon, and Flowers). From clairemont College's record: The 10-11th century poet Sei Shonagon was invited to join the Imperial Court to enhance the literary atmosphere around Empress Teishi's entourage. Sei was known for her quick wit and critical eye, and compiled a "Pillowbook / Makura no Soshi" of random observations. Here Sei raises the bamboo blinds of her apartment to enjoy the plum blossoms in snow.", "Dedication" : "Gift of S. Kathleen Doster, Class of 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "Meiji", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.16_BMC_f.JPG", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.16_BMC_f.JPG", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.16_BMC_f.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.16_BMC_f.JPG", "IsPrimary" : "0", "_SurrogateID" : "224774", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.16_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.16_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.16_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.16_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "225003", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 203099, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/203099", "Disp_Access_No" : "2022.13.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Prince Oto-No-Miya, from the series Azuma nishiki chuya kurabe", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : " Azuma nishiki chuya kurabe (Eastern Brocade, Day and Night Compared)", "Disp_Maker_1" : "Toyohara Chikanobu", "Sort_Artist" : "Chikanobu, Toyohara", "Disp_Dimen" : "13 7/8 x 9 7/8 in. (35.243 x 25.083 cm)", "Disp_Height" : "13 7/8 in.", "Disp_Width" : "9 7/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Color woodblock", "Support" : "", "Disp_Medium" : "Color woodblock", "Info_Page_Comm" : ""Ohto-no-miya battles against [an] assassin" (from ukiyo-e website). Oto-no-miya was also known as Prince Morinaga. This print is part of the series Azuma nishiki chuya kurabe (Edo Embroidery Pictures, Comparison of Day and Night). Description from Claremont Colleges online record for this print: Oto no miya Morinaga (1308-1335) was the third son of Emperor GoDaigo (1288-1339) and closely involved with his father’s efforts to restore political power to the imperial family. However, when Ashikaga Takauji (1305-1358) decided to claim the position of shogun, Prince Morinaga was captured and put under house arrest in a cave near Kamakura. Ashikaga Tadayoshi (1306-1352) was put in charge of the prince, but when the local Hojo troops rebelled against the Ashikaga, Tadayoshi was forced to flee and beheaded Prince Morinaga rather than risk having him taken by the Hojo. Here the prince’s wife Minami no miya tries to stop the execution.", "Dedication" : "Gift of S. Kathleen Doster, Class of 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "Meiji", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.13_BMC_f.JPG", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.13_BMC_f.JPG", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.13_BMC_f.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.13_BMC_f.JPG", "IsPrimary" : "0", "_SurrogateID" : "224758", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.13_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.13_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.13_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.13_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "225000", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 203098, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/203098", "Disp_Access_No" : "2022.13.12.a-c", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "The Ghost of Nikki Danjo, from the series Take no hitobushi", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Take no hitobushi", "Disp_Maker_1" : "Toyohara Chikanobu", "Sort_Artist" : "Chikanobu, Toyohara", "Disp_Dimen" : "14 x 9 1/8 in. (35.56 x 23.178 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Color woodblock", "Support" : "", "Disp_Medium" : "Color woodblock", "Info_Page_Comm" : "The print features a scene from the kabuki play, Meiboku Sendai Hagi, with the villain Nikki Danjo on the left print, Masaoka holding the lantern in the middle, and Otoko-no-suke on the right (from Claremont Colleges Digital Library website). This print is part of the series Take no hitobushi (Bamboo Knots/Joints). Another copy of the print was sold by japancient.com and their record said this: Original woodblock print triptych – Toyohara Yoshu Chikanobu (1838-1912) – ‘Meiboku sendai hagi Yukashitanoba’ 伽蘿先代萩 床下の場 (Sparrow on bamboo: [kabuki play] Meiboku sendai hagi yukashita noba) – From the series “Take no hitobushi” 竹のひと節 (Bamboo Joints) – Japan – 1897 (Meiji 30) This drawn the scene of Yukashita-no-ba, a performance called Kabuki’Meiboku sendai hagi . The figure being drawn is three members who plays the masaokanotubone(政岡局), Arashishi otokonosuke(荒獅子男之介), Niki danjo (仁木弾正) draw The signature says “Yoshu”揚州”. Publisher bya Matsumoto Heikichi 松本平吉 Toyohara Chikanobu (豊原周延), better known to his contemporaries as Yōshū Chikanobu (楊洲周延), was a prolific woodblock artist of Japan’s Meiji period. Chikanobu signed his artwork “Yōshū Chikanobu”(楊洲周延). This was his “art name”. The artist’s “real name” was Hashimoto Naoyoshi (橋本直義); and it was published in his obituary. Many of his earliest works were signed “studio of Yōshū Chikanobu” (楊洲齋周延) Yōshū-sai Chikanobu; a small number of his early creations were simply signed “Yōshū” (楊洲). At least one triptych from 1879 exists signed “Yōshū Naoyoshi” (楊洲直義). No works have surfaced that are signed either “Toyohara Chikanobu” or “Hashimoto Chikanobu”. When it comes to works around this time, he has established his own style of painting, and you can see how it looks in women’s kimonos and how to draw the contours of their faces.This year is also the year when Zhou Nobu’s masterpiece “Chiyoda no Omote(千代田之御表)” was exhibited. From Claremont Colleges record: Description This scene is from the 2nd act of the long play "The Precious Incense and Autumn Flowers of Sendai" / Meiboku Sendai hagi, first written in 1777 for the Osaka kabuki stage in and then greatly expanded in 1785 for the puppet theater, the reverse of the usual way plays developed. Over the years, many scenes were added and dropped, but this story of political intrigues in the Date clan of Sendai continues to be an annual kabuki favorite. Nikki Danjo, the figure at left in this print, is one of the great villains of the kabuki repertoire. An attempted coup in 1660 was the basis for the drama, but censorship laws required that the names and dates be changed, so the kabuki play takes place in Kyoto during the Onin Wars of the mid 16th century instead of Sendai in the 17th century. Prior to the scene shown here, the wet-nurse Masaoka has been loyally guarding the young son of a local daimyo /feudal lord, even though her own son mistakenly dies from poison food meant for the other boy. (See Plate 4) Masaoka obtains a scroll that lists the names of those involved in the murderous plot, but in a violent struggle with another female attendant, the scroll is dropped on the floor, and a giant rat runs off with it. The warrior Arajishi Otoko-no-suke, who is also devoted to the young lord, has been hiding under the mansion floorboards in order to protect the boy. Otoko-no-suke sees the rat, steps on its tail and tries to grab the scroll. He hits the rat's forehead with the steel handle of his fan, but the beast escapes. At this moment on stage, the boy actor dressed as a rat disappears through a trapdoor, and a man dressed in a gray (rat colored) kimono rises out of the stage floor, with a scroll in his mouth. This is Nikki Danjo, one of the evil conspirators. Danjo throws a dagger at Otoko-no-suke and then does mysterious hand gestures to make himself invisible. Chikanobu's print records the moment after the dramatic transformation, as Nikki Danjo's body begins to disappear. Masaoka holds out a lantern to help Otoko-no-suke, but Danjo is already fading into the darkness. James R. Brandon and Samuel L. Leiter (ed.), Kabuki Plays on Stage, Volume II Villany and Vengence 1773-1799 (University of Hawai'i Press, Honolulu, 2002), pp. 48-71. Aubrey S. & Giovanna M. Halford, The Kabuki Handbook (Charles E. Tuttle, Tokyo, 1956), pp. 212-220. Arendie & Henk Herwig, Heroes of the Kabuki Stage (Hotei Publishing, Amsterdam, 2004), pp. 242-249.", "Dedication" : "Gift of S. Kathleen Doster, Class of 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "Meiji", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.12.a-c_BMC_f.JPG", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.12.a-c_BMC_f.JPG", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.12.a-c_BMC_f.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.12.a-c_BMC_f.JPG", "IsPrimary" : "0", "_SurrogateID" : "224898", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.12.a-c_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.12.a-c_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.12.a-c_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.12.a-c_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "224999", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 203097, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/203097", "Disp_Access_No" : "2022.13.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Kintoki at Ashigara Mountain, from the series Azuma nishiki chuya kurabe (Eastern Brocade, Day and Night Compared)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Azuma nishiki chuya kurabe (Eastern Brocade, Day and Night Compared)", "Disp_Maker_1" : "Toyohara Chikanobu", "Sort_Artist" : "Chikanobu, Toyohara", "Disp_Dimen" : "14 x 9 1/2 in. (35.56 x 24.13 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "Sheet", "Medium" : "Color woodblock", "Support" : "", "Disp_Medium" : "Color woodblock", "Info_Page_Comm" : ""Kintaro (later known as Sakata no Kintoki) was a wild boy playing with animals in Ashigara Mountains. He was brought up by Yama-uba who lived in the mountains. He later became one of Minamoto no Yorimitsu's famous four retainers" (from ukiyo-e website). This print is part of the series Azuma nishiki chuya kurabe (Edo Embroidery Pictures, Comparison of Day and Night). From the Japanese Art Open Database: A Collection of Night Tales: # 3 Artist: Chikanobu Format: Oban tate-e: 14" x 9.5" approx. Subject: Kintoki with his Monkeys and the ghost woman of Ashigara Mountain. In the background a distant view of Mount Fuji printed in ghostly grey. Publisher: Kobayashi Tetsujiro Date: 1866 Condition: Fine colors. Slightly trimmed in margins. Japanese album backing paper. Minor soils, marks and flaws. Generally fine state of preservation. Impression: Fine impression with gauffrage From Claremont College's description: Several myths surround Kintaro, a boy who grew up in the mountains and could speak animal languages, shown here with monkeys and the woman who helped raise him, Yamauba. Kintaro joined the legendary warrior Minamoto no Yorimitsu (948-1021) when he was a young man, changing his name to Sakada Kintoki. Yorimitsu, also known as Raiko, was noted for defeating various demons, including the spider monster / tsuchikumo. Inset: Minamoto Yorimitsu seeing the shadow of the spider monster.", "Dedication" : "Gift of S. Kathleen Doster, Class of 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "Meiji", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.11_BMC_f.JPG", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.11_BMC_f.JPG", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.11_BMC_f.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.11_BMC_f.JPG", "IsPrimary" : "0", "_SurrogateID" : "224743", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.11_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.11_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.11_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.11_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "224998", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 203096, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/203096", "Disp_Access_No" : "2022.13.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Iga no Tsubone, from the series Azuma nishiki chuya kurabe", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : " Azuma nishiki chuya kurabe (Eastern Brocade, Day and Night Compared)", "Disp_Maker_1" : "Toyohara Chikanobu", "Sort_Artist" : "Chikanobu, Toyohara", "Disp_Dimen" : "14 x 9 3/8 in. (35.56 x 23.813 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "9 3/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Color woodblock", "Support" : "", "Disp_Medium" : "Color woodblock", "Info_Page_Comm" : ""Iga-no-tsubone [wife of Shinozuka Iga no Kami] was famous for her [extraordinary] strength. She encountered a ghost [at a lake one evening, and] she answered the ghost without any fear and it disappeared without harming her" (from ukiyo-e website). This print is part of the series Azuma nishiki chuya kurabe (Edo Embroidery Pictures, Comparison of Day and Night). From the Japanese Art Open Database: A Collection of Night Tales: # 2 Artist: Chikanobu Format: Oban tate-e: 14" x 9.5" approx. Subject: The brave wife of Shinozuka Iga no Kami standing on the bank of a lake in the evening as a ghost appears from the waters behind her. Publisher: Kobayashi Tetsujiro Date: 1866 Condition: Fine colors. Slightly trimmed in margins. Japanese album backing paper. Minor soils, marks and flaws. Generally very good state of preservation. Impression: Fine impression with gauffrage and extensive use of mica. From claremont college's description: Lady Iga was in service to Emperor GoDaigo (1288-1339), who was exiled to the mountains of Yoshino where he established an alternative imperial court. His palace there was haunted by the ghost of Sasaki Kiyotada, who had been executed after poorly advising the emperor. Iga no tsubone courageously confronted the spirit, which then did not return.", "Dedication" : "Gift of S. Kathleen Doster, Class of 1978", "Copyright_Type" : "", "Disp_Obj_Type" : "Japanese", "Creation_Place2" : "Japan", "Department" : "Fine Arts", "Obj_Name" : "", "Period" : "Meiji", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.10_BMC_f.JPG", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.10_BMC_f.JPG", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.10_BMC_f.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.10_BMC_f.JPG", "IsPrimary" : "0", "_SurrogateID" : "224737", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://triarte.brynmawr.edu/Media/images/2022.13.10_BMC_f_2.jpg", "ThumbnailPath" : "https://triarte.brynmawr.edu/Media/Thumbnails/2022.13.10_BMC_f_2.jpg", "PreviewPath" : "https://triarte.brynmawr.edu/Media/Previews/2022.13.10_BMC_f_2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2022.13.10_BMC_f_2.jpg", "IsPrimary" : "1", "_SurrogateID" : "224997", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 203095, "URL" : "https://triarte.brynmawr.edu/Objects-1/info/203095", "Disp_Access_No" : "2022.13.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Sanada Nobuyuki's Wife, the Female Warrior, Backing up her Husband's Troops, from the Series Azuma nishiki chuya kurabe (Eastern Brocade, Day and Night Compared)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : " Azuma nishiki chuya kurabe (Eastern Brocade, Day and Night Compared)", "Disp_Maker_1" : "Toyohara Chikanobu", "Sort_Artist" : "Chikanobu, Toyohara", "Disp_Dimen" : "14 x 9 3/8 in. (35.56 x 23.813 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "9 3/8 in.", "Dimen_Extent" : "Sheet", "Medium" : "Color woodblock", "Support" : "", "Disp_Medium" : "Color woodblock", "Info_Page_Comm" : ""Osumi-no-kata, wife of Sanada Nobuyuki at the Battle of Sekigahara. She is listening to a report" (from ukiyo-e website). This print is part of the series Azuma nishiki chuya kurabe (Edo Embroidery Pictures, Comparison of Day and Night). From Claremont College's description: Osumi no kata was the daughter of the warrior Honda Tadakatsu (1548-1618), a close Tokugawa ally. She was married to Sanada Nobuyuki (1566-1658), who as a boy had been sent by his father to be a Tokugawa hostage. In 1600 Nobuyuki's father and younger brother had opposed Tokugawa forces at the time of the Battle of Sekigahara, and Osumi no kata was asked to deliver a secret message to secure alliances and get reinforcements to defend the barrier at Annaka.", "Dedication" : "Gift of S. 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